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50 pages 1 hour read

Dave Eggers

The Eyes and the Impossible

Fiction | Novel | Middle Grade | Published in 2023

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Chapters 1-9Chapter Summaries & Analyses

Chapter 1 Summary

Content Warning: This section of the guide includes discussion of suicidal ideation.

Johannes the dog is the Eyes of a “vast green and windblown park by the sea” that he believes extends for thousands of miles (11). His role makes the swift dog responsible for observing everything that happens in the park. Johannes’s mother was a pet who gave birth in a hollow tree in the park. She left him and his siblings Joanie, Janie, and Steven behind when she returned to her humans’ home. When they were still puppies, some of the park’s human visitors took Johannes’s brother and sisters to be their pets, but Johannes chose not to go with the them. Although Johannes has to scrounge for food, he revels in being “unkept and free” (13).

Chapter 2 Summary

Years ago, the three bison, Freya, Meredith, and Samuel, who live in an enclosure in the park asked Johannes to be their Eyes because of his impressive speed. As “the rulers of this park” (17), the bison rely upon the dog to keep them informed of what happens in their domain. Each day after sunset, Johannes reports to them about anything new and troubling that may upset the park’s Equilibrium, such as new paths or buildings. Based on Johannes’s observations, the bison find solutions to problems, such as relocating animals to areas undisturbed by humans. Most humans, including some who have lived there for years, treat the park with respect. However, Trouble Travelers litter, steal, fight, and mistreat animals and their fellow humans. When Johannes sees “kept dogs on their leashes” (20), the free dog laughs at them until he cries.

Chapter 3 Summary

Johannes has Assistant Eyes who help him watch over the park, including his best friend, a seagull named Bertrand. Johannes and Bertrand go to the Eyes’ usual meeting place atop a boulder. They are joined by a reticent squirrel with one eye named Sonja, a clumsy and literate pelican named Yolanda, and a rotund raccoon named Angus. The animals discuss a new building under construction in the plaza, and Angus mentions that he saw people “walking slowly around the oval in the middle of the plaza, and looking at rectangles full of nonsense” (30). Johannes doesn’t think much of this information at first. Later that day, he watches humans dance and roller-skate from a distance, and he feels his heart “brimming with bliss” and love (32). He notices what Angus was talking about and hurries to the plaza to investigate.

Chapter 4 Summary

Johannes usually avoids the plaza because it tends to be crowded with humans, including Parks People and Police People. Johannes sees that the rectangles Angus mentioned are actually paintings on display. Johannes approves of the humans’ artistry, and he is captivated by a painting of a serene “human child’s face in a hurricane” (35). The dog believes that his dappled coat conceals him, so he is startled when a little boy touches him. The boy bursts into tears, drawing the attention of the child’s family. The boy’s grandfather shoos Johannes away, and he runs into the woods. Johannes estimates that 1,000 years have passed since the last time a human touched him. Confused, he wonders, “What was happening to me? How had I let that happen?” (37).

Chapter 5 Summary

Johannes informs the bison about the new construction and the paintings in the plaza, but he omits the child who touched him from his report. The bison struggle to understand the difference between paintings and reality, and the dog offers to return to the plaza the next day so he can describe the pictures better. Freya is concerned by his fascination with the paintings and worries that they may be “some kind of dark magic” like the headlights that entrance the park’s deer (41). Johannes has heard stories about the bison’s ancestors, who were once numerous but were slaughtered by humans until few remained. He promises to be careful. That night, as thoughts about the mesmerizing paintings keep Johannes awake, he calms his mind by reciting his beliefs: “God is the Sun. Clouds are her messengers. Rain is only rain” (42).

