102 pages • 3 hours read
Lois LowryA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
The society Jonas lives in is meticulously designed, standardized, and ordered. In other words, there is a high degree of control, and control is used to eliminate differences. There is no rain or snow because the climate is controlled to optimize food-growing conditions, and there are no hills because they might interfere with transportation. People take pills to suppress their sexual desires. All dwellings are basically the same, with identical pieces of functional furniture. Most people can’t perceive color. Anxiety about different skin colors contributed to strife in the past, so the citizens decided to remove color from their lives when they switched to a system of "Sameness" (84). From an early age, citizens are taught to downplay differences as much as possible and always follow the rules. Those who break the rules three times are released from the community forever.
Individuals make very few decisions about their own lives in this community, most likely because choices are perceived as dangerous. As Jonas discovers in a conversation with the Giver, this danger stems from the fact that people will sometimes make a bad or wrong choice, which could have disastrous consequences. Since a lack of choices is woven into the fabric of the community, citizens don’t know what they’re missing. The Committee of Elders makes the rules, and they simply follow them, which tends to make life easy.
During his training, Jonas begins to see the benefits of choices and weighs them against the costs. He decides that the rewards of some choices are worth the risks. For example, in Chapter 16, he realizes that candles might cause a fire in a house, but the blissful warmth and light they provide convince people to burn them anyway. Jonas also realizes that stamping out differences and imperfections can be an abuse of control. This is made painfully clear when the community’s leaders decide to release Gabriel, the baby he has come to love as a brother, because he sometimes cries at night. This crying is seen as too great a burden for parents to deal with, in part because it is hard to control.
Jonas also realizes that freedom to choose comes with other difficulties, such as uncertainty. In a controlled, order-driven society, people seldom wonder what the future holds. They know what to expect, which provides relief from the anxiety of the unknown. Their needs are provided for, which prevents them from suffering physically. This can make for a monotonous existence, but it is less likely to be stressful or painful. In choosing a life of conformity and minimal choices, the community has snuffed out many of the things that make life worth living, from the beauty of snowfall to the comfort of being loved unconditionally. They live a “life without color, pain, or past,” one “where nothing was ever unexpected” (165). In the end, Jonas must choose between a life of control and a life of freedom.
Rituals help enforce rules, norms, and conformity in Jonas’s community. They also help preserve order. When something distressing and overwhelming occurs, such as the loss of a child, the community embarks upon a ritual to bury the memory of what happened. Families analyze their feelings and dreams at daily rituals. Apologies tend to happen in unison, in a fashion so ritualized that it loses almost all meaning. People know when they’re supposed to apologize or forgive, but it seems that they’re not really sure why they’re doing it. For instance, when the Chief Elder says she is sorry for causing anxiety in the crowd at Jonas’s Ceremony of Twelve, the people in the crowd say, “We accept your apology”(60), automatically in unison, as if they haven’t considered what the words mean.
Ceremonies are also filled with rituals such as the assignment of jobs and age-specific uniforms. There is little choice about whether to perform a ritual; failure to comply with even the smallest rules and customs results in punishment, at the very least a scolding by one’s parents or a reminder about the rules from the Speaker.
The Giver insists that memories and strong emotions will overwhelm the community because its residents are not equipped to deal with these things. In his view, being "overwhelmed" (144) can lead to chaos. It can lead to violence as well, as when large numbers of people are overwhelmed by hunger. The community’s emphasis on order and control seems to be a way to prevent people from becoming overwhelmed by the demands of daily life. Every person has a specific job to do and a set of rules to follow. Making expectations and responsibilities clear is a way to prevent people from feeling that they can’t handle it all.
The Receiver position also exists to keep the community from feeling burdened by painful memories and emotions: “They selected me—and you—to lift that burden from themselves” (113). In insisting that the Receiver bear this unwieldy "burden," the community makes it more likely that this person will crack under pressure. This is a reason the Committee of Elders looks for personality traits such as calmness in future Receivers. It’s likely that Receiver is deemed the most honorable position as a way of keeping people from leaving it—or leaving the community entirely. In other words, the emotional load of the role is so heavy that the community must provide motivation for someone to keep carrying it.
From the moment Jonas hears that becoming Receiver involves being alone and apart, he is concerned. He worries about losing his friends and feeling lonelier than he can tolerate. The job and its training involve a high degree of isolation, and he spends most of his after-school hours with the Giver. Jonas doesn’t feel lonely when he’s spending time with the Giver. However, he knows he will when the training ends, when he must spend hour after hour on his own, experiencing other people’s memories.
Other aspects of the Receiver job are isolating as well. As Receiver, Jonas may not discuss the details of the role with anyone other than an outgoing or incoming Receiver. This means he can’t talk about almost everything he does every day, which makes it difficult to have a spouse or children. He cannot show his books to others because they are “forbidden to citizens” (102)other than himself. Almost no one in the community understands what the Receiver is going through since they cannot feel emotions fully, barely experience pain, and do not relive the memories of the entire world. The Receiver is physically alone much of the time and emotionally and spiritually alone nearly all of the time. This is why the Giver thinks loneliness, not pain, is the worst aspect of the position.
