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41 pages 1 hour read

William Peter Blatty

The Exorcist

Fiction | Novel | Adult | Published in 1971

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Part 3

Part 3, Chapter 1 Summary

Chris tracks down Karras, remembering that Mary Jo once told her about a priest who worked as a psychiatrist. They tiptoe around the reason Chris wanted to meet, but eventually, Chris asks directly whether Karras will perform an exorcism for her. Though he is stunned, he realizes that she is serious. He mentions that exorcism might actually make the matter worse and that, before an exorcism takes place, the church must conduct an investigation. As Chris breaks down into tears, Karras wonders whether she needs his help as a therapist. He agrees to visit Regan. 

On the doorstep of Chris’s house, Karras hesitates, feeling a sudden chill. Chris leads Karras upstairs to Regan’s bedroom, showing him a photograph of Regan before the possession. As soon as Karras touches the doorknob, the sounds from inside stop. Inside, he smells “the pungent stench of moldering excrement” (138) and sees Regan’s bulging white eyes watching him intently. She asks Karras to remove her restraints and tells him that she is not Regan, but is in fact the devil. The devil refuses to allow Karras to talk to Regan, but through the litany of mocking demonic personalities inhabiting her body, he glimpses the terrified little girl for a second. The demon mocks Karras’s dead mother and then vomits on him. 

As he washes the vomit from himself, Karras suggests that Regan should be in a hospital. Chris cannot allow that, because Regan has “done something” (142) and Chris cannot risk anyone finding out what. Karras demands the truth, agreeing to do what he can for Regan. Chris explains the history of Regan’s condition, purposefully avoiding mentioning the murder of Burke Dennings. Karras grasps desperately for explanations, including telekinesis and split personalities. When Chris insists that Regan has changed completely, Karras asks for samples of her old voice, such as writings or recordings. He wants to gather evidence he can put forward to the church to authorize an exorcism. He hears animal noises from Regan’s bedroom as Chris gathers what she can, including the book on demonic possession. Kinderman watches them from an unmarked car. 

Karras stays up late thinking about Regan. He studies books from the church library, researching until the early hours of the morning. In many instances of historic cases of possession, the exorcists themselves eventually became possessed or were driven mad by their experiences. He seeks a scientific reason to explain why possession occurs, wondering whether Regan’s exposure to the book on the occult proved so suggestive that it led to her believing that she was possessed—many descriptions in the book resemble Regan’s possession. He works his way through her symptoms, seeking an explanation for each one. Memories of his mother begin to intrude on his thoughts. When he listens to the recording of Regan’s innocent voice, he decides that the “thing [he] saw in the that room wasn’t Regan” (154). 

The next day, as he delivers his lectures, Regan’s innocent voice fills his thoughts. Returning to his research, he plans how he can prove to the church that an exorcism might be necessary. He decides to sprinkle Regan with tap water but tell her that it is holy water—if she reacts, then her possession is not authentic. 

Willie leads Karras to Regan’s bedroom, where Regan shouts and screams. He asks Chris for a tape recorder. The bedroom is now more putrid than ever before. Inside Regan now is “a poor struggling demon” (157) rather than the devil himself. The demon asks Karras to begin the exorcism soon, claiming that it will bring him and Regan together. Bureau drawers fly across the room. Karl arrives and Regan calls him a “damned butchering bastard” (158) as he lays down the tape recorder beside Karras and retreats. The demon reveals that there are actually several forces possessing Regan; they appear and disappear at intervals. The demon refuses to co-operate with Karras’s suggestions and mocks his dead mother. Karras reaches for the vial of water, telling the demon that it is holy. As he sprinkles it over Regan, the demon cries out. Karras worries that this means that Regan’s possession is not authentic. But she begins to talk in a mumbled, strange language. He moves the recorder closer but the speaking stops. Karras leaves the room. 

Karras explains what he has just seen to Chris, including two new personalities inside Regan, one of which might be Burke Dennings as it speaks in a British accent. Karl drops a pan on hearing this and Chris tells him to go and see a movie. Once he leaves, Karras asks—based on one of the insults Regan threw at Karl—whether Karl has a daughter. Willie admits that they had a daughter who died many years ago. Karras explains his trick with the holy water—he is not hopeful that the church authorities will sanction an exorcism. Chris reveals other symptoms, including letters on skin that show up and disappear. Karras suggests a scientific explanation for this; he will share his recording with the languages department in his college in the hope that they will identify the words Regan spoke. Then, he asks to borrow Chris’s car. 

Just as he is about to get into Chris’s car, Karl stops him and requests a ride to the cinema. Karras asks Karl about the demon’s likeness to Burke. Karl admits that it seems real. Karl exits the car, catches a bus, and arrives at a crumbling tenement building. Inside an apartment on the second floor is a woman—his daughter. She warns Karl that her boyfriend is drunk, so he should not come in. Noticing the puncture marks on her arm, he hands her money. As she is about to disappear back into the apartment, Karl desperately pleads with her to visit a rehabilitation clinic in New York. She refuses. Dejected, Karl is intercepted by Detective Kinderman.

