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48 pages 1 hour read

Don Aker

The First Stone

Fiction | Novel | YA | Published in 2003

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Part 1, Chapters 8-13Chapter Summaries & Analyses

Part 1, Chapter 8 Summary

An orderly named Matt McKillup takes Leeza to the sixth floor of the rehab center. Even though she’s in great pain, Leeza notices that her mother is annoyed that her stepfather, Jack, says he has to get back to work. At this point, Leeza knows that Jack didn’t visit often during the coma. She also noticed that he avoided eye contact with her. She realizes that, between her and Ellen, this has been a brutal time for him. Leeza will be sharing a room with a small, exuberant redheaded woman named Brett Turner. She and Matt banter as Leeza listens to someone on the floor moan in pain.

Leeza fixates on her next morphine dose as her mother briefly leaves with a nurse. She feels helpless. When the pain starts, Brett tells her to focus on a sprinkler on the ceiling. She says choosing a focal point was the only thing that helped her in the earliest days of the worst pain. Brett tells Leeza about her parents and her boyfriend, Sam. Brett has a good support system. Leeza realizes that she had felt the same way before losing Ellen. When Brett asks if anyone died in the accident, Leeza says, “Just me” (93).

Part 1, Chapter 9 Summary

Greg Matheson is Reef’s new social worker. He is young and cheerful, which surprises Reef. Reef thinks this will be a welcome break from the Barkers, although Reef is embarrassed to ride in Greg’s old car. Jink, Bigger, and Scar had visited Reef at the Barkers’ house just before Greg collected him. Reef thinks about the differences between himself and Scar. He lives in the moment, while she always wants to plan. In the car, he regrets being so brusque with her during their goodbye.

Outside of the North Hills Group Home, Reef sees that part of the logo is a stooped figure struggling to carry a burden. Matheson leaves Reef after introducing him to Frank Colville. Frank is huge and muscular, but Reef isn’t intimidated. Inside, Reef sees a wooden post carved like a pineapple, which Frank describes as a “traditional symbol of hospitality” (103). Reef sneers when Frank tells him it’s day one, but he is surprised when Frank laughs.

Frank invites Reef to sign a contract. It isn’t mandatory, but the judge will change her plans if he doesn’t sign it. The contract is an agreement to follow the rules. There are only five statements: “Respect yourself, Respect others, Be accountable, Honor your commitments, Do the right thing” (106).

Reef meets Alex Praeger, a thin teenager with long blond hair. He shakes Reef’s hand limply, and Reef is horrified by the thought that Alex might be gay. He signs the contract, thinking that dealing with Alex will be more tolerable than dealing with many people like him in prison, as Reef’s biased assumptions lead him to believe prison is full of gay men. Alex gives Reef a brief tour, referring to him as “Honey.” When Alex mentions the turrets on the house columns, Reef explodes, shouting that he doesn’t have Tourette’s. Alex laughs as if he can’t believe what he’s hearing, and Reef can’t think of anything to say.

Part 1, Chapter 10 Summary

A nurse named Carly puts in Leeza’s catheter. It happens four times a day, but Leeza is still embarrassed by the routine procedure. Carly encourages her to put up pictures of home and loved ones as Brett has done. Pain and moans keep waking Leeza up at night, and there is a man named Stephen Haynes who screams frequently. Brett says he had a four-wheeler accident two years earlier, and he’s still there because they haven’t been able to place him. His outbursts are part of the day, but Brett insists that he has a good quality of life. Valerie Harris, Leeza’s physiotherapist, introduces herself to Leeza and her mother. After Leeza’s mother leaves, Val asks her if she’s ready for day one.

Part 1, Chapter 11 Summary

Alex introduces Reef to the home’s four other members after telling him not to call them inmates around Frank. Every time he calls Reef “honey,” Reef wants to hit him. Alex says Frank has a long rap sheet and spent time in Dorchester Prison. When he got out, he started an outreach program for youth. The other boys are Gordy Towers, Owen White, Keith Benjamin, and Jimmy Franz. They have a mixture of proclivities between them, including substance abuse, shoplifting, pyromania, and more.

Reef will partner with Owen on chores for two days and must check in with Frank frequently. Frank assigns him to the greenhouse, which has several broken panels and needs upkeep. Frank says it is Reef’s responsibility to figure out how to improve and fix it. Reef immediately throws a rock through a greenhouse panel. Frank says he’ll have to pay for it. Reef makes fists as Frank walks away.

Part 1, Chapter 12 Summary

Leeza’s first day of recovery is agony. As they move her from her bed to a wheelchair, Brett tells her to find a safe, comforting, mental place where she can manage the pain. Leeza imagines the trip she took to Nova Scotia’s shore with her mother and Ellen after her mother’s divorce. She had felt like the warmth had healed them.

She meets with a specialist named Dr. Dan. That day, Leeza learns about their expectations for her, which include her learning to cook for herself and do laundry. They increase her pain medicine, which helps her forget about the day’s suffering. When her mother visits, Leeza recalls the day that they had learned her father was marrying the woman with whom he was unfaithful to her mother. Then her mother tells her about the hearing and the judge’s ruling, and they both cry.

