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39 pages 1 hour read

Plato

The Last Days of Socrates

Nonfiction | Biography | Adult | BCE

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PhaedoChapter Summaries & Analyses

Phaedo, Section 1 Summary

In the Peloponnesian region of Phlius, Phaedo recounts the last days of Socrates for Echecrates. Phaedo explains the reason for the trial’s delay, having to do with proper observation of ritual, and names the friends who were with Socrates at the end, noting that Plato was not present, having been ill.

On the day he was to take the hemlock, Socrates’s followers found him with his wife, Xanthippe, who had brought his little son to see him. She became overwhelmed with emotion, and Socrates requested one of his followers to escort her and the child home. After having been relieved of his leg irons, Socrates noted the interdependence of pleasure and pain; one cannot have one without the other. He had earlier been composing poems from the works of Aesop, despite never having previously done so, because he wished to explore “the meaning of certain dreams” that had visited him, instructing him to make music (121). He assumed this meant continuing his philosophy since, for him, it “was the highest music,” but with the trip to Delos, a site dedicated to Apollo, who is also the god of music, delaying his trial, Socrates decided to make music of the usual sort, just in case (121).

The discussion turned to whether it is permissible for philosophers to die by suicide. Socrates asserts that humans belong to the gods and thus do not have the authority to take their own lives. They should both wait for the gods to recall them and approach impending death lightly. Cebes and Simmias question him: If people belong to the gods, then they should not abandon them lightly, as they believe Socrates suggests. He explains that dying is not abandoning the gods but going to them, and to other good men as well.

Philosophy, Socrates continues, is essential practice for “dying, and being dead” (125). Death is the separation of the soul from the body. The true philosopher does not concern himself excessively with the desires of the body. He is concerned with the soul, especially freeing it from the body. The body’s senses cannot perceive truth; it is in the process of reasoning that “any aspect of things becomes clear to the soul” (127). The philosopher’s soul is continually seeking separation from its body, purification of the soul from the body’s base needs.

The essence of things—justice, the good—none of these things can be perceived through the body’s senses. Only through reflection, through the soul itself, can they reach understanding “of how things really are” (128). This state can only be realized in death when the needs of the body are left well and truly behind.

Socrates is not frightened. Instead, he feels hopeful that good things await him in the next life because he has prepared himself for the separation of soul and body. One who loves wisdom does not fear death. Wisdom, arrived at through the practice of philosophy, purifies the soul, as initiation rites in mystery cults are said to purify the body.

Phaedo, Section 2 Summary

Cebes asks for reassurance and proof that the soul does not disintegrate as it leaves the body, as many fear. Socrates argues that everything comes to be from its opposite. A big thing comes from a small one, quicker from slower, stronger from weaker, and so on (and vice versa). Since death is the opposite of life, then one must come from the other. Thus, Socrates concludes, human souls must be in Hades because death comes from life, and life comes from death.

Cebes connects Socrates’s argument of cyclicality to another of his teachings, that learning is “actually recollecting,” a process that is only possible if a soul existed prior to being contained in a body (137). Simmias asks for proof. Using a series of examples, Socrates points out that we recall things by seeing people or objects associated with them. For example, someone might see Cebes and remember Simmias or see a lyre and remember the boy who played it. Thus, things that are like and unlike can both prompt recollection. In the case of equal things, Socrates proposes that humans must be born with some received knowledge of the original equal thing—the beautiful, good, pious, everything that is (141). What is called learning, then, is recollecting the knowledge that one was born with. If humans are recollecting such knowledge, then that knowledge must exist as a thing to be known. Thus, the soul must exist prior to being born in a body, to know the things that are.

Socrates next addresses the fear that the soul scatters into pieces when it is separated from the body at death. Using examples, Socrates differentiates between the seen (things that are changeable and perceivable with the body’s senses) and the unseen (things that are unchanging and perceivable only “with the mind’s reasoning”) (146). The soul is the unseen part of the human, thus it is the part that does not change, while the body is the seeable and changeable part of the human.

