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46 pages 1 hour read

Martin McDonagh

The Lieutenant of Inishmore

Fiction | Play | Adult | Published in 2001

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Scenes 6-9Scene Summaries & Analyses

Scene 6 Summary

At another spot on the side of the road, Mairead sings “The Patriot Game,” an Irish ballad. She is wearing makeup and waiting for Padraic. Mairead calls Padraic Lieutenant, and he recognizes her as the young 11-year-old who begged him to take her with him when he “left to free the North” (32) five years ago. She flirts and comments that she has grown up since then, but Padraic notes that she has only gotten taller, and he thought she was a boy in lipstick until he realized that she was a girl, which hurts Mairead’s feelings. Mairead comments that girls must be throwing themselves at him in Ulster, but Padraic insists that he has no interest in “social activities that don’t involve the freeing of Ulster” (33). Mairead tries to convince him to take her to a dance or a movie, but he refuses. Padraic remembers her gun from five years ago too, and he makes a joke about cows.

Mairead gets angry that no one will stop talking about the cows and that no one even mentions how impressive it is that she managed to take out their eyes from 60 yards away. Padraic agrees that it’s impressive, but Mairead exclaims that now she isn’t going to give Padraic the message she has for him. Padraic becomes serious and grabs her, demanding that she tell him, asking if it’s about his cat. Mairead asks whether he’ll let her join the INLA, but Padraic replies, “We don’t be letting girls in the INLA. Unless pretty girls” (35), which hurts Mairead’s feelings again. He demands the message, telling Mairead that she should settle down and marry a nice boy, grow her hair long, and learn to cook. Mairead tells him that the message is that Wee Thomas is much better, but Padraic ought to hurry home anyway, just in case. Overcome with happiness, Padraic kisses Mairead, and the kiss lingers a bit unexpectedly. Both stare awkwardly, and Padraic exits. Mairead starts singing again and follows Padraic.

Scene 7 Summary

Back at Donny’s house, it’s almost dawn. The shoe-polished Sir Roger wanders around, and Davey has made a cross for Wee Thomas, which he paints with shoe polish. They decide that they can’t do anything else while they’re still drunk, so they ought to get some sleep. Davey insists that he has an inner alarm clock that he can set for any time, and he promises to wake them up at nine o’clock without fail. Donny compliments the cross. Davey puts the cat in the basket, and they go to sleep.

Scene 8 Summary

It’s noon, and Donny and Davey are still fast asleep. The cross is on the floor, and the cat is sleeping in the basket. Padraic enters, joyfully calling for his cat. He has brought ringworm pellets. Padraic pets the cat and his fingers come away black. He notices Donny and Davey’s polish-covered hands. Then he sees the cross, devastated as he reads the inscription. Davey wakes up, and Padraic grabs him by the hair, demanding to know where his cat is. Donny swears that the cat is Wee Thomas, and he has an ailment that turns him orange and makes him smell like shoe polish. Calmly, Padraic shoots Sir Roger and Davey starts screaming. Donny exclaims that Wee Thomas ran away. Padraic throws the dead cat into the bathroom and waves the cross around, smacking Donny in the face with it and demanding to know if Wee Thomas is dead. Donny admits it, blaming Davey for hitting him with his bike, which Davey denies immediately, insisting that he found him already dead. Davey accuses Donny of only feeding the cat Frosties, but Donny swears that he always fed Wee Thomas the best food. Padraic starts tying Donny and Davey’s hands behind their backs.

Suddenly furious, Davey curses at Padraic and calls him a “mad thick feck” (42). Padraic begins sawing off Davey’s long hair. Donny begs Padraic not to kill them. Padraic urges them to make a final confession, but Donny will only admit to occasionally letting the cat eat Frosties because he liked them. Padraic laments, “Ye have killed me cat and ye’ve ruined me life, for what I’ve got to live for now I do not know” (43). Padraic makes a sad speech about how meaningless life will be without Wee Thomas. As Padraic says goodbye and is about to shoot the two men, there is a knock on the door. Padraic is happy to see Christy, Joey, and Brendan. He exclaims, “Come on in and ahead for yourselves. I’m just in the middle of shooting me dad” (45). But the three men point their guns at Padraic instead, accusing him of starting a splinter group and going rogue against the INLA’s goals. Padraic claims that Christy has always had it out for him, and Christy asserts that’s only since Padraic shot his eye out. Padraic asks the men to take him outside to shoot him, and as they do, he speaks sadly about his cat.

