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Robert DugoniA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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In 1989, Officer David Bateman forces Sam out of his vehicle and demands Sam refer to him as “Officer.” He is physically imposing from his military service and is physically aggressive, insisting Sam will fix his daughter’s eyes with no further questions about what happened. Sam is worried since he had a few beers, but David forgoes a sobriety test, instead knocking Sam to the ground with his billy club before leaving. Sam goes home and tends to his wounds, feeling ashamed: “I felt like that seven-year-old boy again, the one forced to lie about my beating, calling it a bike accident” (182). Realizing the gravity of the situation with Daniela, Sam feels helpless. He calls Eva, but another man answers the phone. Sam can hear her curse.
In 1971, Sam and Ernie begin at Saint Joe’s High School, where Ernie quickly becomes a star athlete. Sam makes the ninth-grade basketball team and uses his red eyes to intimidate his opponents, earning him the nickname “Hell.” On Sam’s 16th birthday, Max and Madeline take him out for a steak dinner, but he rushes through his meal as he is too excited about the possibility of getting a car. He returns to a surprise party with his classmates, Ernie, and Mickie. Mickie has become a curvy, beautiful young woman, and Sam notices his friends looking at her.
Sam’s parents gift him the Falcon, and he drives Mickie home for his first drive. Mickie gently flirts with Sam during the ride. When he mentions his concern about rumors he has heard about Mickie’s sexual liberality, Mickie is defensive and angry, but she then teases Sam for being a “virgin” and jokingly pledges that if he still hasn’t had sex by the time he’s 18, she’ll sleep with him before he leaves for college. This makes Sam uncomfortable because he fears that a sexual interaction would ruin their friendship. He laughs nervously and voices this concern, but Mickie appears hurt and irritated at the suggestion that they aren’t already a bit more than friends. She suddenly opens the car door so she can get out, but first she angrily throws his birthday gift at him; the small box smacks him in the face. She leaves, and when Sam opens the gift, he sees it is an engraved pendant of Saint Christopher, patron saint of travelers. The pendant’s inscription indicates the saint will protect Sam.
In the spring of Sam’s sophomore year, he begins to have vision problems, and Dr. Pridemore prescribes him glasses. Mickie likes Sam in glasses, but Ernie pokes fun at him.
David Bateman’s reemergence is a development as unwelcome as it is sudden. Sam, now an adult, has spent a lifetime recovering from the trauma of David’s brutality, but the predator now returns, hardened by military service, and the cycle of abuse continues. David’s character sustains the novel’s ongoing moral irony: A Catholic school should have been loving and virtuous, but it was often hostile and corrupt; the religious authority of Sister Beatrice should have been a role model for young Christians, yet she was hypocritical and uncharitable; and now, the narrative presents the adult David, who is morally bankrupt yet holds an office that, as law enforcement, should entail justice. As a school bully, he operated as if he lived above the rules, and in a cruel twist, he is now the rule enforcer. This scene shows bullying is not limited to children and adolescents and can happen to adults as well. Sam faces a difficult decision: cower to David’s despotic demands and leave Daniela vulnerable to more abuse, or risk his career and potentially his life to help her. The moral dilemma is a far weightier iteration of the quandary Sam faced as a child when he was torn between telling the truth of David’s bullying and keeping it hidden to protect himself from retaliation. As Sam ages, his life’s ethical landscape gains dimension.
In the nonlinear narrative sequence, this flashpoint in the protagonist’s adulthood immediately prefaces the chronicle of another critical moment, this time from his adolescence: his 16th birthday. This is a seminal coming-of-age moment; perched on the cusp of adulthood (or at least what 1970s American culture sees as adulthood), the day marks a psychological threshold for Sam, and the rite of passage finds symbolic expression in the gift of the Ford Falcon. Despite his childhood traumas, by 1971 he has settled into a comfortable teenage existence within the normal ebb and flow of adolescence. Playing basketball and spending time with friends brings him joy, and his parents’ generous gift of the beloved Falcon symbolizes their trust and love. The only part of teenage life he has yet to explore is dating. Mickie has clearly developed romantic feelings for Sam, but due to his fear of ruining their friendship, he does not respond to her overtures.
Mickie’s birthday gift to Sam, the saint’s pendant, is symbolic and hearkens back to Father Brogan’s gift of the card with the Irish blessing (in Part 2, Chapter 14). Christopher is the patron saint of travelers and, according to tradition, offers protection for those on a journey. People who care for Sam see how harsh the world can be to him yet feel powerless to change it, but their offerings of prayers and amulets remind him he is not alone. The gift also symbolically announces that Sam is on a journey—a journey that, so far, the novel has framed largely as a coming-of-age venture. By the end of the novel, the motif of journeying will have accrued a spiritual quality and evolved into the idea of a pilgrimage.
Finally, though the novel leaves it unmentioned, Saint Christopher is also patron saint of athletics, another of Sam’s passions. Basketball is the site of more irony, especially regarding Sam’s ocular albinism. He uses his red eyes to intimidate his opponents, earning him the nickname “Hell”; where his eyes previously left the protagonist at a social disadvantage, they now give him an edge, and a moniker that earlier would have been an insult is now a kind of laurel (if an ambiguous one).
By Robert Dugoni