54 pages • 1 hour read
Sarah Pekkanen, Greer HendricksA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The narrative shifts to Avery’s first-person perspective. Avery is at home, wondering who assaulted Matthew (Marissa called to tell her about the assault). Avery checks her mail to discover a notice from the life-insurance company that handled Paul’s life insurance. The insurance payout is being investigated as a possible medical fraud; it sounds like the insurance company thinks that Avery had something to do with Paul’s death. Avery calls her lawyer. The lawyer does some digging and learns that the insurer received an anonymous tip that Avery euthanized Paul. Avery knows that Acelia must be behind this “anonymous tip”—it’s revenge.
That evening, Avery has her fifth session with Marissa and Matthew. She’s disheartened: “This, our fifth session, is Devastation, the point at which my clients reach rock bottom and fear they won’t succeed. But in this case, I’m the one who is beginning to worry they won’t succeed.” (234). Avery asks Matthew and Marissa who might want to hurt Matthew; the implication is that it could be Marissa’s ex-lover. Avery privately decides that she will confront Marissa about her ex-lover’s true identity—Avery wants more information. The session ends with a call from the police; they have a suspect in custody for Matthew’s assault.
The narrative shifts to Marissa’s third-person perspective. It’s the next day. The previous night, Matthew was unable to identify anyone from the lineup. Matthew is home from work, recovering, and Marissa checks on him. Matthew tells her: “I’ve done a lot of soul-searching these past few days. I want to be a better husband to you. And dad to Bennett. When I woke up in the ambulance, it was all I could think about” (245-46). Marissa tells Matthew that Bennett doesn’t want to play baseball. Matthew takes the news surprisingly well. Matthew reveals that he’s been thinking a lot about this own father lately, which surprises Marissa: “Matthew never wants to discuss his father [Chris]” (247).
It’s revealed that Matthew’s father was from a blue-collar family. Now a successful DC lobbyist, Chris was able to give Matthew a privileged life. Despite Matthew’s success, Chris seems to despise him. Marissa recalls a time when Chris visited them and his car broke down; Matthew called a mechanic, while Chris insisted on trying to fix the car himself: “You can’t outsource everything in life, Chris had said. Though I guess you’re used to having other people clean up after your messes” (249).
Later, it’s revealed that the “mess” Chris is referring to is Tina’s murder. Matthew’s mother lied for him when he was a teenager, giving him an alibi so that he wouldn’t get caught for it.
The narrative returns to Avery’s first-person perspective. Avery confronts Polly, trying to find out what else Polly knows about the Bishops. Polly reveals that a strange man called Coco twice in the past week looking for Marissa, and that there have also been a lot of hang-up calls. Polly also tells Avery that Marissa lied about the video footage from the store; Marissa said the footage had been wiped clean, but it actually showed the unhoused man, Ray, dropping off the note. Avery realizes that Marissa is withholding information from her: “Anger sweeps through me; she conned me. Again” (256). Avery even speculates that Marissa never had an affair but staged one to get attention from her husband. However, Avery is also suspicious of Polly; during their meeting, Avery notices that Polly is wearing the same perfume as Marissa.
The narrative shifts to Marissa’s third-person perspective. Marissa arrives at Coco. Like Avery, Marissa is increasingly suspicious of Polly. When Marissa stopped by Polly’s flat and met her roommate, the roommate mentioned that Polly had a real estate job. Natalie is a realtor. Marissa wonders if there’s a connection. Marissa plans to start interviewing candidates to replace Polly. After work, Marissa goes to a spa to get a massage—a gift from Matthew and Bennett.
Avery has been trying to reach Marissa with no luck; Avery is determined to get the identity of Marissa’s ex-lover. Meanwhile, Avery is busy with a new client, “Rose.” Halfway through their first session, Avery realizes that Rose is from Acelia: “Despite her implicit threat, I’m certain Rose came here not to harm me, but to try to strike a deal—money in exchange for the name of who gave me the information” (270). Avery decides that she will no longer meet first-time clients at home.