Davey wildly comments that Wee Thomas is “buried in shite, [his] head knocked out [his] arse” (48), and Padraic tries to attack him as he is dragged to the door, threatening that he’ll be back to kill him. Davey asks if Donny is sorry to see his son being executed, but Donny shrugs and says he isn’t. Davey wonders why the three men couldn’t have taken a moment to untie them. Then they hear a popping sound from outside, and Davey groans. Brendan, Joey, and Christy paw their way back in, bleeding, screaming, and now blinded, arguing whether they were shot by a boy or a girl. Padraic and Mairead enter, and Donny tries to guide Christy to shoot in the right direction. The two lovers gaze at and caress each other as Padraic kills Brendan and then Joey. Christy begs Padraic not to shoot him in the head, and Padraic shoots him in the chest. He falls. Padraic realizes that Davey is going to be his brother-in-law, so he can’t kill him as he planned. As he aims his guns at his father, he is interrupted by Christy, who, dying, apologizes for killing Padraic’s cat, hoping for absolution. Padraic gives Mairead a list of things to fetch, setting about to torture Christy. 

Scene 9 Summary

That night, still at Donny’s house, Donny and Davey are covered in blood and hacking up the bodies of Brendan and Joey. Christy is dead, his head impaled with the cross Davey made for Wee Thomas, and Padraic sits on his body, holding Wee Thomas in his lap and stroking him sadly. Donny wonders if Davey’s mother will be upset that Mairead is joining up with a paramilitary organization. Davey replies that she expected it, although she’d likely prefer the IRA since it’s more well-known. They both note that all of the paramilitaries travel a lot, but their members seem to be in it for the killing rather than the traveling. Mairead is a practiced marksman, but Padraic just uses two guns and shoots at close range.

Mairead enters in a dress, and Davey responds with shock. Padraic has named her second lieutenant, and her mother’s parting words were, “Good luck and try not to go blowing up kids” (57). Mairead sits down on Christy, next to Padraic, and he comments on her dress. He wonders if she’d consider growing out her hair, but she refuses. They kiss. They discuss starting a splinter group: Wee Thomas’s Army. But first, Padraic needs to find a guy who he owes torturing after letting him off the hook when he got the call about his cat. After a moment, Padraic admits that he once killed a cat himself, but it was only because the cat seemed dirty and unhygienic. Mairead agrees that it’s okay to kill unhygienic cats. She wonders where her cat has gone, as she wants to say goodbye to him before she goes.

Padraic opines, “all I ever wanted was an Ireland free. Free for kids to run and play. Free for fellas and lasses to dance and sing. Free for cats to roam about without being clanked in the brains with a handgun. Was that too much to ask, now?” (60) Padraic decides that they’ll bring Wee Thomas’s body with them. Mairead and Padraic decide to marry after Northern Ireland is liberated, and Donny muses that they’ll be engaged for a long time. Suddenly, Davey remembers that Padraic killed Sir Roger. He tries to surreptitiously get rid of the body. Donny distracts Padraic by asking about dismembering the bodies and congratulating him on getting engaged. Mairead enters, holding Sir Roger. Padraic jokes that they now have a “matching pair.” Calmly, she hands the cat to Davey and starts singing “The Dying Rebel,” beckoning Padraic to kiss her. As he does, Mairead raises two guns to his head. Padraic continues the song, but Mairead says, “There was nothing unhygienic about my fecking cat” (65) and shoots him.

Mairead leaves the guns with his body, takes the cat back, and orders the two men to dismember Padraic too. She takes up her air rifle, and Davey asks if she still plans to join the INLA. Mairead replies that she has changed her mind because it turns out that shooting people is boring. Donny quips about her shooting cows but cowers at Mairead’s withering look. She orders them to get to work with the chopping, warning that tomorrow, she plans to investigate why her cat was at Donny’s house at all and why he was covered in shoe polish. Singing another rebel song, Mairead exits.

