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66 pages 2 hours read

Kirk Wallace Johnson

The Feather Thief

Nonfiction | Book | Adult | Published in 2018

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Part 2, Chapters 7-9Chapter Summaries & Analyses

Part 2: “The Tring Heist”

Chapter 7 Summary: “Featherless in London”

Johnson details how Edwin first gained access to the bird specimens at the British Museum of Natural History in Tring. While his studies at the Royal Academy of Music kept Edwin busy, he still felt drawn to fly-tying. He was invited to the Bristol Fly Dresses’ Guild in 2008 where he met Terry, a prominent British fly tier. He lamented to Terry, ahead of the meeting, that he did not have any materials with him. Edwin was concerned that customs would confiscate his materials, especially the rare bird feathers. Edwin was looking for ways to build rebuild his materials collection stating, “Life without tying is fairly harsh, but having a fortune in feathers confiscated by customs would be worse” (87). Despite using substitute feathers, Edwin still amazed the fly-tiers who attended the demonstration in Bristol.

Edwin’s initial attempts to find feathers were unsuccessful. His thoughts kept returning to Couturier’s email. Edwin decided that he wanted to see the Tring bird specimens collection for himself. However, only researchers and articles with appointments could access the collection. To gain access, Edwin lied: “Edwin e-mailed the museum under his own name, saying that a friend at Oxford who was working on a dissertation on Birds of Paradise had asked him to take high-resolution photographs on his behalf” (88). Edwin even set up a fake email account under his friend’s name to ensure the museum could verify his request.  

On his first attempt to visit the bird collection, Edwin went to the wrong museum. He did end up visiting the Tring where he signed his name in the visitors’ logbook. A staff member escorted Edwin to the collection. Once there, Edwin was in awe. He took photos of both bird skins and the cabinets where they were stored. Johnson notes, “Edwin’s mind raced beyond the sheer monetary value of the Tring’s birds to the creative potential they represented” (92). He was determined to find a way back into the bird vault.

Chapter 8 Summary: “Plan for Museum Invasion.Doc”

Johnson recounts Edwin’s plan to return to the Tring museum. This time Edwin planned to take some of the bird skins. Edwin desperately wanted these specimens for his own flies, to feature in a book he hoped to write on fly-tying, to help cover costs of being a student (including buying a $20,000 golden flute), and to help his parents who were experiencing financial difficulties. 

Edwin kept a running list of his ideas and tools he would need in “a Word document titled ‘PLAN FOR MUSEUM INVASION’” (96). Edwin did internally war with himself on whether he should go through with the heist. After stealing a pair of latex gloves from his doctor’s office, he decided to move forward with his plan. Edwin began ordering other supplies, including a glass cutter and mothballs to protect the specimens from insects, using his eBay account Fluteplayer1988. He also studied his photographs and maps of the museum. Based on the latter, he put a plan together which included using an alleyway to access the museum, cutting barbed wire on a fence he needed to scale, and going through a window.

Since Edwin planned to return to the US for the summer break, he needed to break into the museum before he left. Initially, Edwin planned to take just a few of each species, “but when the moment came, he couldn’t resist emptying out entire trays” (98). He did leave the smaller females and juvenile males behind since there were less colorful than the adult male specimens. He even took several specimens that had tags with Wallace’s handwriting. Edwin spent three hours in the museum. He did eventually make it back home with “nearly a million dollars’ worth of birds in his suitcase” (100).

Chapter 9 Summary: “The Case of the Broken Window”

Johnson documents the first few days after Edwin stole the bird skins. The museum guard noticed the broken window when he was making his rounds. He informed the curators, who called the police. Both Mark Adams was the senior curator responsible for the bird skin collections. Initially, he was concerned that someone might have targeted this collection. After checking some of the cabinets, he concluded that none of the bird skins appeared to be missing.

Police and museum curators were both puzzled over what the intruder had been looking for, since nothing of value was missing. The museum did not conduct a systematic audit of its collections for this reason. The police closed the case of the broken window.

Johnson turns next to Edwin. Initially, Edwin was deeply concerned that someone would discover his theft, especially since he left a few drops of blood on glass shards. He even considered anonymously giving back the specimens. Yet, Edwin ultimately decided to keep them. He created an inventory. The numbers astounded him. He had stolen 299 skins from 16 different species and subspecies.

Edwin began thinking about he would sell the bird skins. He came up with several approaches. The first was to approach affluent tiers and offer to sell them a whole skin. He would make a lot of cash initially upfront, but the total revenue would be less than if he sold the feathers as individual packages. He could also sell the collection to one single tier. Edwin did not like this idea, however, because he would lose access to tying materials for himself. The third approach was that he could sell the feathers in smaller increments, but this came with greater risks than the other two approaches. Edwin decided to try the first and third approach.

In the concluding few paragraphs, Johnson documents how Edwin removed feathers from the bird skins as well as some of the biodata labels. He would be able to sell the individual packets once he returned to London from the US.

Part 2, Chapters 7-9 Analysis

In the opening section of Part 2, Johnson focuses on the events leading up to the Tring heist, how the heist went down, and the first few days after the heist. Readers might find it shocking that Edwin easily accessed the museum twice. Yet, this points to the Vulnerability of Museum Collections, another key theme of The Feather Thief. Prior to the heist, senior curator Mark Adams co-authored a journal article which discussed how “‘damage and theft’ were increasing concerns” (102). Adams and other Tring curators moved the bird collection to a high-visibility area shortly before the heist to help minimize the chances of theft. The one downside, which Adams notes in the article, is that all the rare items were now together. While doing so was meant to protect the bird specimens, it also enabled Edwin to steal some of the most prized items more easily than if they were dispersed around the museum.

Within this section, Johnson also begins to demonstrate the differing viewpoints around the use of feathers for science versus art. Edwin, like many other fly-tiers, does not respect the scientific value that these feathers hold for humankind. Instead, he believes that museums are selfishly keeping the bird skins for themselves. Upon Edwin’s first visit to the museum, he was struck by all the different types of ties he could create with the museum’s seemingly “endless supply of birds” (92). Johnson notes, “It was as if he’d [Edwin] stepped back 150 years to the era of Kelson and Blacker, when ships still sagged with creates full of exotic materials” (93). Like many Victorian era and modern fly-tiers, Edwin does not view the bird skins as finite resources. He considers the museum’s supply to be endless, yet each specimen is unique. Once Edwin begins to use the specimens (either for his flies or for profit), they will cease to exist.

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