In death, then, the body will change, but the soul remains immortal, eternally unchanged. From this follows that the soul does not disintegrate when separated from the body, but the body disintegrates when separated from the soul. The soul that has been purified through philosophy, practicing separation from the desires and needs of the body, in death departs from that body to be with its like, the “divine, deathless and wise” (149).

Phaedo, Section 3 Summary

Though they are convinced of Socrates’s conclusion that the soul preexists the body, Simmias and Cebes continue to be troubled about its survival after death. Using the lyre as an analogy, Simmias notes that when it is smashed or its strings cut, its attunement, though unseeable and divine, will cease to exist, wondering if the same could be true of the soul. Cebes’s analogy is of a weaver and his cloak, wondering if bodies could eventually wear out a soul, as bodies can wear out a cloak, until, like the cloak, it finally disintegrates. In this case, death ought to be faced with fear that this might be the time the soul is finally worn out.

Phaedo interrupts his recollections to discuss Simmias and Cebes’s refutations with Echecrates, who is eager to hear how Socrates replied. Phaedo recalls how Socrates compared himself and Phaedo to Heracles and Iolaus, righting together against two opponents. First, Socrates counsels, they must guard their minds against misology, hating arguments as misanthropists hate people, but the fault may be not with arguments and people but a person’s inability to perceive what is sound about them. Thus, Socrates encourages his companions to set as their goal seeking truth, above all else.

Phaedo, Section 4 Summary

Attunement cannot be “in a different state” from the elements that comprise it and can only follow from, not direct, its composite elements, and thus cannot act contrary to those elements. Since none of these apply to the soul, and indeed is the opposite of them, then the attunement can function neither as analogy nor objection, according to their agreed upon definition of it.

Socrates next tackles Cebes’s concern that the soul may not be immortal, even if it can outlast the body. He begins by discussing his earlier interest in natural sciences and Anaxagoras, but finding flaws in both, he embarked on his “second sailing” (172). This was to set his inquiries against his own “reasoned accounts” that “beautiful things” are so “by virtue of the beautiful” (172, italics in original). The same applies to things that are big, small, even, uneven, etc.

From these follow Socrates’s fourth argument for the soul’s immortality. Using the examples from above, he asserts that opposites cannot partake of their opposite’s nature. If something small becomes big, then it no longer participates in being small. Opposites must either submit or flee from each other. If fire encroaches on snow, cold will either submit or flee. Since soul is the entity that brings life to the body, it cannot become its opposite. It is not destructible. It must either submit, in which case in ceases to be soul, or flee, in which case it continues to exist beyond the mortal body. Therefore, he concludes, the soul is indestructible. When Socrates is accused of contradicting his earlier statement that opposites come from each other, he points out that he was previously referring to how opposites come into existence whereas here he was speaking of the nature of each opposite once it exists.

Since the soul is immortal, Socrates reasons, then humans must concern themselves with what will happen to them in the afterlife. He describes the journey of the soul traveling to the underworld, the nature of the cosmos, and the soul’s punishments and rewards. Those who have spent their lives “purifying themselves sufficiently by means of philosophy” will be blessed in the afterlife. Whether his story is factually accurate is not as important to Socrates as that it is believable and possible and, thus, people spend their time on earth increasing their “share of goodness and wisdom” (192).

After concluding, an enslaved person arrives to announce that it is time for Socrates to drink the hemlock. Crito wishes him to delay, but to do so would be to violate all that he has argued. He bathes himself to save the women the job of cleaning his corpse, meets with his children and women from his household, and drank the poison in one drink. His companions weep, and he scolds them. His final words are to order an offering to Asclepius.

Phaedo concludes the story, telling Echecrates that Socrates was the best, wisest, and most just man of his generation.

