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60 pages 2 hours read

Mario Puzo

The Godfather

Fiction | Novel | Adult | Published in 1968

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Themes

Family Loyalty in a Mafia Family

In The Godfather, loyalty to the family is the ultimate value, to be upheld above all else. As Michael says, “Blood was blood and nothing else was its equal” (124). But the definition of family may differ from how it is generally understood. In The Godfather, there are two families in each man’s life: his personal family and the Corleone family. When forced to choose between the two, these men all know that their first loyalty must be to the Corleone family.

Tom illustrates this point early in the book. Tom has been held hostage by Sollozzo, and the Don has been shot. When Tom returns to the Corleone home, his wife is waiting for him. She is overcome with relief upon seeing him, but their interaction is brief. After hugging her, Tom “disentangled himself from his wife’s arms and lowered her back onto the sofa…He strode into the office without another look at his still-sobbing wife” (120). Tom understands that, as consigliere, his first duty is to address the problems of the Corleone family, and his own family will have to wait. Michael observes this scene, and his reaction is to feel pride, thinking, “[Tom] hadn’t lived with the Corleone Family ten years for nothing… Some of the old man had rubbed off on him, as it had on Sonny, and he thought, with surprise, even on himself” (120). Michael recognizes, maybe for the first time, that this ultimate loyalty to the Corleone family is firmly in place in Tom, Sonny and himself.

The women who are married to the Corleone men seem to understand the immovability of this hierarchy. As Carmella Corleone puts it, “[I]n her life with the Don she had learned it was far wiser not to perceive. That if it was necessary for her to know something painful, it would be told to her soon enough” (355). She has accepted the boundaries of the Corleone family and her place within it. She knows fully that she will never be allowed to cross that boundary, and that her husband’s first loyalty will always be to the Corleone mob family. In addition, when Michael asks Kay to be his wife, he is very open about the boundaries between his personal family and the Corleone family, and the fact that she will never cross them. He tells Kay, “You’ll be my wife but you won’t be my partner in life, as I think they say. Not an equal partner. That can’t be” (483). By the end of the novel, Kay has clearly accepted these terms. She adopts a lifestyle emulating Carmella Corleone’s, as an example of how to grapple with her husband’s first loyalty being to the Corleone family, and not their own.

Every Individual Has One Destiny

Throughout the novel, the Don is preoccupied with the idea of destiny: that a man must follow a path that is true to his identity. This belief first emerges when, as a young man, he is challenged by Fanucci. Vito realizes that he could pay the tribute and keep working at the grocery store, Or he could accept the alternate path that has been laid out before him: “But destiny had decided that he was to become a Don and had brought Fanucci to him to set him on the destined path” (265). This is the formative experience that leads to “his oft-repeated belief that every man has but one destiny” (265). When this shift happens, Carmella witnesses the transformation: “What she was seeing was the shedding of his protective coloration of a harmless nobody now that he was ready to start on his destiny. He had started late, he was twenty-five years old, but he was to start with a flourish” (267).

When the Don speaks of destiny, he speaks of that moment in one’s life where the path ahead becomes clear and undeniable. When he kills Fanucci, he does so convinced that it is his destiny. He moves with the same decisive conviction when Sonny confesses that he witnessed Don Corleone kill Fanucci. The Don’s response to Sonny is, “Every man has one destiny,” and reflects to himself “that the witnessing of Fanucci’s murder had decided that of his son” (291). Upon witnessing Fanucci’s murder, Sonny’s path is defined. This reveals the dark side of destiny, as a function of trauma: “As a boy, he had been truly tenderhearted. That he had become a murderer as a man was simply his destiny” (353). Once the Don realizes this, he immediately brings Sonny into the family and begins training him up to be a part of the business. Soon, Sonny’s emotions are channeled into the temper that, as a man, he has difficulty controlling.

Although just a side character, Nino Valenti experiences the effects of the Don’s idea of destiny as well. The Don recognizes that Nino is an artist, and that is his destiny. In his case, because he is incapable of fulfilling Nino’s destiny himself, the Don facilitates it by enlisting Johnny Fontane to help. As Nino tells Johnny, “[The Don] says that every man has only one destiny and that my destiny was to be an artist. Meaning that I couldn’t be a racket guy” (246). Johnny understands that the truth is that the Don saw that Nino needed to be an artist, and so arranged his life so that he could fulfill that destiny. Later in the novel, Albert Neri is brought into the family in the same way. While many families would hold the fact that he is a former policeman against him, the Corleone attitude is that “[m]any young men started down a false path to their true destiny. Time and fortune usually set them aright” (563). The Corleones believe, according to the Don’s concept of destiny, that when he was a policeman, Albert had merely failed to find his true path.

