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Ruta SepetysA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
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The cost of silence is one of the main themes of the novel; it affects every character’s journey. For the Spanish characters, silence has, by necessity, become a way of life. For the Americans, silence takes one of two forms: the avoidant complicity of those who want to make money from Franco’s Spain, like Daniel’s father; or the quiet respect of those like Daniel, who must learn that Spain’s story is not theirs to tell. Fuga, the one character who refuses to be silent about the lost children of Franco, is killed.
Rafa remains silent about the abuse he endured after the war. He does not want to burden his sisters with this information, nor does he want to get in trouble by complaining. Similarly, Ana tells no one about the threatening notes she receives. Like Rafa, she does not want to burden her family, especially Julia. Julia’s silence lasts the longest; she never tells anyone that the fascists kidnapped one of her children. It is not until after Franco’s death that she speaks of it, and even then, she worries that there might still be some punishment or penalty for speaking of it. Her continued silence represents the Pact of Forgetting, the willingness of some of the Spanish people to simply pretend as if all the things that happened under Franco did not happen. In Spain, silence became a habit that even Franco’s death could not break.
Puri, too, is conditioned by silence, though she tries to get answers and find ways to break the silence. She asks—without directly asking—for permission to break the silence about the infants who are being stolen from their parents, and she receives tacit, but silent, consent from people like Julia. Puri also discovers that she is adopted; when asked for confirmation, her mother remains silent. Puri ultimately gives up her entire life in return for Sister Hortensia’s silence, when Puri is caught reviewing the files of the lost infants; in so doing, Puri finally capitulates to silence.
The effects of silence are not just endured by the Spanish characters. Daniel and his parents share a pact of silence. His mother refuses to discuss things that upset her, and Daniel’s questions and dreams are often silenced by his father. After Daniel’s experiences in Spain in 1957, the heartbreak of losing Ana, and the injustices he could do nothing to change, Daniel becomes silent as well.
Indeed, the chapters after Daniel’s departure from Spain and before his return in 1975 are marked by silence. He seems to live and move in a silent fog of memory, and this silence is not broken until he and Ana are reunited. Indeed, his own sister did not know of Daniel’s love for Ana, and she too kept silent about her own fears, assuming that Daniel’s quiet resignation was related to sacrificing his career to help care for her after their mother’s death.
Fascism is characterized by an oppressive, totalitarian central government, headed by one individual and supported by an extensive police state, the effective use of propaganda, and the pitting of citizens against one another. Fascist systems oppose dissent, often violently, and tend to be united by nationalism and a sense of racial purity. Famous fascists include Hitler, Mussolini, and Francisco Franco.
Spain under Franco adhered to a particular form of fascism known as Falangism, characterized by the fantasy of a pure and unified Spanish state, bound by Catholicism, and committed to the inferiority of women. Franco used these ideas, influenced by myths about racial and gendered superiority, to repress women as well as various groups within Spain, including the Basques, Andalusians, and the Roma. Despite Franco’s brutality, and the clear parallels between his ethnic cleansings and that of the Nazis, he remained in power for decades. He kept Spain neutral during World War II and then benefited from a post-war world order in which war-weary democracies agreed to tolerate certain dictators in exchange for peace.
Sepetys focuses on Spain after World War II to show the effect of Franco’s policies on families like Ana’s. Through her characters, she examines the different ways the average Spanish person reacted to the political situation: rebellion (Fuga), fearful silence (Julia), outright complicity (Puri), determined resistance (Rafa), and hopeful anticipation of a brighter future (Ana). Daniel and Cristina return to Spain after Franco’s death, allowing the reader to celebrate the Spanish people’s newfound freedom while also recognizing the long-term harm: The weariness of policed minds, the brutal punishments for dissent, and the fear of loved ones being taken away didn’t disappear when Franco died.
In the first decades of the 21st century, fascism is resurgent in some parts of Europe and North America. Indeed, in Spain, in 2019, the Spanish government voted to remove Franco’s remains from the monument he had built after the Spanish Civil War, the Valley of the Fallen, to prevent the site from becoming a site of pilgrimage for fascist groups. People fearful of demographic change, who feel left behind by globalization, are again showing affinity for the idea of countries built on cultural and racial purity. In a world that seems to have forgotten the lessons of history, Septysys uses this fictionalized account of Franco’s Spain to help young readers visualize themselves in such a world, and to understand the cost of silence.
One of the central questions of the text is what people should do in the face of evil. Although the Spanish people did resist Franco and his policies during the Spanish Civil War, they were unable to resist afterward when Franco prevailed. All the characters grapple with this issue, and all deal with it in different ways.
Julia has given up on resistance, focusing only on survival. For Rafa, resistance means facing his fears and helping Fuga become a bullfighter. Ana, like Julia, does not outwardly resist, though inside she seethes with resentment and anger. Even Puri, who believes wholeheartedly in Franco and the Church, grapples with what to do in the face of evil. She wants to hold onto her indoctrination, which has given her a strong faith in both Catholicism and Falangism, but she cannot deny what she knows about the lost children. Ultimately, she decides she cannot resist this huge system alone. Feeling powerless, she enters the very system that stole her from her birth parents.
Daniel represents the United States and the uncomfortable questions surrounding its lack of resistance to Franco: Did the United States—and Daniel’s family—support Franco and prolong his rule? Or was the United States right in trying to maintain contact with Spain, preventing even worse abuses by its mere presence?
By Ruta Sepetys