Donny and Davey bemoan the amount of work in front of them. After a moment, a black cat enters from outside. Davey and Donny gape as Donny identifies the cat as Wee Thomas. The dead black cat must have been a stray. They’re horrified at everything that has happened unnecessarily, agreeing that the cat deserves to be shot for causing so much grief. They each take a gun and aim, but they can’t do it, deciding that there has been enough murder. Both relieved, they pet Wee Thomas, and Donny gives him some Frosties in a bowl. Depending on whether the cat eats, Donny either says, “Didn’t I tell you he likes Frosties, Davey?” or Davey says, “He doesn’t like Frosties at all, Donny” (69).

Scenes 6-9 Analysis

In Scene 6, Padraic arrives in Inishmore and meets Mairead. The rising action is approaching the climax. When Padraic learns that Wee Thomas is dead, his objective to save his cat adapts to seeking justice for him. He can no longer have Wee Thomas alive (or so he thinks), but he can kill those responsible. Padraic is set on taking lives to avenge his cat’s life, and he isn’t particularly concerned about taking the correct lives, highlighting The Absurdity of Terrorist Violence. His father is only delivering the bad news of what seems like an accident, and Davey is only an innocent bystander. Donny and Davey only survive because the members of the INLA (aided by Padraic’s tag-along recruit, Mairead) are too distracted by in-fighting. When Christy, Brendan, and Joey show up and take Padraic out to kill him, they don’t bother to untie Donny and Davey. They may use the notion of a free Ireland to justify their violent actions, but when given the chance to literally free two of the Irish citizens they’re ostensibly defending, they are more interested in killing a fellow INLA member.

The implied violence of Wee Thomas’s mangled body at the start of the play, for all its shock value, only foreshadows the final bloodbath. The play is a farce, and comic violence is a hallmark of the genre. In a typical farce, though, comic violence is harmless; unless an injury is used for comic effect, everyone is fine in the next scene. It isn’t realistic or graphic, and rarely do characters in comedies die. But McDonagh’s farcical violence brings terror, excruciating pain, lasting or permanent injury, death, and rivers of blood and gore. When eyes are shot out, the characters (and cows) stay blind. Moreover, the play shows the material reality of killing that is often glossed over even in serious depictions of violence. Donny and Davey, who are innocent, non-paramilitary, and unaccustomed to violence, are forced to take on the gruesome task of dismembering four bodies, one of which is Donny’s son. As the four INLA men lay dead, Mairead—named second lieutenant by Padraic—would ascend to first lieutenant, raising the possibility that Mairead might be the title character. But she decides that killing is boring and leaves their mess for the two civilians to clean up. This suggests that the paramilitaries, or at least the INLA, are destroying themselves with internal violence, and the innocent bystanders are nonconsenting collateral damage and are left to deal with the damage done by terrorist violence. It also reinforces Donny’s statement that the paramilitaries attract people who just want to kill for fun.

At the end of the play, Wee Thomas turns out to be alive. He has inadvertently caused the carnage that took out half the cast and two fellow cats. Donny and Davey are so horrified by what Wee Thomas instigated that they point guns and nearly kill him. But neither of them can do it, demonstrating the difference between themselves and Padraic and the three INLA men, who are responsible for killing the other two cats. With this, the play makes the statement that collateral damage in the form of innocent lives is not an acceptable price to pay, even when fighting for decolonization. McDonagh’s unflattering portrayal of the INLA characters drew criticism for decontextualizing them from the state violence to which paramilitary organizations were formed as a desperate defense. But the issues of paramilitary corruption and violence that the play shows aren’t fabricated for entertainment. While undoubtedly many Irishmen joined with legitimate dreams about freeing Ireland from the English, a paramilitary (and even official military) organization would certainly also attract people who are simply bloodthirsty. The play focuses on condemning senseless violence, terrorism toward civilians, and the justifications used to murder innocent people. As a result, the previously raised questions about Irish Nationalism and Compulsory Masculinity reach a bleak conclusion, arguing that this sort of violence will not result in a new generation ready to put their lives on the line for Irish freedom so much as senseless carnage and death—and trauma for those left behind to pick up the pieces. With Mairead as the surviving lieutenant of Inishmore, McDonagh leaves open the vague threat of future violence in the question of what will happen when she concludes her investigation into her cat’s presence in Donny’s house.

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