Chapter 6 Summary

Despite the bison’s warning, Johannes returns to gaze at his favorite painting the next day. He is so entranced by the surreal scene that he doesn’t notice a young man put a leash around his neck. Johannes recognizes him as a Trouble Traveler. The man, whose name is Twisty, tugs painfully on the rope until Johannes follows him into the woods. The dog tries to think of an escape plan, but his frightened mind is in disarray like when he swam in the ocean and was “tossed in the cruelty of a crashing wave” (46). Twisty takes Johannes to a van where his friends are waiting. He suggests that they use the dog to aid in their stealing: “Some family comes up to pet him, and you guys take a bag or wallet” (49). Johannes wants no part of this plan, but Twisty kicks him and makes him climb into the vehicle.

Chapter 7 Summary

Johannes is confident that the Assistant Eyes or another animal will come to his aid once they see he’s been taken captive. Rescue missions are a fairly frequent occurrence at the park because children like to catch frogs and the Parks People sometimes catch foxes. A “[b]earded and scarred, small-eyed and scowling” man called Rainbow enters the vehicle (51). Rainbow threatens to kill Johannes if he barks, so the dog decides to bide his time. The man, who has just stolen a cash box, says they need to leave the park immediately.

Chapter 8 Summary

Johannes panics because he knows that his chances of rescue will be nearly nonexistent if the thieves take him into the city. Adding insult to injury, one of Twisty’s friends says that the dog smells, a comment that he adamantly denies. Johannes sees “the passing shape of a great bird” (56). Bertrand and Yolanda land on the van’s hood and cover the windshield with their wings. A flock of birds surrounds the vehicle and pecks at the windows. Rainbow stops the van, and Sonja climbs in through a small hole in the floor. The squirrel launches herself at the thieves, “scratching and terrifying every one of them” (59). Rainbow opens a door and runs away. Johannes makes Twisty let go of the leash by biting his leg and then follows Sonja back to the park with their avian friends rejoicing above them.

Chapter 9 Summary

Johannes and his friends go to the beach to celebrate the success of the rescue mission. Yolanda asks how the swift dog was leashed in the first place, and he explains how he was mesmerized by the magical rectangle, which “made no sense but seemed like the answer to a bunch of questions [he’d] felt in [his] bones” (62). Johannes is nervous that his embarrassing capture may give the bison second thoughts about relying on him, but they are simply relieved to see their friend safe and sound. Freya offers to let Johannes spend the night in their pen, and she encourages him to go for a run when he declines the invitation. As he races through the park, he feels “a tightening around [his] neck” as if he might be dragged back into captivity at any moment (63). He fights this feeling by running faster than he’s ever run before. Johannes races through the park all night and joyfully greets the dawn, wild and free.

Chapters 1-9 Analysis

In the novel’s first section Eggers introduces one of the adventure story’s central themes, The Fight for Freedom, through his protagonist, Johannes. Much of the action and suspense in these chapters come from Johannes’s capture by the Trouble Travelers and the daring rescue executed by his friends. Eggers’s novel also falls under the category of speculative fiction, incorporating imagined elements. Eggers gives the story a distinct voice by writing it from the point of view of a dog and using stream of consciousness, a narrative technique that mimics the natural flow of thought. The author also defies narrative convention by having the protagonist address the reader directly: “Have you seen me? You have not seen me. Not possible. You are mistaken. No one has seen me running because when I run human eyes are blind to me. I run like light. Have you seen the movement of light? Have you?” (12). Eggers uses this combination of stream of consciousness, repetition, and fourth wall-breaking in this excerpt reflect his narrator’s boundless freedom and vivacious energy.

Throughout the story, Johannes serves as an unreliable narrator albeit without intentionally misleading the reader. By his own admission, he is “not a math expert” (13). Johannes’s mathematical foibles add an element of humor to the text and give it a mythic sense of time and proportion. For example, Johannes’s certainty that he has known his friends for centuries underscores the deep affection and loyalty that characterizes his friendships with the other animals. His belief that he is responsible for watching over a domain “ten thousand miles along its length and about three thousand along its width” adds a sense of grandness and reverence to his perspective on his home (14). Even before Johannes learns that the park is on an island, he craves expansiveness. The dog’s overestimation of his age connects to another of his prominent traits—his initial sense of invincibility: “I cannot be defeated. Maybe I’ll never die” (14). However, the events of this section rattle his seemingly unassailable confidence and pride in his work.

