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92 pages 3 hours read

Kelly Barnhill

The Ogress and the Orphans

Fiction | Novel | Middle Grade | Published in 2022

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Chapters 25-30Chapter Summaries & Analyses

Chapter 25 Summary: “An Unexpected Treasure in the Woods”

The crow who found Cass in the woods (Harold) rushes back to the farm to tell the Ogress and others about the child. The Ogress abandons her deliveries to find Cass and bring her back to the house, where she tends to her fever. Harold curls up against Cass, who hugs him close, and he understands for the first time “what it meant to be truly happy” (193).

Chapter 26 Summary: “The Orphan House Was Never Meant For This”

With Cass’s disappearance, the Orphan House is in complete disarray. Myron and the Matron continue to believe Cass was kidnapped, but Anthea is sure Cass left of her own free will. She realizes Cass’s actions might have been her saying goodbye and remembers she told Cass her fears about her birthday, and suddenly, Anthea feels “the weight of guilt and shame settle in the well of her belly” (197). Unsure what to do next, Anthea focuses on things she can accomplish, such as caring for the smaller kids and ensuring everyone eats.

Later, the cobbler arrives with the constable, who asks about Cass’s behavior of late. Anthea tries to explain that Cass had been acting strangely, but no one believes her. Instead, the constable says the Ogress most likely took Cass due to the undeniable evidence, even though there is none.

Chapter 27 Summary: “The Return”

Under the Ogress’s care, Cass’s fever breaks. Harold remains nestled against her, and when the Ogress rocks Cass to sleep, “it felt like belonging” (203). That night, she loads up her wagon with extra food for the Orphan House and brings a sleeping Cass back to town.

Chapter 28 Summary: “What the Butcher Saw”

Meanwhile, the butcher is awake in his shop, unable to sleep after days of hard work replacing a section of road that the Mayor never did anything about. He’s annoyed he didn’t get recognition for his work and doesn’t understand why people think he’s so bad when he sacrifices so much for the town. He hears crows outside and goes to the window, where he sees the Ogress carrying Cass. He concludes the Ogress is stealing children and that something must be done. However, he isn’t brave enough to act, so he convinces himself that not acting is wise because the Ogress is so much bigger than him. Besides, he wants to tell his neighbors so they can admire his discovery, and he sits at the window “patiently waiting for morning to come” (209).

Chapter 29 Summary: “Bartleby’s Strange Night”

Bartleby has a strange dream where he reads a philosophy book to the town cats. The passage posits that goodness and wickedness are arbitrary labels and that people think of things as good or bad because they define those words in certain ways. These thoughts can be explained by one of two things: “Either your definitions are incorrect, or your expectations are based on an error” (212). Next, Bartleby enters a painting of the Library, where the cats tell him about the town’s history and tell him to look at the pictures on the wall. One looks like Cass, and suddenly, Bartleby is awake and standing in the front yard of the Orphan House. He opens the gate and finds Cass asleep atop a box of vegetables. The group pulls Cass into a huge hug, and Bartleby sees a crow nearby. The bird caws, which sounds like “There now. Isn’t that better?” before fluttering away (217).

Chapter 30 Summary: “Several People Get the Wrong Idea”

Cass apologizes for disappearing, but no one is mad at her—just glad she’s back. The cobbler’s wife and a few other townspeople arrive with food and clothing. The cobbler’s wife babbles nonstop about the tragedy of a kidnapping and how she’s ashamed of what’s happened to the town. Bartleby tries to tell her Cass is back, but the cobbler’s wife keeps talking. Later, Anthea, Bartleby, and Myron go to the cobbler’s shop to explain Cass has returned, only to find the butcher giving an exaggerated description of the Ogress and accusing her of stealing children, claiming he “saw the crime with my own eyes” (225).

Myron interrupts to announce Cass is back, but the crowd doesn’t believe him and gets agitated when presented with a story that doesn’t match the butcher’s. The constable questions Bartleby, twisting his answers to make it seem like the Ogress is a villain, and the butcher builds upon the confusion to stir up the crowd. Anthea argues there’s no logic to what they are saying, but the mob gets angrier. Myron hurries the kids back to the Orphan House, where he locks and checks the gate as if “making sure they would stay safe inside” (229).

Chapters 25-30 Analysis

These chapters continue the buildup of tension leading to the book’s climactic sequence. Cass’s return shows how people only see what they want or expect to see and how emergencies take over our attention. Though Anthea, Bartleby, and Myron repeatedly tell people Cass is back unharmed, the cobbler’s wife and others don’t acknowledge their words. Specifically, the cobbler’s wife is too busy making sure needs are met so the search can continue, and later, the people want to believe the butcher’s story about the Ogress rather than the good news of Cass’s return. The fact that people would rather blame the Ogress shows how prejudice hardens people against the truth. The Ogress has done nothing wrong, but the Mayor has planted the idea that the Ogress is bad. In conjunction with the butcher’s insistence that the Ogress is to blame, the people are primed to believe the Ogress is trying to harm them. They don’t listen to Myron and the kids because their version of events doesn’t match the one they want to believe, which is another way misinformation spreads.

Chapter 28 shows the butcher concocting the story that turns the townspeople entirely against the Ogress. The butcher sees only the Ogress holding a child. He doesn’t know if this is the child who was reported missing, and the child seems to be peacefully sleeping, not in distress. Regardless, he concludes that the Ogress is kidnapping children, partly because the Mayor has turned him against the Ogress and partly because he likes the attention such a discovery will bring from the townspeople. The butcher’s inaction shows how he doesn’t truly believe the Ogress is to blame. If he actually thought Cass was in danger, he would have done something. Instead, he talks himself out of acting, offering excuses like the Ogress’s size and his long days of work that have made him tired. Rather than get the facts, he clings to the belief he likes best and that he believes will earn him the most prestige.

Chapter 29 is foreshadowing, as well as a bit of philosophy. The book Bartleby reads discusses goodness and wickedness (or kindness and meanness) as meaningless without context. Two people may view the same event differently and define it as good or wicked according to their personal beliefs. Misinformation can also influence whether an event is good or bad. If two people have conflicting information about the same event, they will view it differently, even if they share similar personal beliefs. The book says that definitions of a term may be incorrect, suggesting that there is a universal definition of correctness, which further implies that correctness is rooted in goodness. This does not mean that everyone views the world the same way. Someone may believe that what most people consider good is actually wicked, which calls into question whether that individual is wrong or if they just have a different way of viewing the world.

The angry group of townspeople in Chapter 30 exemplifies groupthink, a phenomenon where people are more concerned with group loyalty than making good choices. The butcher’s sentiments about the Ogress match those of the Mayor, and the people want to remain loyal to the Mayor because they believe he has saved Stone-in-the-Glen over the years. Rather than listen to Myron about the return of Cass and make choices based on the facts, they rally behind the butcher and decide to pursue violence toward the Ogress when they have no proof she’s done anything wicked. The constable twisting Bartleby’s answers to make the Ogress sound guilty is an example of confirmation bias—the tendency to interpret information in a way that aligns with preexisting beliefs. The constable believes the Ogress is wicked, so she finds ways to support this belief with Bartleby’s information, even though Bartleby says nothing against the Ogress.

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