The Nonexistent Knight

There are two instances in the story where female characters are confined to a convent to seek repentance despite their lack of agency in their perceived wrongdoings. Why would the author include two references to this occurrence, and what does it mean in the larger theme of The End of Eras?

The reign of Charlemagne is approaching its late stages, and there are many signs of great societal change both in the army and in the nearby towns and villages. Consider all of the references to the end of eras in the story and analyze what beliefs Calvino intends to convey with this commentary.

How does Raimbaut’s desire for revenge and for knighthood fit into the discussion of outdated chivalry and Duty as an Idealistic Standard? How do Raimbaut’s goals change throughout the novel, and how do these changes eventually bring him happiness?

What does the character of Gurduloo represent in the allegorical sense? Why is his character present in the novel, despite minimally contributing to the overall plot and character development?

How does The Nonexistent Knight portray the idea of a Clash of Cultures? What do these examples mean in the larger scheme of shifting societal priorities?

Considering its role in past literature and in society, what is the significance of including the Holy Grail in this novel?

In what ways does Agilulf show himself to be bound to a sense of duty? Does he ever fall short of perfection or consider compromising his duty throughout the novel?

Consider Sister Theodora’s lack of agency in the convent. How does this compare to the agency of Sister Theodora at the end of the story and the agency of the character Pricilla?