41 pages • 1 hour read
H. G. WellsA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content warning: This section of the guide mentions suicidal ideation.
Edward Prendick is the protagonist of the novel; he also narrates most of the story. Prendick is a wealthy and well-educated Englishman who has studied biology. Polite and gentlemanly, Prendick tends toward intellectual pursuits and lacks practical skills. This trait becomes quite problematic when he is desperate to escape the island: When Prendick is unsuccessful at building a raft, he laments that, “a certain lack of practical sense […] has always been my bane” (125). Prendick does not consume any alcohol and steadfastly refuses to do so even when Montgomery pressures him. Despite repeatedly surviving catastrophic events, Prendick is not particularly resilient and can be impulsive in a crisis. After Prendick realizes that Moreau has been conducting grotesque experiments, he wades into the ocean and explains that “I am going to drown myself” (66). He also contemplates suicide again later in the plot. However, Prendick is also motivated by a deep desire to survive and get off the island. Prendick is not a traditional hero in that his survival seems to be primarily a result of fate, rather than his own efforts, but he does repeatedly manage to survive events that wipe out everyone around him.
Prendick’s character often functions as an observer and chronicler, but he is also impacted and changed by the events of the plot. Initially, Prendick is fairly detached and not inclined toward empathy: When he first learns that Moreau is conducting experiments on live animals, Prendick is unbothered, musing that “especially to another scientific man, there was nothing so horrible in vivisection” (35). He is uncomfortable when he can hear the puma screaming in pain, but only because the sound is visceral and forces him to confront that a creature is suffering nearby, when he would otherwise have ignored this reality. However, over time, Prendick becomes more and more sympathetic to the Beast Folk, and is repulsed by Moreau’s arrogance and willingness to inflict suffering on living beings. He now looks at the Beast People and laments, “Poor brutes! I began to see the viler aspect of Moreau’s cruelty” (95). Prendick’s character development is also revealed in his changing attitude toward Montgomery. At first, Prendick openly admires Montgomery, but he becomes disturbed by Montgomery’s passivity and heavy drinking. Prendick eventually coldly tells Montgomery: “you’ve made a beast of yourself” (107). Over time, Prendick becomes thoroughly disenchanted with the island, the experiments, and the individuals who live there.
Prendick’s most significant development as a character is only apparent once he returns to England. Although he was desperate to get back home, he can’t find a sense of peace or belonging once he arrives. Prendick is permanently scarred by the trauma he has endured, and he says, “I do not expect that the terror of that island will ever altogether leave me” (130). Prendick becomes someone who strongly prefers to live an isolated life, “hav[ing] withdrawn myself from the confusion of cities and multitudes” (131), focusing on studies in chemistry and astronomy. Because little information is provided about Prendick’s life before his voyage, it is not clear how dramatically he changes, but while Prendick is able to survive, he never fully leaves his experiences on the island behind him.
Moreau is a primary character whose actions drive much of the plot. Moreau is an English scientist who achieved significant success and esteem in the scientific community until it was revealed that he was conducting gruesome experiments on animals. After a public outcry, Moreau left England to continue his research on a remote Pacific Island. The narrator remarks that, “he might perhaps have purchased his social peace by abandoning his investigations, but he apparently preferred the latter” (34), illustrating Moreau’s passion for his work. Moreau lives in intense isolation with only Montgomery and the Beast People he creates; he is secretive and protective of his work, and it is only by accident that Prendick finds out what is truly going on. Moreau is obsessed with his intellectual quest to transform an animal into a hybrid that will display and maintain truly authentic human characteristics; because he is never satisfied with the results of his experiments, he is driven to more and more extreme lengths. As Moreau explains to Prendick, “sometimes I rise above my level, sometimes I fall below it, but always I fall short of the things I dream” (78). Moreau’s obsessive ambition has rendered him largely incapable of feeling empathy for others. When Prendick objects that Moreau’s experiments involve inflicting pain on living creatures, Moreau argues that pain is insignificant: “the study of Nature makes a man at last as remorseless as Nature” (75).
Moreau can be seen as an example of the narrative archetype of the “mad scientist” (other examples include Victor Frankenstein in Mary Shelley’s novel Frankenstein and Dr. Rappaccini in Nathaniel Hawthorne’s short story, “Rappaccini’s Daughter”): He pursues intellectual goals to extreme lengths without considering the attendant dangers. Moreau is extreme not only in his efforts to create human-animal hybrids but also in the way he governs the individuals he does create. Moreau creates a rigid system of authority in which he functions as a god-like figure who can impose unquestioned laws and restrictions. Moreau is not a physically remarkable or imposing man; Prendick describes him as “a white-faced, white-haired man, with calm eyes” (79). He authority derives from his conviction and charisma, but also from his willingness to use corporal punishment for any transgression.
Moreau does not change or evolve over the course of the novel; in fact, his fatal flaw is his stubborn insistence on pursuing his experiments regardless of the consequences. Moreau’s death represents poetic justice for his character and reveals how his fate is indelibly intertwined with his commitment to his experiments. Moreau is found lying dead next to the corpse of the puma: the fact that they died together shows just how intimately they were interconnected. Moreau’s corpse is later burned alongside his incomplete experiments, symbolizing how he was utterly consumed by his ambitions.
Montgomery is a primary character in the novel. An Englishman, he is the only other human being who lives on the island with Moreau. Very little is known about his past or about how he came to live on the island with Moreau. Montgomery tells Prendick that he is “an outcast from civilization […] because—eleven years ago—I lost my head for ten minutes on a foggy night” (19), suggesting that some unspecified crime has made him a fugitive. Montgomery is generally somewhat aloof, reserved, and enigmatic. He doesn’t elaborate on how he feels about the Beast People, and he doesn’t acknowledge what a bizarre life he leads on the island. Montgomery seems largely resigned to his fate. He seems to respect Moreau, but also sees potential dangers in Moreau’s ambitions.
Montgomery is also a heavy drinker, and often consumes alcohol during periods of stress. Notably, after Moreau’s death, Montgomery’s decision to get drunk contrasts with Prendick’s efforts to make constructive plans. When Prendick rebukes him, Montgomery retorts that “I’m bound to cut my throat tomorrow. I’m going to have a damned good bank holiday tonight” (107). Montgomery is nihilistic and resigned to inevitable suffering and death. He is not interested in taking any steps to salvage the situation because he does not see any purpose to doing so. In fact, Montgomery deliberately incites chaos and contributes to his own death by giving alcohol to the Beast People.
Montgomery does not change or evolve as a character; because he believes that he is doomed to remain isolated on the island, he does not take any steps to change the course of his fate. Interestingly, the presence of Prendick does not result in Montgomery experiencing any personal growth; in fact, Prendick’s presence seems to bring out a vindictive and spiteful side to Montgomery’s character. Montgomery calls Prendick a “prig” (107) when Prendick refuses to drink with him, hinting that Montgomery feels ashamed of his heavy drinking, but also cannot bring himself to stop.
More damningly, Montgomery uses a small wooden boat to light the bonfire on the beach, destroying Prendick’s chance of getting off the island. Montgomery not only feels despair; he can’t tolerate anyone else trying to take constructive action. Because of this action, Prendick experiences deep anger and even hatred as he watches Montgomery die. Montgomery’s final words sum up his character: “[…] the last of this silly universe. What a mess —" (112). Montgomery believes that he is doomed to suffer because of whatever error he made, and he dies clinging to the idea that there is no meaning or purpose in life at large. Despite the many strange events he experiences, Montgomery remains immune to any significant growth or development.
By H. G. Wells