As Michael assumes his position as the Don, he begins to view destiny the same way his father had. He looks into the future and sees a destiny for his children:

Whether we like it or not the Corleone Family has to join that society. But when they do I’d like us to join it with plenty of our own power; that is, money and ownership of other valuables. It like to make my children as secure as possible before they join that general destiny (488).

Michael’s goals for the family are to eventually transfer its criminal power to legitimate power in the United States. He dreams for the future of the family and sees it as their destiny. At the end of the novel, he has also accepted what he has become and the path that led him there: “That long time ago he had sat in the garden with Kay never dreaming that so curious a destiny was to be his” (547). Michael has accepted more than just the role of Don; he has accepted the foundational belief of the Don that this was his destiny.

The Don’s Code

In a very dangerous, serious business, Don Corleone gathers and wields immense power. He does this by living by a set of simple principles, some of which are defined by Sicilian culture, and some of which are his alone. But they all bring him success. Three of the most important principles are: to be reasonable; to keep one’s thoughts and feelings to oneself; and to always keep one’s word. The Don addresses each of these in his own thoughts, and the reader also learns about them through the people around him—particularly Tom, Michael, Sonny, and even Johnny. Through their interactions with him, they absorb some of the characteristics and beliefs that make the Don such a successful man and a force to be reckoned with amongst the Mafia families.

First and foremost, the Don acquits himself with reasonableness. From the beginning of his career, in the confrontation with Fanucci that would set him on his path, Vito Corleone had taken the same approach: “I’ll reason with him,” he says, words that would “become a famous phrase in the years to come” (266). Tom Hagen, maybe more than any other man, strives to learn the Don’s methods and employ them. He has watched the Don remain reasonable for hours during a negotiation: “‘Never get angry,’ the Don had instructed ‘Never make a threat. Reason with people.’”(66). This concept of reasonableness is underscored by the idea that, when the Don “asked opponents to sit down and reason with him, they understood it was the last chance to resolve an affair without bloodshed and murder” (266). Reasoning sounds mild, but underneath it is the understanding that the other person is being given the opportunity to change their mind before serious consequences occur.

Michael employs another of the Don’s methods: revealing nothing to an adversary. When he is struck by Captain McCluskey, Michael follows his instincts to emulate the Don: “At all costs he wanted to hide the delicious icy chilliness that controlled his brain, the surge of wintry-cold hatred that pervaded his body. He wanted to give no warning to anyone in this world as to how he felt at this moment. As the Don would not” (164). Even in the grip of great emotion, the ability to maintain one’s composure and hide one’s emotions is a great asset. As the Don says to Sonny when his son shows emotion at a meeting, “Santino, never let anyone outside the Family know what you are thinking” (90). Tom, reflecting on Sonny’s outburst, thinks, “Did he really not know what a dangerous mistake he had made this morning? If that were true, Hagen would never wish to be the Consigliere to the Don of Santino Corleone” (91). This shows that he understands the Don’s strategy perhaps better than anyone else and knows that this piece of the Don’s code is essential to one’s success.

Lastly, one of the main reasons Don Corleone garners such success and gains so many connections and relationships is that his word is unimpeachable. This is why the other families move ahead in the peace process; since Don Corleone has given his word that he will not take vengeance, there is no chance that it will happen. Even Phillip Tattaglia, who stands to lose his family and his life if the Don breaks his word, takes the Don’s assurance as ironclad fact. However, although the Don, and later Michael, hold to the letter of this axiom, they utilize a loophole that allows them to seize control of the Five Families and win the war with the Barzinis and Tattaglias. They hold their peace while Don Vito is in power, keeping his word that he will not seek vengeance. But immediately upon his death, Michael begins putting their plan into action to claim vengeance for the murders of Apollonia and Sonny and the attempted murder of the Don. Michael utilizes this same loophole when he tells Carlo he will not kill him, but then has Clemenza do so. He upholds the most important tenet of the Don’s code, to never break his word, but is also able to find ways to circumvent this code when he needs to, as did the Don.

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