Events such as the Ceremony of Twelve indicate that a child is moving toward adulthood. Jonas feels ambivalence about this transition. He loves to play and spend time with his friends, and he doesn’t want to sacrifice these things simply because he’s a year older. He worries that his friendships will disintegrate when he begins his training and they receive theirs. After beginning his training, he feels these relationships “slipping away” (135)when a war game emphasizes some important differences between how he and his friends understand the world.
In addition to bringing the responsibilities of a job, growing up in Jonas’s community means physically separating from one’s family. Jonas knows he won’t see his parents after he officially begins his Receiver duties and moves out of the family dwelling. He will be able to apply for a spouse and children once he’s an adult, and he will lose nearly all vestiges of his childhood life.
In Jonas’s community, assigning honor to a role is a way of making it more appealing, even if it involves painful or thankless work. Honor is also a way of maintaining social order and absolving other community members of the guilt they might feel for giving someone a miserable role to play. Although the elderly are placed in an institution where they lose touch with their former lives and most of the other community members, they are said to be honored citizens. Saying that a role has little honor might be a way of keeping too many people from clamoring for it, or so people who are suited for more challenging roles do not pursue it. Jonas’s mother tells Lily that there is “very little honor” (21)in the Birthmother assignment to discourage her from wanting it.
Because honor is linked to status, it’s something community members value and want to achieve. When a child receives a not-so-honorable job assignment, this reflects poorly on the parents and suggests that they have not succeeded in their child-rearing duties. Jonas’s parents are proud that he will assume the Receiver role, but they don’t seem to wonder how the role might affect Jonas. Instead, their main consideration seems to involve what the assignment says about their parenting skills.
And at the Ceremony of Twelve, the crowd cheers wildly when Jonas is selected to be the future Receiver, even though they probably don’t know what the role entails because they’re not privy to the details. They simply know it carries much honor, so they cheer to reflect this fact. In the end, Jonas sees honor for what it is in his society and decides he wants freedom more.
In Chapter 11, the Giver tells Jonas that being Receiver carries much honor but little power. As a result, a Receiver cannot change the way the community is, as much as he or she might like to. Both Jonas and the Giver would like to change many things about the community, from the amount of pain and anguish the Receiver must bear alone to the release of infants who have done nothing to deserve such a terrible fate. However, the other elders make most decisions on their own, without consulting the Giver, and they refuse to change most rules after creating them.
One reason for this powerlessness is a lack of understanding. Most people in the community never experience feelings, memories, and pain the way Jonas and the Giver do, so they cannot comprehend concepts such as war and love. Jonas becomes painfully aware of this when caught up in a game of war: “He felt such love for Asher and for Fiona. But they could not feel it back, without the memories. And he could not give them those. Jonas knew with certainty that he could change nothing” (135). Another reason for powerlessness is fear. As the Giver points out, the community has chosen to become a place of few choices and much control, largely because people don’t want to experience anything painful or difficult. They value their comfort and security so much that they have given up their power and some of the best things in life, like colors and music, to achieve it.
The Giver also illustrates how hopelessness can accompany powerlessness. Jonas and the Giver wrestle with this feeling throughout the book. Jonas has a sense that things could change once he witnesses love in the Christmas memory the Giver shares. Jonas even tells Gabriel that things could change for the better: “I don’t know how, but there must be some way for things to be different. There could be colors. And grandparents” (128). Jonas also enacts change by breaking the rule against transmitting memories to others. He shares positive memories with Gabriel to comfort him and decrease his chances of being released, in the process gaining a sense of independence and agency.
The title character feels hopeless much of the time because he thinks he’s unable to foster change in the community. He gains some hope through his relationship with Jonas, who helps him realize that change is possible—and that he has an important role to play. The Giver comes to realize that the community has not always favored order at the expense of freedom, and that some of his happiest memories of the past are evidence of this. By helping Jonas grapple with the difficult feelings he experiences while receiving memories, the Giver gains confidence that he can help other people do the same if they are suddenly saddled with emotions that feel overwhelming. Once the Giver feels assured in this way, he is able to help Jonas find a way to escape the community. And when the memories come flooding back to the other community members, the Giver will be prepared to deal with them.
The book explores the relationship between hope and hopelessness as well. When Jonas and Gabriel leave the community to find Elsewhere, Jonas vacillates between these two poles. This might be because he feels both vulnerable and powerful in his new environment. He feels powerful in the sense that he made an independent decision to leave a harmful situation; he is no longer bound by the rules of the community that would have stunted his life and ended Gabriel’s life. On the other hand, he and the baby are at risk being caught by the authorities and executed for breaking the community’s rules. Once they get farther from the community, they are in danger of starving as their food supply dwindles. They lack the type of power that comes with security: to feed themselves when hungry and to sleep with a roof over their heads. He ultimately feels confident they will reach their destination even though they are hungry, cold, and very weak from their arduous journey: “Inside his freezing body, his heart surged with hope” (179).
By Lois Lowry