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C. S. LewisA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The tree and fruit Digory must find in the garden outside Narnia’s border symbolize both the tree of knowledge and the tree of life in Genesis. In the Bible story, Adam and Eve, the first man and woman, live in the Garden of Eden, the paradise God created. God instructs them not to eat from the tree of knowledge, but they disobey when a serpent tells them how wonderful the fruit is. God expels them from the Garden of Eden for disobeying his commands and forbids them from eating from the tree of life.
The inscription on the gold gates leading to Narnia’s garden warns Digory only to pick the fruit for others. Digory obeys and takes the fruit for Aslan, and then Aslan gives him another fruit to take home to his mother. Because Digory obeyed, the fruit heals his mother with no negative consequences; for him, the tree is purely the tree of life. The Witch does not listen to the warning and takes the fruit for herself. While she gains everlasting youth, she also gains misery. For the Witch, eating from the tree is like eating from the tree of knowledge and illustrates Temptation and Its Consequences.
The magic in The Magician’s Nephew is not merely a genre convention. Rather, it is a motif that illustrates the relationship between pride and power. Those who care only about their own goals and desires, like Uncle Andrew and the Witch, wield magic the same way they wield power: destructively. Their goal is to bend everything and everyone to suit their purposes, which means obliterating anything that resists them. The Witch says as much immediately after crumbling the doors of Charn’s palace: “This is what happens to things, and to people, who stand in my way” (69).
By contrast, those who wield power selflessly use magic creatively. Aslan is the primary example of this. His magic both creates and restores life, and in the case of the Talking Beasts, it allows the beneficiaries of that life to make their own choices about how to use it. It creates a sense of calm and peace in the good-hearted and only frightens Uncle Andrew and the Witch because they do not want to recognize any power but their own.
Perception is another important motif throughout the book. Perception is the way one views the world, which is shaped by one’s background, worldview, experiences, and decisions. The author says it this way: “For what you see and hear depends a good deal on where you are standing: it also depends on what sort of person you are” (139). For example, the children and the Cabby view the magic in Narnia as beautiful and miraculous, while the Witch views it as a threat. Similarly, the children and the Cabby are open to Aslan’s magic and therefore see and hear Aslan and the animals talking clearly. However, Uncle Andrew is not at all receptive to Aslan’s magic and convinces himself that Aslan and the Talking Beasts are only growling, roaring, howling, etc. This demonstrates that sometimes perception is a choice, especially when it comes to interpreting seemingly miraculous events.
Charn, the world the Witch comes from, symbolizes what happens when pride, greed, and lust for power remain unchecked. When Polly and Digory arrive in Charn, it is stale, cold, and lifeless. The rulers in the Hall of Images demonstrate that Charn was not always empty and dead but was once ruled by kind and wise kings and queens. However, as time went on, the rulers became crueler and more prideful. Greed corrupted the rulers until at last, Queen Jadis ended all life in Charn to maintain her own power. By the end of the book, the world of Charn has ended and the pool reaching it has dried up. Aslan uses the story of Charn to warn Polly and Digory what could happen to mankind if pride, greed, and lust for power are left unchecked: “And soon, very soon, before you are an old man and an old woman, great nations in your world will be ruled by tyrants who care no more for joy and justice and mercy than the Empress Jadis. Let your world beware. That is the warning” (197).
By C. S. Lewis
Action & Adventure
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Challenging Authority
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Christian Literature
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Good & Evil
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Juvenile Literature
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Power
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Religion & Spirituality
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