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47 pages 1 hour read

Ann Patchett

The Magician's Assistant

Fiction | Novel | Adult | Published in 1997

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Part 2, Pages 277-357Chapter Summaries & Analyses

Part 2: “Nebraska”

Part 2, Pages 277-299 Summary

Sabine checks in with her mother. She asks her mother about meeting her father. Sabine’s mother tries to avoid answering the question and only gives the basic story: that they first met in Poland in a train station when Sabine’s father shared his sandwich with her mother. They met again later in life when both had moved to Jaffa after surviving the Holocaust.

Bertie’s wedding is one week away; she moves in with Haas. Kitty arrives at Dot’s house, bruised from an altercation with Howard. She tells Dot that she is leaving Howard and moving into Dot’s house with her sons. Sabine helps Kitty to pack the boys’ clothes. Kitty tells Sabine that she wishes her sons had a better male role model.

Part 2, Pages 299-333 Summary

Guy and How are sad about their parents’ latest decision to split. They all realize with shock that it has been days since they have watched Parsifal on the Johnny Carson show, so they quickly sit down to watch the clip again. This time, Sabine cries with Dot and Kitty, mourning her lost love. Later, Sabine starts making an architectural model of her house in Los Angeles for Guy and How. When she tells Dot and Kitty that she will be leaving Nebraska the weekend after Bertie’s wedding, Dot and Kitty are shocked and do not want her to leave. Kitty even goes so far as to accuse Sabine of having moved on from Parsifal’s death.

That night, Kitty apologizes to Sabine for speaking out of turn about Sabine’s grief. They kiss on the lips, gently but meaningfully. The next morning, Sabine is still thinking about the kiss. After the family leaves for work or school, Sabine works on the model house. When she goes outside to check the mail, Howard Plate is waiting for her. He accuses Sabine of being the reason for the estrangement between him and Kitty. Sabine doesn’t escalate the argument, but she wants to tell him that she and Kitty kissed.

Later, Sabine teaches Guy and How to do a basic magic trick, noting that How has the personality to be a good magician. How asks Sabine if he can visit her in California with his mom, and Sabine says he would be welcome even without his mom. Kitty visits Sabine in her room at night to talk about How. Sabine tells Kitty about her conversation with Howard but assures her that she is not frightened of him. Sabine alludes to the kiss and wants to say more, but realizes that “[t]here was between the two of them so much disappointment” (332).

Part 2, Pages 333-357 Summary

Sabine dreams that she is back in her magician’s assistant dress at the Magic Castle. Phan made her the dress before his illness caused him to lose his sight. In the dream, the crowd at the Magic Castle is huge, and Sabine has a difficult time getting to the stage. Parsifal is nervous about the performance because he is trying out a new act. On stage, Sabine assists Parsifal in a card trick that seems impossible.

How urgently wakes Sabine and tells her that Kitty and his father are in the kitchen together. Guy and How are awake and frightened. Sabine goes into the kitchen and finds Howard holding a long knife; Kitty has a cut on her face. Howard tells Sabine to leave, then grabs her by the shoulders and nearly chokes her. He then jabs the knife into the kitchen table. Guy and How come into the kitchen. Kitty tries to defuse the tension and bring the boys back to bed, away from harm. Howard relaxes and tells Sabine that all he wants is for his family to come home. That night, Sabine and Kitty sleep in the same bed, cuddled together. Sabine invites Kitty and her sons to move to California with her.

With the exception of Howard, the family comes together to celebrate Bertie’s wedding. Bertie begs Sabine to perform a magic trick at the reception even though Sabine insists that she is a magician’s assistant, not a magician. Sabine performs the card trick that she saw Parsifal perform in her dream, and to her astonishment, the trick works.

Part 2, Pages 277-357 Analysis

In death, Parsifal is remembered as unique because he left his family and created his own identity. However, Parsifal’s absence has a secondary impact, for he does not pass on his hard-earned lessons to Kitty, who fails to similarly reinvent herself and instead makes life choices very similar to Dot’s, enduring the constant threat of Howard’s abuse and violence. The narrative also suggests that Kitty’s sons are poised to become recipients of this generational trauma, for as Kitty observes, “[Parsifal] […] went off to California and rewrote his whole life history. […] My boys aren’t like that. At heart they’re followers, and […] they’ll stay exactly where they are for the rest of their lives unless somebody shows them what to do” (297). In this moment, Kitty evinces the same defeated tone that Dot does when she insists that nothing will ever change. However, Kitty’s words hold a grain of hope and a greater sense of agency, for although she admits that her sons are not currently in the best situation, she acknowledges the need for a change, and her contemplations imply that her own inner transformation toward a greater sense of agency is already underway.

Even as Sabine is forced to watch the Fetters family drama, her long stay in Nebraska provides her with unwelcome but essential insights that compel her to deal with her grief and reevaluate the hidden aspects of her marriage to Parsifal. Now, as she watches the recording of her and Parsifal’s appearance on the Johnny Carson show, she grieves openly with Parsifal’s family and mourns the loss of “the man she loved at the height of his life” even as she celebrates his many accomplishments in the midst of adversity (303). For the Fetters, however, the video is their only stand-in for the person they no longer have a chance to get to know; thus, while Sabine finds a form of release in watching the clip, the Fetters family’s experience of the same moment is deeply imbued with regret. Ultimately, the videotape of the performance represents the adult, happy version of Parsifal—the person he became when he fully embraced his most authentic self. By releasing her emotions, Sabine honors Parsifal and embraces the message of the restorative dream in which she sees Parsifal triumphant and happy.

However, even as Sabine finds ways to let go of her grief, she finds herself seeking out substitutes for her relationship with Parsifal, and this pattern becomes the most prominent when she develops a deep friendship with Kitty that begins to border on sexual and romantic love. Because Kitty resembles Parsifal so closely, Sabine’s attraction to her stems from her subconscious desire to cling to some semblance of Parsifal her lost husband. Sabine also sees a version of herself in Kitty due to their shared adoration of Parsifal, but although the two women do find a measure of consolation in each other’s company, Sabine will ultimately find that her desire for Kitty will remain just as unrequited as her romantic love for Parsifal. In the moment when this issue lies openly between them, the narrative states,

There was between the two of them so much disappointment and relief that Sabine found herself taking shallow breaths. Kitty slipped into the hall and closed the door behind her […], and though Sabine waited, […] Kitty did not come back (332-33).

The unspoken truths about their love for one another echo Parsifal’s painful past, in which he felt compelled to keep his true feelings to himself. Thus, it is clear that Sabine’s deep connection with Kitty goes beyond friendship or sisterhood and is complicated by Sabine’s decades of enduring a version of love that her husband could not return. Sabine “had spent the better part of her life in love with one basically unobtainable Fetters. The idea of somehow setting her sights on another one […] was ludicrous” (320). While Sabine hopes to resolve her unrequited love with Parsifal by developing a romantic relationship with his sister, Patchett also implies that Kitty, like Parsifal, is not an ideal fit.

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