49 pages • 1 hour read
Patrick DewittA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
When he is 11, Bob decides to run away from home. He begins by visiting the train station several times, examining the schedules and even entering a train car.
One evening, his mother announces she is having a party and that Bob must go to the home of a woman she knows to spend the night; the woman, his mother explains, has a son named Rory who is Bob’s age. Bob, when he arrives, plays basketball with Rory after Rory’s invitation, despite having no athletic ability or interest.
The boys eat dinner while listening to a radio program, and Rory asks Bob whether his father is serving in the war. When Bob replies that he does not know, Rory continually questions him about his father’s whereabouts until his mother speaks with him privately.
At night, Bob lies awake in a sleeping bag on the floor of Rory’s bedroom, then gets up and puts his clothes on over his pajamas. He tells Rory’s father, when he encounters him in the kitchen, that he is heading home.
Bob walks home, then watches his mother through a window, dancing with a man. Bob heads to a nearby park where he falls asleep on a bench. He returns home at seven o’clock the next morning; his mother unsurprised to see him back so early. Bob decides, at that moment, that he will run away and proceeds to walk to the train station.
Bob is surprised by how easy it is to both sneak onto the train and to evade the ticket taker. At one of the stops, Bob watches two women on the platform. They talk loudly to one another, gesturing. Then, they receive some luggage from a porter. One piece bursts open, spilling out several Victorian wigs. The women inspect the wigs, then pack them back into the suitcase.
The two women are named Ida and June, and they enter the private compartment where Bob is seated, bringing with them two dogs. They do not immediately notice Bob; when they do, they assume he is deaf because he is so quiet. After some time, Ida asks Bob if he is traveling alone, then deduces that he is running away. She reminisces about wanting to run away as a young girl.
The train reaches its final station—a town called Astoria. Ida and June say goodbye to Bob, but he decides to follow them, and, hoping to remain unseen, sneaks onto the bus they board undetected.
Ida spots Bob rather quickly into the journey and becomes angry that he is following them. June reprimands her, insisting that Bob is bothering no one. June explains to Bob that she and Ida are actors: before the war they ran a successful troupe, but she fears that their careers are coming to an end.
The bus arrives at a hotel and Bob follows Ida and June as they exit. They are greeted by the hotel owner, Mr. More. Ida is upset that he has not displayed the playbill for their upcoming performance. Mr. More counters by explaining that the town has gone into decline since Ida and June were last there.
Suddenly, June notices Bob behind them; Mr. More invites them all to come inside and have some soup.
Mr. More asks the group to walk with him around the exterior of the hotel so that he can show them the pea gravel he has had installed. As they walk, he explains that the reason the playbill is not displayed is because the man who was his printer died by suicide. Mr. More discusses the printer and his reasons for suicide, lamenting his death as he was the town’s best printer.
He shows the group the conservatory, then, which is hot and humid and overflowing with tropical plants. He explains, after Ida asks, that it is the project of Mr. Whitsell—resident of the hotel and a retired insurance salesman. Ida and June despise the changes to the conservatory but Bob, seeing Mr. Whitsell hiding after the others leave the room, compliments him.
Bob then walks through the hotel lobby to where Ida and June are eating bowls of beef stew and joins them.
Mr. More agrees to allow Bob to stay at the hotel; Bob pays him the $4 nightly fee and is shown to a room on the second floor. June is assigned to the tower room, and, after being assured by Mr. More that is structurally safe, she too leaves.
Once in his room, Bob counts out his remaining $17, then Alice, Mr. More’s niece, enters. She has been told by her uncle to be kind to Bob and presumes there must be something wrong with Bob to warrant this instruction. She says she has promised to meet a boy named Tommy at the movies and leaves.
Bob tries to sleep but cannot. From the window, he sees Alice outside the movie theatre, waiting for Tommy. When he does not arrive, she goes inside anyway.
Bob wakes and, when he is told that Ida and June are breakfasting at the town’s diner, goes to join them. They propose Bob works for them, at least for the time being, in exchange for their paying for his room and board and giving him daily payment of $1. Bob agrees and says he is willing to learn the tasks he needs them to complete.
After breakfast, the women make plans to work on a script and place Bob in charge of their dogs, Buddy and Pal. Bob walks the dogs around town. When he returns to the hotel, he sees Alice inside of his room. He throws a piece of pea gravel at the window to get her attention, and she explains she is preparing to mop the floor.
Mr. Whitsell appears at his second floor window then, asking Bob for the newspaper and cigar he gave Bob money to purchase at the diner. Bob meets him in the conservatory where he gives Mr. Whitsell the items.
Bob watches Ida and June rehearsing in the dining room, which has been rearranged to resemble an auditorium. Ida is situated in a stockade, and June is playing the executioner. However, they are arguing: Ida wants to know what crime her character has committed and June feels this information is not important to determine. Finally, they agree on a backstory for the criminal Ida is playing.
When they hear the dogs, they call out to Bob. He tells them he and the dogs got on well.
Ida teaches Bob how to drum, demonstrating a drumroll. She explains that they use a recording of a drumroll in their performances but, should Bob master the skill, they would like for him to perform the drumroll.
After the lesson, Bob continues practicing in his room until Mr. Whitsell asks him to stop, explaining that the sound is making him angry and nervous. Bob takes the drum outside, crosses the street to the shore, and practices at the edge of the water.
Bob, Ida, and June head to the diner for dinner but find a note saying it is closed because the cook has run off. Back at the hotel, Mr. More prepares a spaghetti dinner, and Alice and Mr. Whitsell join them. Bob notices a poster advertising Mr. More’s run for a city councilman position, and Mr. More laments losing the election.
