50 pages • 1 hour read
Dave EggersA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Johannes runs to Bertrand’s nest. He wants to tell his best friend about the glad news of his appointment as the new Keeper of the Equilibrium and about the terrible news that he is half-coyote. Johannes grows worried when he sees no sign of the gull, and Angus and Sonja help him search the park and the beach. Filled with dread, the dog checks the archery field and finds “a small lump, a flash of something pale in the moonlight” (197). The dog recognizes his best friend’s limp form and asks in rage and sorrow, “How would I live with this? How will all of us who loved you, Bertrand, live with this?” (197).
Astonished, Johannes discovers that his friend is alive. Bertrand explains that he was wounded that afternoon and has been lying there ever since because the arrow in his left wing prevents him from walking. Tearfully, the gull says, “Oh, I’m so sorry. I’m so embarrassed. Oh, what stupidity!” (199). Angus and Sonja help Johannes extract the arrow, and the squirrel hides it in a thicket where they will never see it again. Bertrand apologizes to his friends, who reassure him that he’ll live although they know he “would never fly the same again” (200).
Johannes, Sonja, and Angus take Bertrand back to his nest and tend to his wound. After the other Assistant Eyes leave, the gull explains that he was jealous of Helene and wanted to impress Johannes. The dog assures him that he is his “greatest friend” and “a paragon of valor” (202). Bertrand calls himself selfish and useless, and Johannes worries how these dark thoughts may grow stronger when the gull misses “this most heroic mission” (203). He nuzzles his friend and then hurries to implement the plan to free the bison.
Johannes and Sonja are in charge of reconnaissance at the bison pen, where they see four humans from the university in addition to two Parks People. At Johannes’s signal, Yolanda screeches to mark the start of the Bison Freedom Gambit. Angus and the other raccoons attack the university people’s vehicle, triggering its alarm. While the Parks People and university people try in vain to shoo away the raccoons, rats chew through wires to shut off the lights around the enclosure. One of the Parks People calls Animal Control to explain the situation and, catching a glimpse of Johannes, adds that a coyote has been spotted. Angus bites a human to ensure that all of the people’s attention is directed at the raccoons. Then Sonja unlatches the gate to the bison’s pen. The sight of Freya, Meredith, and Samuel leaving their enclosure fills the dog with indescribable joy. While Sonja leads the bison into the woods, Johannes guides three large horses into the pen to serve as stand-ins for the freed animals. Johannes reconvenes with the others in the woods and takes over leading the bison so that Sonja can act as a lookout. Freya confesses that she feels “far more nervous than [she] expected to be” (212), and the dog shares the sentiment because their scheme seems hasty and outlandish even to him.
Johannes guides the bison to the windmill, where they meet Helene. She exchanges introductions with Freya, Meredith, and Samuel, and Johannes’s heart aches at the thought of being separated from his kind friend. The contrast between the goat’s small stature and the bison’s enormous size fills the goats with disbelief and Freya with sadness. Johannes encourages Helene, and she stirs the animals’ spirits with a bold speech: “Today we do something new, something important, and something very risky [...] It will take total commitment, total belief” (217). At Helene’s command, a group of goats rushes toward the ship so the goatherd has to chase them. The remaining 100 goats are responsible for the crux of the plan, concealing the bison by “jumping and swirling, baying and zigzagging” (218). The herd moves onto the beach with the three bison in the middle and Johannes circling the perimeter. Yolanda reports that a group of humans with nets and guns scared away the raccoons, that the spooked horses jumped out of the enclosure and are now loose in the park, and that they need to hurry and get the bison onto the ship before the humans realize what’s happened.
