55 pages • 1 hour read
Chris PavoneA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: The source material for this guide includes references to drug and alcohol abuse, as well as depictions of gore and violence. Occasionally, the novel also makes references to ableist language and imperialist attitudes.
A mysterious woman approaches Kate Moore, claiming to recognize her. Kate can’t quite identify the woman, but she recognizes her expensive plaid jacket, which she remembers seeing in the window of a fancy boutique nearby. It is only when the woman removes her sunglasses that Kate remembers her and feels the need to leave town with her family. She thinks about a safe box in her apartment that contains fake passports, emergency funds, and a gun.
Kate’s husband, Dexter, wants to move their family to Luxembourg. Dexter explains to Kate that it will allow them to live a life of comfort and fulfill their dreams of travel. When prompted, he reveals that he has been given a lucrative offer to work at a private bank there. As the years go by, they will likely be rich enough to enter early retirement.
Dexter notes that he will need to travel regularly across Europe for his work but promises that it will not disrupt their family life. Kate asks Dexter how he feels about living in Luxembourg, pretending that she doesn’t know much about it. Dexter rattles off facts about its affluence and small size. Kate thinks about the fact that she will need to quit her job. Dexter informs her that they will need to leave immediately for him to accept the job offer. He also emphasizes that everything will be taken care of by his new client, including the schooling of their children, Jake and Ben. Kate finally relents.
Kate sees the process of uprooting her family from the US as an opportunity for reinvention. She adopts Dexter’s last name and starts calling herself “Kate” instead of “Katherine.” She also quits her job, going through an extensive series of exit interviews, beginning with her boss, Joe. Preparing for the move, Kate comes to realize that she does want to start a new life.
The Moores migrate to Luxembourg and walk around their new city. Kate quietly remembers the last time she had been there, 15 years prior. She is also reminded of the time she spent in Oaxaca, Mexico, trailing a man named Lorenzo Romero. Romero had picked her up on a night out, unaware that she knew who he was. Taking him to a secluded area, Kate had killed Romero, making him her first target.
Kate goes to a café where she meets with other expatriate women, who begin to gossip about “the new American” (31) in town. They describe her as a woman who has no children, but an attractive husband. Later, Kate drives home, struggling to navigate while trying to pacify her children’s arguments and questions.
These moments are interspersed with the memory of an exit interview Kate had done before moving. An interrogator named Adam demands to know how long Kate plans to live in Luxembourg and what will happen if Dexter loses his job. Kate is also asked to explain the nature of Dexter’s work, developing security systems for private banks. She admits that she doesn’t know much about what Dexter does from day to day.
The narrative jumps forward to the events of the Prelude. Kate tells the familiar woman about living in Paris, and the woman tells her that she is there to go shopping. She also invites Kate and Dexter to dinner that night. Kate plans to check with Dexter first, so the woman asks Kate for her phone number. As the woman walks away, she asks Kate to give Dexter a message: “[T]he Colonel is dead” (46).
Kate complains about Dexter’s absence from home. Dexter argues that his work is urgent, but he won’t explain why. Kate wants to know who his client is, but Dexter says that it would put his job at risk to disclose that information because it might accidentally fall into the hands of his client’s competitors. He asks Kate to trust him.
Dexter and Kate are summoned to visit the embassy. The embassy officer informs Dexter that they have no record of his permit to work in Luxembourg. Dexter promises to come back with a copy of the permit.
One night, while Dexter is working overtime at the bank, Kate receives a message from someone at an organization called the American Women’s Club of Luxembourg (AWCL). The person offers to introduce Kate to a new American couple in town.
Kate once more remembers her interview with Adam, who asks her if there is anything else she wants to disclose about her decision to leave her field work five years earlier. Kate denies it, but Adam is skeptical, which prompts Kate to wonder if any of her past targets have any incriminating information about a previous incident involving her, a man named Torres, and an “innocent woman.” When Kate confirms that she has nothing left to say, Adam gives her instructions to meet with a man named Evan. He then informs her that her employment with the Central Intelligence Agency (CIA) has ended.
Kate meets with Julia Maclean, the new American woman in town who the AWCL introduced to her. They talk about their experiences settling in the city and the fact that both of their husbands work in finance. Julia explains that she used to work as an interior designer, but that she can’t pick up a job in Luxembourg because she has no connections. She also reveals that she can’t have children. Kate claims that her previous job was working in government research. The two soon become friends.
Later at home, Kate is surprised when Dexter suddenly shows up, ending work earlier than expected. Dexter sees the boys playing a game, and Kate explains that it is one she has invented: playing spies. When Dexter comments on the pleasant quality of their life, Kate withholds telling him about the difficulties of the solitude she endures in his absence.
The narrative explains how Kate had been enlisted into the CIA. Her studies in political science connected her to the organization through her professor, who was a headhunter for potential officers. Though Kate disagreed politically with intensive government control and surveillance, she repressed her politics to pursue the excitement of espionage. Sometime during her work, she met Dexter, leading her to keep her work life a secret. Once they started a family, she began to push her work life aside.