Part 1, Chapter 13 Summary

Reef hates the sharing sessions in group meetings, which are called “issue exploration” (140). Overall, the greenhouse is his biggest complaint, but Reef says he hates the house’s toilet paper. Frank asks why he’s wasting their time and whether the tough guy routine ever gets old. Then he presses Reef to sincerely think of one change that would improve their joint experience at the home.

When Reef returns to complaining about toilet paper, Frank asks to see him later. When they talk, Frank says it’s been two weeks, and Reef is still giving mere lip service to his commitments. Frank tells him to comply with the judge’s ruling and pick a rehab facility for community service. He also says that Scar called, and he tells Reef that he’s done good work in the greenhouse.

Reef remembers a day when their car had died on the way to the beach. His drunken grandfather destroyed the car with a lug wrench, and they all hitched a ride back. Reef picks up a can and wants to throw it at something, but Frank’s comment about his good work in the greenhouse stops him.

Part 1, Chapters 8-13 Analysis

Aker uses Chapters 8-13 to transition Leeza and Reef into the next stage of their narrative arcs, foregrounding the themes of Consequence and Rehabilitation and Justice and Morality as Reef and Leeza both face the consequences of the thrown rock.

Reef has moved from his directionless life and court hearing into the home, where he must meet expectations and commit to a routine to avoid prison. A forced morality is imposed in the form of the resident’s contract, which demands a certain standard of moral behavior. Reef’s arrival at the home begins expanding on the judge’s idea of rehabilitation as justice. Reef’s time at North Hills will, hopefully, help him see that he was wrong about many of his former ideas and actions. He must learn to carry his weight in the home, communicate with his housemates, and participate in the communal life of the residence as part of his rehabilitation, whereas he once lived individualistically and completely ignored the feelings of others.

In contrast, Leeze’s rehabilitation focuses on her physical recovery from injury and emotional adjustment to losing her physical capabilities. She awakens to a world of unimaginable pain, with nothing but the prospect of suffering in her near future. The bleakness of her outlook is clear when Brett asks her if anyone died. Leeza’s reply of “Just me” is true for her (93): The former version of herself is gone. She barely recognizes herself in the mirror, and the court case began and concluded while she was in a coma.

Reef and Leeza spend these chapters with new routines imposed on them, another aspect of their respective rehabilitation plans. Their routines serve different purposes. For Reef, Frank describes the necessity for routine in terms of sustainable sanity and progress toward a life worth living:

We all need routines. Most human beings can’t handle a life in flux. We’d go crazy if there weren’t constants we could depend on. We instinctively look for patterns, and when we don’t find them, we create our own. It’s our innate need for security, for normalcy (143).

Reef has lived a life in flux until this point; he has had no constraints that he is willing to honor, and the patterns he has created for his life are destructive for himself and others.

Frank encourages him to see his time at North Hills as a gift, which baffles Reef. Frank says, “Gifts come in many forms…Your being sent here was a kind of gift, Reef. The judge could have put you some place far worse than North Hills” (103). It is an important insight into Reef’s character that he can scarcely imagine a place worse than North Hills, particularly when he realizes that he may be sharing the home with a gay man, Alex.

Reef bristles at Frank’s suggestion that he needs to learn to care about, and for, others: “Here you’ll learn you have to look beyond yourself. There’s a whole world out there that needs taking care of” (104). The imagery of the man carrying the burden symbolizes Frank’s priorities and mission, although Reef initially finds it saccharine and unconvincing. As he finds satisfaction in his greenhouse work, Reef doesn’t yet appreciate that Frank’s plan for him is working, although Frank’s instincts about what Reef needs are obviously correct.

Leeza’s new, imposed routines have a different nature. Her body has lost certain capabilities. She has lost mobility, strength, weight, and the ability to care for herself. She is also on a rigid regimen of heavy painkillers. Medical professionals design her schedule, her limited movements, her meals, and her short-term future.

Most of Leeza’s suffering has resulted from a series of surprises. This aligns with the physiotherapist’s insistence that Leeza needs to know about the coming difficulties because “surprises have a way of becoming setbacks” (116). Some surprises are unavoidable—the stone coming through the windshield, Ellen’s diagnosis, her father’s infidelity, and so on. Val will not permit the coming challenges to become setbacks for Leeza. She must face reality with no illusions.

Aker uses Leeza’s mother to highlight the themes of consequences and justice. When she tells Leeza that Judge Thomas sentenced her attacker to be a volunteer, as she puts it, they cry together. In a grotesquely unfair situation, the absence of a just punishment seems to be the most unfair of all.

Brett and Scar serve as supports for, respectively, Leeza and Reef. Brett is lively and optimistic, and, perhaps most importantly, she is well practiced in navigating recovery and pain. She has a high quality of life in the facility, largely due to her attitude. Leeza will be able to see herself in Brett. The same qualities that made Leeza a natural talent at Silver Meadows help Brett to be a comfort to her at the rehabilitation center.

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