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G. K. ChestertonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The Blue Cross relic that Father Brown guards in “The Blue Cross” is a symbol representing the beauty and endurance of Christianity. It is also a motif supporting The Psychological Approach to Solving Crimes. Hercule Flambeau intends to steal the relic for its monetary value, but Father Brown values the cross for its religious significance. His understanding of psychology prevents him from trusting Flambeau, and he leaves clues for the police to follow, understanding enough about the psychology of both criminals and detectives to predict their behavior. When Father Brown is explaining this to Flambeau, he tells him, “At every place we went to, I took care to do something that would get us talked about for the rest of the day. I didn’t do much harm—a splashed wall, split apples, a broken window; but I saved the cross, as the cross will always be saved. It is at Westminster by now” (14). With the sacred relic protected, Father Brown has done his duty to the Church.
In the short story “The Flying Stars,” the precious diamonds known as the “Flying Stars” are a motif supporting both The Duality of Human Nature and The Psychological Approach to Solving Crimes. When Sir Fischer gives the diamonds to his goddaughter, Ruby, as a Christmas present, he explains that they were named the Flying Stars “because they’ve been stolen so often” by criminals (50). This foreshadows them being stolen by another big criminal, Flambeau. When he steals the Flying Stars, Father Brown finds him and asks him to give them back, telling him that he could potentially destroy an innocent man’s life if he steals them and that, even if it does not happen now, Flambeau will eventually suffer for the crimes he commits. Taking this to heart, Flambeau gives Father Brown the Flying Stars and abandons crime for good, having understood that Father Brown knows the intricacies of morality and has seen the suffering that human sin and evil can bring.
The hammer of God, in the short story of the same title, is a symbol of the human self-righteousness that masquerades as divine judgment, supporting The Duality of Human Nature and The Psychological Approach to Solving Crimes. The hammer appears near the body of the murdered Colonel Norman Bohun. Simeon Barnes, though not the killer, views the hammer as a tool of justice by God to punish the colonel, an idea that the colonel’s brother, Reverend Wilfred Bohun, supports. Father Brown discovers that Wilfred killed his brother with the hammer in a “righteous rage” (124). As a devout man, Wilfred wanted to kill his brother for his blasphemy, and though he initially hesitated, he soon after snapped and threw the hammer at the colonel. The hammer, in Wilfred’s mind, was “God’s thunderbolt,” a weapon for God to bring vengeance on the wicked (124). In the moment, Wilfred wanted his brother’s wickedness punished by God and quickly; thus, he took vengeance, appealing to his anger and committing the crime and sin of murder.
In the short story “The Sign of the Broken Sword,” the titular sword serves as a symbol of The Contrast Between Appearance and Reality. Sir Arthur St. Clare’s sword was hung around his neck along with the rope when he was hanged. It shows that though the true history of the broken sword is not completely known, the broken sword is a true piece of evidence that shows that he was not completely innocent. The sword will always be associated with his hanging as a traitor for those who know the truth, such as Father Brown and Flambeau. Furthermore, he will always be a traitor who committed horrible acts, no matter how much they are ignored or unknown. His reputation as a war hero may remain, and the English will continue to revere him, but the broken sword and its location around his neck upon his death show that his death will always be marked by his murder of Murray and his various other atrocities.
By G. K. Chesterton
Appearance Versus Reality
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Books on Justice & Injustice
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British Literature
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Class
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Class
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Colonialism & Postcolonialism
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Good & Evil
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Guilt
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Religion & Spirituality
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Revenge
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Truth & Lies
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