Kate talks about how moving to a new city feels like entering college. Dexter disagrees, since most of his time is spent in front of a computer screen. Kate tells him about meeting Julia. When Dexter calls her “Kat” during their conversation, Kate reminds him to start calling her “Kate” instead.
Kate reflects on her reasons for withholding the truth about her work from Dexter. She is afraid of admitting she had lied to him for an extended time, making it necessary to tell him the truth about everything she had ever done, including her last field job in New York.
Following Kate’s interrogation with Adam, she meets with another interviewer named Evan, who conducts a comprehensive debriefing of all her past assignments. Evan asks her if she knows why her husband recently traveled to Sarajevo. Kate doesn’t.
Kate goes through the mail to look for any letters from Dexter’s bank. She had previously investigated Dexter before their marriage, but the absence of any incriminating details moved her to take a personal vow not to investigate him ever again. Kate finds Dexter’s contract but is unable to learn anything specific about her husband’s client.
Meeting up with Julia, Kate talks about her family life, including the death of her parents and her estrangement from her sister, who has an alcohol and drug addiction. She also shares that Dexter has little connection to his family and that his older brother, an ex-Marine mercenary named Daniel, died in Croatia. Julia recounts the story of how she met her husband, Bill, at a fundraiser. Later, she asks if she can run back to Kate’s car to retrieve her phone. Kate gives her the keys.
The novel returns to the day of the Prelude, presenting Kate as she heads home from the restaurant. Kate becomes hyper-conscious of everything around her, wondering about the timing of the woman finding her in Paris. She enters an art gallery and uses the noise to mask a phone call to Dexter.
In these opening chapters, Pavone introduces his protagonist, Kate Moore, and the central emotional conflict that her character must resolve during the novel. Kate has kept her career with the CIA a secret from her husband for as long as they have known each other. When it becomes clear that Dexter is keeping secrets of his own, Kate must decide whether she would be more comfortable not knowing those secrets or confessing everything she has hidden from him over the last few years. She is essentially torn between her work life and her family life. To choose one means to put the other at great risk. This introduces two of the novel’s most significant themes: The Search for a Post-Career Identity and The Emotional Costs of Secrecy in a Marriage.
Pavone uses two parallel storylines to establish that the emotional stakes of Kate’s life are also paralleled by an external conflict. As a retired CIA agent, Kate plays into the trope of the spy who is forced into one final mission. Although this mission does not come directly from the CIA, Pavone lays the foundations for Kate to deploy her espionage skills one last time by having the character thus far known as “the woman” pass along a cryptic message concerning a recently deceased military officer. The identity of the woman is not made explicit in these early chapters, though a potential suspect is Kate’s new friend, Julia Maclean. There is an air of mystery surrounding Julia, although the narrative is quick to provide her with a backstory and characterizing details. In Chapter 6, Julia asks Kate if she can retrieve her phone from Kate’s car. The genre of the novel and the mystery surrounding Julia’s character both suggest that Julia may have an ulterior motive for searching the car.
To Julia’s credit, the novel hints that Kate continues to be haunted by some aspect of her work with the CIA. Her extensive debriefing interviews with Joe, Adam, and Evan allow the reader to understand the nature of Kate’s work through flashbacks that dynamically resonate with the present-day scenes of the novel. In Chapter 3, Kate’s attempts to settle into life in Luxembourg are regularly intercut with scenes from her interrogation with Adam. These latter scenes offer a compelling substitute for inner monologue, allowing the novel to provide exposition and tension simultaneously. At the end of Kate’s interview with Adam, Kate withholds details about an incident involving a man named Torres and someone she thinks of as the “innocent woman.” Kate’s refusal to disclose information related to this incident, even to the CIA, highlights its severity and increases the mystery surrounding her past.
However, Kate’s past is not the only one in question during this section, as the mysterious woman’s message is not intended for Kate, but for Dexter. This raises questions about how Dexter’s secrets involve him in Kate’s penchant for espionage. Given that the parallel storyline takes place in Paris, it also foreshadows the possibility that Dexter’s involvement could force the Moores to leave Luxembourg.
Finally, the novel presents the patterns of regressive Gender Dynamics in Expatriate Families, showing how the unique context of expatriate living often sees men and women turning to traditional conservative gender roles. Before moving to Luxembourg, the only suggestion that Kate and Dexter maintained equal partnership roles in the household came from the fact that they both maintained active professional lives. Moving to Luxembourg upsets this balance, especially since the reason behind it is Dexter’s career advancement. When Kate arrives in Luxembourg, she is excited by the possibility of a new life, but she cannot reconcile it with the boredom and emptiness that ensue. Moreover, she is left with much of the burden of raising and entertaining her two children, while Dexter fulfills his traditional role as the family breadwinner.
While this shift in dynamic characterizes the emotional conflict between Kate and Dexter, it is also evident in the community that Kate inhabits. Many of the expatriate parents who wait upon their children are mothers, who spend their time gossiping at a nearby café to pass the time. Julia likewise falls into this pattern when she explains that she can no longer practice interior design in Luxembourg, given her lack of professional contacts. Pavone continues to draw from the observed world of expatriate women as he establishes and describes these communities in the novel.