The author introduces most of the key supporting characters in this section. The three bison preside over the park with leadership and wisdom as a unit while retaining unique personalities as individuals. Freya serves as a mother figure to Johannes while Meredith offers encouragement and Samuel provides humor. As the story continues, the bison reveal information that challenges the protagonist’s worldview. Attempting to free the bison from their enclosure becomes Johannes’s primary goal in the narrative. The Assistant Eyes, another important group of supporting characters, remain unflinchingly loyal to Johannes throughout the story, providing him with the support he needs to complete his character arc. Eggers quickly establishes Bertrand’s melancholy nature and closeness with Johannes, two traits that figure prominently in the climax and resolution. When Sonja first appears, the narrator describes her as “conflicted, tense, unsure” (27), but she gains confidence as the story goes on.

Eggers signals the novel’s thematic interest in the fight for freedom from his earliest characterization of Johannes. The protagonist adamantly stands by his decision to remain a wild dog rather than be adopted by humans like his siblings even though he knows want and hunger in a way he wouldn’t as a pet: “Not-free is not free. These kept dogs know the difference and have chosen the kibble in a bag” (20). Johannes’s cherished liberty is jeopardized when Twisty captures and leashes the proud, seemingly invincible dog for the first time in his life. Eggers uses Johannes’s inner thoughts to connect the scene directly to the theme: “And he tugged on the leash and oh oh oh, it was horrifying. To have this rope telling me where to go. I can’t explain the shock” (46). This experience has a long-lasting impact on Johannes’s sense of self and heightens his determination to remain free.

Johannes’s escape develops the theme of The Power of Friendship and Cooperation. When Bertrand flies to his aid, Johannes observes, “I had never been so proud to have such a magnificent friend” (56). The author emphasizes the importance of cooperation through the combined efforts of Bertrand, Yolanda, Sonja, and the flock of birds, all of which are required to pull of the rescue. The mission’s success proves that the animals are capable of extraordinary feats when they work together, foreshadowing the plan to free the bison in the story’s climax. In their role as Assistant Eyes, Bertrand, Sonja, and Yolanda also contribute to another of the novel’s major themes, The Importance of Beauty and Balance. Johannes and his friends’ work to preserve the park’s Equilibrium (capitalized throughout by Eggers to emphasize its importance to their worldview) presents a subtle way of explaining the value of respecting the environment. Eggers appeals to his audience’s sense of justice to make a case for animal rights and environmental conservation. While humans’ actions can destabilize the park’s delicate balance, they can also contribute to its beauty. For example, roller-skaters are Johannes’s “favorite of all the humans” because he deems their graceful movements “so beautiful” (32). In Johannes’s park, humans and animals can live in harmony and admire beauty together, but this balance requires careful maintenance.

Eggers employs symbols and motifs to add another layer to the story’s meaning. Running serves as a motif for the fight for freedom, and leashes symbolize captivity. Both appear in Johannes’s sprint through the park in Chapter 9: “I feared that at any moment the leash would tighten and I would be yanked back to that life. Oh! You cannot imagine! So I ran harder” (63). The leash prevented Johannes from running freely, so racing through the park allows him to assert his safety and liberty: “I ran until I saw the first lavender light of day, and I greeted the Sun with a happy grin and wild eyes” (66). The sun symbolizes goodness and gives insight into Johannes’s positive worldview. The optimistic dog reveres the sun, the source of light and warmth, as a deity, and reminding himself of this belief soothes him after his capture. Paintings, which serve as a motif of the importance of beauty and balance, play an especially important role in this section. The mystifying artwork becomes a dangerous distraction to Johannes when Twisty leashes him: “While looking at the picture, thinking of other worlds, I’d lost my freedom in this one” (47). As the novel continues, the protagonist must find balance in his appreciation of beauty.

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