Johannes races ahead and climbs a boulder. He gazes upon the ship but refuses to let its beauty mesmerize him. As the sun starts to rise, he signals the start of the plan’s final stage with his loudest howls: “Ha ha hooooo!” (226). Yolanda and an enormous gathering of pelicans, gulls, hummingbirds, herons, and other birds distract the humans on the vessel and direct their attention away from the boarding ramp. Johannes laughs with joy to see how well the plan is working. Even he cannot spot the bison amidst the goats’ chaotic cavorting as the herd makes its final approach. Freya, Meredith, and Samuel are exhausted by their trek. They thank Johannes and the goats for their first sight of the sea’s beauty and then explain that they won’t board the ship: “We’ve been in the park all our lives, and what remains of our lives is finite. We don’t want to die in some unknown place, so far from home” (233). Dumbfounded, Johannes wonders what awaits him and the bison back in the park, especially now that the escape attempt has brought even more attention from the Control-the-Animals people. Helene invites him to come with her to the mainland.
Johannes was already considering the possibility that he could go with the goats, and his desire to do so increases when Helene explains that the mainland has countless coyotes, free dogs, and rectangles full of real and imagined wonders. She adds, “And if you are truly the Eyes, truly alive to see and run, I think you should come” (238). Johannes decides that he will go, but he wants to see Bertrand first.
Helene understands that Johannes needs to see his best friend, but she tells him that he needs to be back in a few minutes. When he returns to the park, a despondent Angus informs him that Bertrand is performing the coda. Johannes embraces his coyote blood because it gives him his extraordinary speed, and he prays to the sun as he races back to the beach. He returns to the hill where Helene and the rest of his friends are gathered and shouts up at the gull. Yolanda tells him, “You know this is their idea of honor. We can’t change it” (241). Still, Johannes continues to call out Bertrand’s name and yells, “There is more!” (242).
Bertrand spreads his wings and stops his descent right before he hits the water. The gull flies over to Johannes and tries to act casual as he inquires what the dog wants. Johannes tells him, “You have more to see and do,” and asks him to come to the mainland with him (244). Bertrand weighs the idea and lets his friend carry him on his back. The goats easily conceal the dog and the bird as they make their way to the ship. Bertrand wonders if they will ever return to the island, and Helene points out that it’s possible since the herd came there once. A weeping but smiling Sonja waves goodbye to Johannes, and he feels “happier for her than [he’d] ever felt for [him]self” when he realizes that she will become the Eyes (246). Johannes, Bertrand, and Helene board the ship.
Johannes and Bertrand get some much-needed sleep and then awaken and smile at one another. The gull is in disbelief that he’s alive and that they’ve both left the only home they’ve ever known. Johannes thinks of “all [he] loved in the home [they’ve] left” (248), such as his friends, the flowers, and the children. For a moment, he wants to leap overboard and swim back to the island. Then he reminds himself, “Heroes go forth. To be alive is to go forth. So we went forth” (249).
In the novel’s final section, Eggers reinforces the thematic connection between The Power of Friendship and Cooperation and The Fight for Freedom by pairing Johannes’s decision to leave the island with his attempt to save his best friend’s life. Bertrand’s recklessness and jealousy lead him to perform a dangerous stunt and be injured by an arrow, plunging him into dark thoughts exacerbated by his inability to participate in the Bison Freedom Gambit: “I’m just a burden now” (202). Johannes decides to accept Helene’s invitation to join her on the ship with the caveat that he must see Bertrand—underscoring the link between the concepts of friendship and freedom. Although resolved to perform the coda, Johannes’s display of friendship causes Bertrand to change his mind and join Johannes in his new freedom.
As a result of her own friendship with Johannes, Helene demonstrates significant character growth in this section. In a matter of days, she goes from the black sheep of the herd to a leader, giving inspiring speeches and orders that are heeded without question. As Johannes observes: “I could see her leading it all. Jumping, circling, commanding. ‘Higher!’ she said. ‘Loonier!’ she said. And occasionally she reminded the Bison to stay low” (229). By helping Johannes achieve his dreams of freedom, Helene comes into her own sense of freedom as well.