Phaedo Analysis

The Phaedo is a dialogue that is presented as a story shared between friends, which was composed by a third friend who was not present either at Socrates’s death or at the conversation between Echecrates and Phaedo. Reading this in the context of ancient Greek religion, Plato shapes the death of Socrates in such a way as to both reinforce and subvert traditional ritual observances, creating a new “hero” not in the mortal Socrates but in his philosophical process which can live on.

Plato aligns Socrates with ritual observance of heroes in various ways. Socrates’s death is delayed because an Athenian sacred festival in honor of Apollo is in progress. One of the observances involves a ritual sea journey to and from Delos, an island sacred to Apollo because it is his and his sister Artemis’ birthplace. The journey across the sea was a reenactment of Athenian hero Theseus’s journey. Until the ship returns, no executions can take place in Athens since this would cause pollution. An oracle from the god Apollo initiated Socrates’s own sacred journey to pursue wisdom through dialogue and a ritual celebration for the god is also implicated in the timing of the end of Socrates’s life.

When his friends find Socrates, they are surprised to find him composing poems from the fables of Aesop because poetry is not his practice (Plato will reject poetry when considering the ideal city later in his Republic). Socrates explains that he is attempting to interpret the meaning of instructions to make music that he received in a dream. Dreams can carry messages from the divine realm, and since music is one of Apollo’s domains and Apollo is Socrates’s patron (being the god who sent Socrates on his quest), Socrates composes music in the traditional way via poetry.

His own idea of the “highest music” is philosophy, but consistent with his approach to question everything, with the only goal being to get closer to the truth, Socrates decides to participate in the music Apollo is traditionally known for (121). He begins by scrutinizing his own assumptions, which leads into his dialogue about the soul. In both cases, he urges himself and his followers not to close any potential avenues for discovery, not to hate argument of any kind, but only to pursue truth. On this quest, Socrates and Phaedo are Heracles and Iolaus, the most famous Greek hero and the companion without whom he could not complete his labors.

Socrates’s argument for the immortality of the soul launches from a discussion of whether philosophers should fear death and whether it is permissible for them to die by suicide. The dialogue examines why philosophers should not fear death, which Socrates ultimately argues is because they have good reasons to believe the soul is eternal and that good things await those who have dedicated their lives to deepening their wisdom and sense of what is just.

As he argued in the Apology, Socrates’s position affirms the existence of the gods, as does his assertion that humans belong to them. Even so, relative to worship, Socrates’s argument represents a shift in describing the soul as an eternal element distinct from the body. Ancient Greek religion seems instead to have viewed memory and the recurring cycles of nature as the eternal components that humans participate in, both by institutionalizing them (e.g., performing poetry at sacred festivals) and associating the hero bodily with them. Socrates, however, sets out an argument of abstractions in the belief that the senses are fallible and can create false perceptions. Though he grounds his abstractions in physical things his followers have experienced and can identify with, these are launching points rather than ends in themselves, examples not ideas. Socrates’s destination lies in the realm beyond the body.

As the moment of death grows closer, his followers lose their faith in these abstractions and wish Socrates to linger in his body, partaking of its pleasures. They wish to delay the moment of parting with their teacher. Socrates, however, remains focused on his pursuit, investigating the nature of the soul and presenting his arguments. Since his death, philosophers have detected flaws in Socrates’s argument for the immortality of the soul, but according to Socrates, this is appropriate since the new “ritual cult” he inaugurated was not meant to enshrine knowledge but to perpetually subject it to investigation. The superhuman force harnessed to protect the city will not be the body of the hero but the process of seeking truth to become wiser and more just.

After describing what he imagines the journey of the soul will be, Socrates amends that he cannot be a philosopher and claim to know whether the soul’s journey will be exactly as he describes it. What is important is not whether everything he says will happen in the way he imagines it but that the belief in the possibility inspires him. The same may be said of Plato. It does not matter if Socrates’s death—or even the figure of Socrates himself—was as Plato describes, only that the figure of Socrates inspires the dialogue to continue.

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