June asks Mr. Whitsell how he came to live at the hotel, and he summarizes his sojourn from North Dakota after retiring. He had plans to travel by bus across the country but found it dull, and when he ended up at Mr. More’s hotel, he simply never left. Dinner ends, and June and Ida take coffee with them to their evening rehearsal, while Alice leaves to meet someone.
Bob practices his drumming at the shore the next day, as the performance is to take place in 36 hours. Ida summons him to come inside where she wants to evaluate his drumming abilities. June is on the phone, trying to get coverage of the performance from the local newspaper.
Ida takes Bob into a bathroom and asks him to perform the drumroll. Though he has learned to do so, he cannot perform it well with Ida watching. She instructs him until they are interrupted by a loud cranking sound, which the dogs bark at.
The sound comes from a hand press from which June cranks out advertisements announcing their performance.
Bob is sent into town to distribute the handbills advertising the performance. While he is there, the National Guard can be seen approaching from a distance. The Sherriff makes an announcement to the town via a loudspeaker: a series of pranks between two lumber camps in the mountains has gone awry, and there are rumors that the camps will riot that night.
Bob gets rid of all of the handbills and returns to find Ida and June rehearsing. The three head to the diner for lunch; the cook has returned but has had to retire the “frizzled beef” dish because of its unpopularity. After lunch, they find Mr. More and Mr. Whitsell crowded around a radio at the hotel, listening for news of the riot, which has not yet begun. They listen into the evening, when Alice heads off to the movie theatre.
The riot begins as Bob goes to bed. He hears reports of the action on the radio and watches Alice outside of the theatre. When Tommy appears, Bob feels homesick for the first time.
A crowd gathers in anticipation of the riot, hoping to watch it unfold. Bob joins but is approached by a police officer. The officer pulls out a “missing person” flier: it features a photo of Bob. After radioing headquarters about the missing child, the officer agrees to drive Bob back to Portland personally. He instructs Bob to retrieve his belongings from the hotel, then return.
This section serves as a sort of interlude to the central narrative of Bob’s adult life and relationship with Connie. His desire to run away comes about suddenly and is not precipitated by any apparent dissatisfaction with his home life nor abuse on the part of his mother (though she, like others, is largely oblivious to Bob’s existence and takes no notice of his comings and goings). The methodical and unemotional manner in which Bob plans and then carries out his running away via train indicates his level-headedness and intelligence. He radiates this kind of composure, ensuring that Ida and June are not at all alarmed to find a child traveling alone, nor do they once consider setting about returning Bob to his home.
The people Bob comes to know during this time—including Ida, June, Mr. More, and Mr. Whitsell—are eccentrics. Each dwells, like Bob, on the outskirts of social norms and, importantly, are either unaware of their quirks and abnormalities or unphased by any pressure to adapt to societal norms. At the hotel, they settle into a kind of other-worldly existence that is oblivious of the struggles to get ahead and make meaningful contributions that the outside world faces. Though a war rages on, these individuals are unaffected by it and take pleasure in living day to day, cultivating whatever brings them a small amount of happiness. There is an air of contentment and peace about the hotel, and Bob is immediately welcomed into the folds of its residents.
Many of these characters exemplify the theme of Work and the Discovery of Life’s Purpose. Having once had a successful run as an acting troupe, Ida and June now face the reality that their performances are no longer in demand. Though they acknowledge this reality, it does not deter them. They prepare for their time on the stage with a dedication and a ferocity that Bob will later emulate when he becomes a librarian. Mr. Whitsell, too, goes to extremes with his love of botany, creating a tropical wonderland that has no purpose other than to exist for its own sake and because Whitsell has always longed to create such a garden. Mr. More, too, maintains the hotel despite it not being profitable and there being truly no need for it in Astoria. In each of these cases, however, the character is deeply fulfilled by the work they do and unbothered by the results’ degree of significance to the larger world. Each character’s respective aspirations, then, are modest and, to a large extent, self-serving, but in return serve as an example to others who seek to achieve their own life purpose.
Echoing Bob’s running away from home, select minor characters attempt their own parallel escapes. When the cook at the local diner leaves town suddenly, then reappears, his actions predict the section’s conclusion when Bob will be forced to return to his “normal” life. Just as Bob cannot truly identify his motivation to run away, neither can Mr. Whitsell explain why he has never left the hotel. He responds with each inquiry about why he planned to remain there by insisting he has no plans at all. When he later explains that he simply became sidetracked while on a long trip, the narrative suggests that living for the moment and pursuing opportunities as they come day by day, with little regard for their long-term impact or consequences, is the best way to live.
The minor character Alice serves to foreshadow Bob’s affection for Connie. When Bob watches her from afar each time she hopes Tommy will appear at the movie theatre, a fascination and a concern is suggested on Bob’s part. He initially feels worry and sadness that Alice is routinely disappointed, that her endeavors are not rewarded. In time, however, Bob develops a kind of admiration for Alice’s perseverance and resolute behavior—her unwillingness to give up on her dream, even though it appears a hopeless one, reverberates for Bob later when he is an adult. Indeed, when Tommy finally does appear, it is a bittersweet moment for Bob: He is pleased that Alice’s efforts have been rewarded but undoubtedly a little sad that Alice’s affections for Tommy are cemented. The triangle of sorts between Bob, Alice, and Tommy foreshadows the one that later develops among Bob, Connie, and Ethan.
Bob’s departure from town coincides with the riot which the town has been anticipating. To look forward to violence and unrest is both humorous and problematic, suggesting not only that the townspeople have very little to look forward to by way of entertainment but that human behavior can often be strange and illogical. In the town of Astoria, then, Bob’s eccentric and quirky nature is welcome and not regarded as at all strange, serving as an example of The Impact of Relationships and Human Connection. It is likely that this acceptance, coupled with the friendships he has begun, are what sadden Bob as he leaves.
By Patrick Dewitt