40 pages • 1 hour read
Sally ThorneA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Josh and Lucy finally have sex, and it is spectacular. Their connection is tender, sexy, and, in some moments, funny. He says: “[T]onight isn’t enough, I can already feel it. I’ve always told you, I need days. Weeks” (314). She feels the same way.
The sex scene continues, and both Josh and Lucy are extremely satisfied. The following morning, they have sex again in the shower. Lucy tells the reader: “He makes words like intimacy seem inadequate” (326), expressing how extraordinary their connection is. Afterward, Josh gets upset. Out of fear and a lack of courage, Lucy makes it seem like this is a one-time thing. They check out of the hotel and join Josh’s family for breakfast.
Anthony piles insults on Josh and expresses his disappointment. Lucy defends Josh and stands up to Anthony. She fiercely describes Josh’s talents and intelligence. Lucy thanks everyone, and invites them, even Anthony if he’s willing to get to know his son, to visit the city. Lucy and Josh leave and happily drive back home. Lucy realizes “the new knowledge of something irreversible, permanent” (344). She loves Joshua Templeman.
Josh makes Lucy tea and a sandwich, gets her a blanket, and rubs her feet. She admits she’s freaking out about her feelings for him. She thinks: “Every game you’ve ever played has been to engage with him. Talk to him. Feel his eyes on you. To try to make him notice you” (346). The games were never about hate after all. She asks him again what the marks in his planner mean, and he admits they’ve been all about her. S or D is whether she wore a skirt or dress. He marks when they argue, when she smiles at someone else, and when he wants to kiss her. He also admits the regular cycle of shirt colors were to see if she noticed, and when she did, he kept it going.
Lucy feels how much she loves him. It’s too scary to acknowledge. She thinks: “The color of love is surely this robin’s-egg blue” (354). He tells her he loved her from the moment he saw her. She says she loves him too, but she’s scared he’ll hurt her because he also hates her. He makes it clear he’s only ever loved her, and she challenges him to prove it. He shows her that his favorite color blue, the blue paint in his bedroom, is the color of her eyes. The goal of the games she’d been playing were to make him smile, whereas his goal had been to make her love him. She asks how they’ll recover from all the times they were horrible to one another. He suggests they play the Starting Over Game.
Josh lets Lucy know he’s resigned from Bexley & Gamin; he’s now the new divisional finance head of Sanderson Print, B&G’s rival. He took the job so he wouldn’t lose Lucy, and so they wouldn’t have to compete for the position of COO. Sanderson Print made him sign a non-disclosure agreement, as he told them he was in love with the soon-to-be COO of B&G. That was why he told Bexley he didn’t need help beating her. They will be together now, and Josh will join Lucy when she visits her parents for the long weekend. The Hating Game is over now—for good.
Josh and Lucy’s sexual tension is finally released. This leads to the story’s climax: Lucy bravely standing up to Anthony for Josh. In that scene, Josh and Lucy’s character arcs are complete. He is finally seen and adored beyond his looks, and Lucy has finally become assertive, no longer caring what others think. These changes have occurred gradually through the course of their relationship; physical intimacy is the final surrender they both need to fully transform.
The third act misunderstanding resolves. Both the reader and Lucy understand now what Josh meant by finding a way “out of this mess” (128), meaning the mess of their office competition. With Josh in a new office, there will be no external obstacles to their romance, and they will both attain what they want in their careers. The games are over.
In these final chapters, Joshua embodies the conventions of a romance novel hero: He worships Lucy’s body, he’s the best sex she’s ever had, and at the same time, wants much more than sex. By the final chapter, Joshua’s dialogue is over-the-top. He says things many women want to hear, such as that he’s loved Lucy since day one, will never hurt her again, and has surrounded himself with evidence of his love. The paint in the bedroom, his love for strawberries, his goal of making her love him, and the marks in his planner all show he’s been crazy in love with her this whole time. He even changed his work situation so he wouldn’t lose her.
These overblown expressions of love wouldn’t work, or might be considered stalking-level creepy, had Joshua not been cool and distant for most of the book. Romance is created in this way: Two people who can’t have each other finally come together.