Part 3, Chapter 2 Summary

Karras plays the recordings of Regan to Frank, the director of the Institute of Languages and Linguistics. He plays both those from before her possession and those of the demon speaking an apparently unknown language. The director makes copies of the tapes and agrees to perform an analysis as quickly as he can. Back at his residence, Karras reads medical reports from Regan’s time in the clinic in Dayton. He begins again to have doubts. 

Karras tells Chris that he is not recommending an exorcism, but “intensive psychiatric care” (170). When he recommends that Chris tell Howard about Regan, Chris breaks down. Regan is not guilty over her parents’ divorce, she shouts at Karras, but is guilty of killing Burke Dennings. Chris is worried that Regan will be jailed for murder. Karras does not believe that Regan is capable of murder and assures Chris that he will handle the situation. 

Karras wonders whether theatrical performance of an exorcism might work for Regan with a placebo effect. But even a mock exorcism will need permission from church authorities. He decides to meet with Dr. Klein, taking Chris’s car and dressing in his exercise clothes so as not to appear as a priest. At a traffic light, he sees Karl exiting Kinderman’s car. He drives away quickly, hoping that they have not seen him. Karras meets with Klein and examines Regan’s EEG. The lack of fluctuations in the results makes medical diagnosis difficult, but could work as evidence of possession. 

Karras notices Kinderman waiting in a parked car outside the MacNeil house. He parks a few streets over and then surprises Kinderman by rapping on the window. They make small talk, but something about the detective’s story perturbs Karras. Karras wonders whether Regan really did kill Burke; he is more determined than ever to build a case for church authorities. 

In the MacNeil house, Chris is asleep and Karl sits in a chair in Regan’s bedroom, stoically watching over the young girl. Karras begins to unfasten the restraining straps, but Karl stops him. The conviction in Karl’s eyes tells Karras that Regan’s strength is real. This means she might have been able to twist Burke’s neck all the way around. Regan begins to speak German, asking Karl about his daughter. Karras asks Karl to leave the room and replies to the demon in German. The demon answers in Latin that Regan killed Burke. Then, in English, the demon says that it cannot speak Latin at all and was merely reading Karras’s mind. He tries another question and the demon responds in French, before Regan’s eyes roll upwards and she falls into a silent trance. Karras asks Sharon about Regan’s knowledge of languages. Sharon has taught Regan a smattering of French, while Willie and Karl often speak in German—Regan might be merely reflecting the languages of those around her. Before Karras leaves, Karl returns his sweater, the vomit stains now removed, and thanks him for helping Regan. 

Karras calls Frank, who says that his scientific analysis suggests that there are two distinct personalities in the recordings. Meanwhile, the strange language is actually English spoken in reverse—a feature of possession Karras has come across in books. Karras plays the recording of the demon backwards and hears it discussing a desire to stay in Regan’s body and a fear of the priest. With the demon’s words in his thoughts, he falls asleep. 

Sharon calls to ask him to come to the house right away, where Sharon shows him to Regan’s bedroom. Chris is not awake; Sharon did not want her to see what is happening. Regan’s room is icy cold. Regan appears to be in a coma, breathing heavily while being fed through a tube through her nose. Sharon opens Regan’s pajamas and tells Karras to look closely. The words “help me” appear across the skin in Regan’s handwriting (185). 

Karras visits the church authorities to request an exorcism. The bishop seems willing to grant his request, so Karras agrees to perform the exorcism himself even though he lacks experience. The bishop will search for someone who knows how to conduct the ritual and discusses the matter with the president of Georgetown University: They agree to contact Lankester Merrin, an elderly priest who has just returned from an archeological expedition to Iraq. Merrin has experience with exorcism in Africa that “damn near killed him” (186). Merrin is not surprised to hear from them: He has been expecting such a request since reading it in the dust in the temples of Nineveh.

Part 3 Analysis

The novel’s epigraphs—quotations from the Bible, the Ancient Greek tragedian Aeschylus, an article from about the Vietnam War, and historical descriptions of brutal violence—have in common themes of possession, evil, and violence. By including these in the text, the author suggests that violence is a historical constant. Man has always sought to inflict pain on others, whether by channeling evil forces, or through endemic sadism. The frequency of the epigraphs presages the increasingly violent possession of Regan MacNeil. Karras has sought a rational explanation for her suffering, but, the epigraphs suggest, there are forces outside civilized systems of control—forces that connect to the vicious, primal urges inside humans. 

The return of Father Merrin reconnects us to the themes of colonial intrusion and the violence done by one nation to another. After unearthing ancient artifacts in Iraq as part of a team plundering the relics of another culture, Merrin received a disheartening premonition and fled. Now, back in America, Merrin will be on the receiving end of the consequences of his actions, which will entail the collision of reality and the supernatural. He knows that he will soon have to cross this divide and his ability to internalize and accept this reality contrasts with Karras and his constant need to find explanations for what is happening.

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