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48 pages 1 hour read

Nina George, Transl. Simon Pare

The Little Paris Bookshop

Fiction | Novel | Adult | Published in 2013

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Background

Cultural Context: Regional French Culture

The Little Paris Bookshop takes place in France. The novel begins in Paris, France’s cosmopolitan capital city. As the characters travel on the rivers and canals from Paris to the South of France, they move through other regions before ending in the region of Provence.

The region of Provence is in the South-East of France. Provence is a wine-growing region, known for its steep rolling hills and lavender fields. Although Provence is home to some major cities, it is less metropolitan than Paris. In the novel, the characters from Provence are characterized as more connected to the land; this reflects the strong cultural importance of agricultural crops like grapes, lavender, and olives to the region.

Provence has a cultural history that is distinct from the culture of Paris and the other regions of France. Heavily Catholic, Provence culture places great emphasis on Christmas—a tradition that the novel highlights. In particular, the tradition of the 13 Christmas desserts is significant in the novel. These desserts are traditionally eaten after midnight mass on Christmas Eve. The number of desserts represents the number of people at the table for Jesus’s Last Supper. The actual desserts prepared vary but usually include dried fruits, nuts, fresh fruits, and sweet breads.

Another significant cultural tradition is the mistral. The mistral is a strong, cold wind that impacts the Mediterranean region of France. It plays an important role in creating the sunny, clear-aired climate of Provence. As explained in the novel, traditional homes in Provence have been designed to withstand the mistral winds for centuries. Local tradition holds that the winds can stir up all kinds of feelings, but they clear the way for new beginnings.

Geographical Context: French Canal System

The French canal system is a network of waterways that play a crucial role in the country’s transportation infrastructure. Spanning over 8,000 kilometers, the system includes both natural rivers and artificial canals, connecting various regions across France and spanning the from the Mediterranean Sea to the Atlantic Ocean. Designed in the 17th century, the canal system was a prominent mode of transportation before railroads. It was originally designed for commercial transportation and has historically facilitated the movement of goods such as agricultural produce and industrial materials. Water levels and connections in canals are controlled by locks, which Max is described as operating in the novel. The canals are often bordered by trails called towpaths, which were used to help move boats before they had motorized engines. Over time, the canals have evolved from being purely utilitarian to becoming a popular recreational resource due to their scenic routes and waterways. In the novel, the canals take on symbolic significance. Traveling on the canals is slow and encourages Perdu and the others to reminisce and linger on their thoughts. It also provides geographic and cultural variation, which brings new people and perspectives into Perdu’s life.

Genre Context: Travelogue

The Little Paris Bookshop is a fictional travelogue, following Perdu on his trip aboard his floating bookstore. The novel also includes entries from Manon’s travel diary that serve as another form of travelogue. The defining features of the travelogue genre are detailed descriptions of visit to new places, with the emphasis on the narrator’s personal experiences in those new places and how those new places change or confirm the narrator’s world view. It provides opportunities for the narrator to share their insights, reflect on their past and present, and plan for the future. Travelogues often involve the protagonist meeting new, interesting characters along the way, who may become temporary or permanent companions. These new companions both help and challenge the protagonist, forcing them to confront whatever feelings remain unresolved in their life. In writing her novel as a fictional travelogue, the author capitalizes on the genre’s strengths. It takes advantage of the storied and scenic French canal system and establishes a narrative structure that mirrors Perdu’s internal transformation: As Perdu travels from north to south, he transforms from grief-ridden to at peace.

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