The Bison Freedom Gambit presents formidable proof of the power of friendship and cooperation. Johannes, Angus, the other raccoons, Sonja, Yolanda, the gulls and other birds, the rats, and the horses all participate in the plan, highlighting the novel’s central message that everyone has unique contributions to make in friendship. Additionally, Johannes proves the power of friendship by restoring Bertrand’s will to live after his life-altering injury. The dog supports the bird physically as well as emotionally: “All this time, for a thousand years, he’d flown merrily above me, and all this time I hadn’t known how light he was. I could have been carrying him all this time!” (246). Johannes’s belief that they have been friends for a millennium emphasizes the loyalty and commitment they feel to one another. Although Sonja and Johannes may never see one another again, the steadfast friends feel tremendous joy for one another. The squirrel’s character development over the course of the story gives her the confidence that she needs to succeed Johannes as the Eyes, confidence that allows Johannes to embrace his new future without fear for the park’s care or well-being. The novel’s resolution affirms the connection between freedom and friendship—although Johannes misses the bison and the other companions in the park, he seeks new adventures and new possibilities alongside Bertrand and Helene.
The fight for freedom adds suspense and satisfaction to the story’s final section. One of the protagonist’s greatest accomplishments is seeing the bison exit their pen: “My eyes watered, my throat dried, my heart darted everywhere in my body, from toe to toe and shoulder to shoulder, like a crazed dragonfly trying to escape” (211). The theme of the fight for freedom grows more complicated when the bison reveal that they don’t intend to board the ship just as Johannes’s plan seems about to come to fruition. Their desire to remain on the island is foreshadowed by their contentment with their lives in their enclosure. Nonetheless, the bison maintain that the plan offered them a form of freedom Johannes hadn’t considered by giving them their first sight of the sea. As Johannes narrates: “‘See the pinks, and lavenders, and chartreuse and silver,’ Samuel said. ‘I see gold! Look at all the gold! The sea is gold!’ I don’t think I’d ever heard him so happy. His eyes were fully open for the first time” (231). By depicting the cynical Samuel overcome with joy at the sea’s myriad colors, Eggers provide another connection, weaving together the themes of freedom and the importance of beauty.
The bison’s contentment paired with Johannes’s embrace of his coyote identity allows him to realize that he has been fighting for his own freedom all along. The sense of duty he feels as the park’s Eyes prevents him from prioritizing his own liberty, so he projects this desire onto the bison for much of the novel. Eggers uses stream of consciousness to emphasize Johannes’s great desire to see the world by filling a page with the words, “I could go. I could go. I could go” (237). The author foreshadows the dog’s decision to leave the island in his insatiable appetite for Helene’s stories from the mainland. The Control-the-Animal People’s growing presence in the park increasingly infringes on his freedom, raising the stakes of his decision. To find liberation, the protagonist acknowledges he must venture somewhere he can be fully free as a wild dog and as a coyote: “‘And there are free dogs,’ [Helene] said. ‘A million free dogs.’ ‘And coyotes?’ [Johannes] said. ‘A billion of those!’ Helene said, laughing. ‘You could run with them and see’” (238).
The novel’s symbols and motifs influence the story’s resolution. Helene adds nuance to the paintings’ significance as a motif for The Importance of Beauty and Balance: “They’re pictures of all the places and things on the mainland, and some of them are just imaginings of things that could happen there, or anywhere” (238). The connection between the paintings and the mainland signals that the protagonist’s appreciation of the paintings’ beauty has been tied to a desire for greater freedom all along. As a motif of freedom, running liberates Johannes from his damaging view of coyotes. He embraces his identity because being half-coyote allows him to reach the beach in record time and save his best friend. At the very end of the novel, Johannes affirms that going to the mainland and running free fulfills his life’s purpose: “What kind of coyote-dog would I be if I were not out in the world running? What kind of Eyes would I be if I were not out in the world seeing?” (249). The narrator’s questions demonstrate his character development over the course of the story. He can now accept his identity, and he remains committed to seeing the world deeply and truly as the Eyes.
By Dave Eggers
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