The narrative shifts to Marissa’s third-person perspective. She’s getting her massage. Marissa finds it difficult to relax during the massage. In the wake of Matthew’s assault, she’s worried about her family. When Marissa can’t get ahold of Matthew, she cuts the massage short and hurries home. As she arrives home, she’s accosted by Avery.
The narrative returns to Avery’s first-person point of view. This is Avery’s sixth session: “Confrontation.” Avery, annoyed that Marissa has been ignoring her calls, accosts Marissa outside of the Bishops’ home and insists on going in with her. Inside, Avery and Marissa find Matthew, Bennett—and Skip. The Bishops don’t know that Avery knows Skip; Matthew introduces her: “Avery, this is one of our closest friends. Meet Skip” (281). Avery is shocked.
Just like Part 1, Part 2 of the book ends with a plot twist and moment of revelation: When Avery enters the Bishops’ home, she’s shocked to find Skip—the guy she dated briefly—and to learn that he’s a close family friend of the Bishops’. In fact, it will be revealed that Skip is the close family friend with whom Marissa had an affair. This kind of cliff-hanger at the end of a part keeps the reader turning the pages and maintains the pace of the book and leads into Part 3 to explore the connection between Skip, the Bishops, and Avery (Part 3 will indeed reveal all the details).
This cluster of chapters also introduces a new twist in Avery’s personal narrative regarding Acelia. The narrative tension reaches new heights when a new “client” of Avery’s (“Rose”) turns out to be a representative of Acelia. Avery only realizes midway through her first session with Rose, at which point Rose is already in Avery’s house. The danger becomes more palpable, and the reader’s sense of unease is reinforced by the fact that the novel’s quasi-detective, Avery, has been deceived in her own home. Acelia itself is a symbolic reference to several of the book’s themes. The fact that the company itself is pharmaceutical and yet knowingly creates fatal drugs speaks to The Deceptive Nature of Appearances. The presence of Rose highlights this link; Rose appears to be a client, and yet deceives Avery.
Further, Avery receives notice that Paul’s (her dead husband’s) life-insurance claim is being disputed. The insurer suspects that Avery had something to do with Paul’s death, amounting to insurance fraud. Pekkanen and Hendricks purposefully gloss over this small twist by making it tangential to the central plot of the book, yet the detail matters, making it a small clue to the plot of the book. This detail of Paul’s death is an example of “Chekhov’s gun,” which, according to Russian writer Anton Chekhov, must go off in the second act if it is introduced in the first. In the book’s final chapter, it will be revealed that Chris, Matthew’s father, works for Acelia and orchestrated the insurance investigation. Further, it will be revealed that the claim is—shockingly—true, since Avery euthanized Paul.
These chapters introduce a new character to the book: Matthew’s father, Chris. This introduction provides new clues into the narrative to drive the pace of the plot toward the climax. Marissa and Matthew talk about Chris in Chapter 26, and the reader gains insights into Chris through Marissa’s internal reflection. Despite Matthew’s successes, Chris isn’t proud of his son. The father-son schism is a subtle clue: In the book’s final chapter, the real reason for Chris’s animosity toward his son is revealed, when Chris confirms to Avery that Matthew killed Tina. This is hinted at in an anecdote that Marissa recalls, when she remembers Chris getting annoyed with Matthew for calling a mechanic to fix his broken car: “You can’t outsource everything in life, Chris had said. Though I guess you’re used to having other people clean up after your messes” (249). Chris has known for years that Matthew is a murderer.
Meanwhile, the red herrings pointing everywhere except Matthew continue to stack up. Avery, the narrative’s detective character, is sent running after one false lead after the next as she tries to untangle the mystery of the “golden couple.” For example, Polly remains suspicious, and the suspicious nature of her character intensifies—for instance, in Chapter 27, when Avery notices that Polly has started wearing Marissa’s perfume.
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