71 pages • 2 hours read
Fyodor DostoevskyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Though he lacks any credible evidence, Shatov is planning to tell the authorities everything he knows. His doubts are put aside when his estranged wife Marie unexpectedly returns. She has returned to find work, rather than to resume anything from their “stupid past” (639). Shatov is shocked by the return of a person who could—however briefly—love him. However, she is visibly ill. To fetch her some tea, he goes to Kirillov. Pleased by Shatov’s energy, Kirillov happily hands over his tea. Shatov sits and talks with his wife, though she falls asleep “almost immediately” (643). While she sleeps, Shatov sees Erkel outside. They have a hushed conversation in which Erkel gives him a time and place at which he can hand over the society’s printing press, thereby freeing himself from any responsibilities to the revolutionaries.
Erkel is “fanatically, childishly devoted to ‘the cause’” (646). His comment about Peter leaving causes Shatov to be preoccupied, though he is also worried about his wife. When she wakes up, she criticizes him for allowing her to sleep in his bed. Her criticisms are interrupted by “a violent spasm of pain” (649). Stricken with pain, she talks to him about her plans to open a printing press. Shatov criticizes Russians for not reading. Quicky, she is overcome by pain. She reveals that she has gone into labor.
Shatov leaves the house in a frantic search for a midwife. Shatov tells Kirillov that his wife is in labor, and then rushes to Virginsky’s house. Virginsky’s wife is a midwife, and she agrees to help. Next, Shatov runs to Lyamshin’s house to sell a revolver to pay for his wife’s medical help. Lyamshin is horrified to see the man he will soon kill but he agrees to buy the gun at a heavily-discounted price.
Virginsky’s wife Arina does not like Shatov, but she arrives to help Marie “on principle” (660). She tries to calm Marie by telling her how much Shatov loves her. Shatov goes to Kirillov, who distracts him with philosophical musings. As the night passes, Shatov is variously “summoned, abused, and sent on errands” (663) by Marie.
Eventually, the baby boy is born. The sight of the baby is a transcendental moment for Shatov. Marie intends to take the baby to the orphanage, but Shatov wants to raise him. As Shatov fusses over Marie, she stirs long enough to call Stavrogin a “scoundrel” (667). As Marie recovers, Kirillov sends food and tea. Shatov is surprised when Erkel arrives the next day. He has completely forgotten about the meeting but agrees to take Erkel to the buried printing press, as they arranged the previous day.
Virginsky appeals to the rest of the group, suggesting that Marie’s return means that Shatov will never inform, but finds no one available to listen to him. He arrives early at the agreed meeting place and is soon joined by the others while they wait for Erkel and Shatov. They go over their plan to kill Shatov. Virginsky reiterates his theory, only for Peter to argue him down as “some fool” (675) who would panic at the last moment. Shigalyov also has doubts, and he walks away.
At that moment, Erkel and Shatov arrive. Liputin meets them, distracting Shatov long enough for the others to grab hold of him. Peter shoots Shatov in the head and then searches Shatov’s pockets. They tie stones to Shatov’s body and plan to throw it in a pond, only for Virginsky to panic. Lyamshin grabs Virginsky and screams. He does not stop screaming until Erkel shoves a handkerchief into his mouth. As they carry the body to the pond, Virginsky continues to complain that “it’s not right at all” (680). They throw the body in the water, it sinks, and Peter tells the men to go their separate ways. He plans to go to the country and advises the others to “spend the day at home” (681). As Peter walks home, Liputin catches up to him. He is worried that Lyamshin will inform. He desperately wants to know whether there are other groups in Peter’s organization. Peter’s answer convinces Liputin that there are no other groups. As he leaves, Peter assures himself that “no one will inform” (683).
Peter goes home and packs his bag. Before catching a train, he visits Kirillov, who is “glad to see him” (684). Kirillov has thought about the situation and plans to continue with the plan. He will confess to any crime and then die by suicide. However, he is shocked that Peter murdered Shatov. Kirillov grabs his gun and points it at Peter, who is still armed with his own revolver. As they talk, Peter claims that he has “foreseen everything” (687). Kirillov loathes Peter but he cannot overcome his own desire to die by suicide and “become God” (689), as he believes it is “the greatest degree of self-will […] to take [his] own life” (692).
Peter is worried that Kirillov may not continue with the plan, but he probes the man’s intellectualism. Swept up in a fervor, Kirillov grabs a pen and writes his confession. He confesses to everything Peter needs, including Shatov’s murder, though Peter tells him to keep the confession “as obscure as possible” (695) so the authorities can fill in the blanks and believe whatever story suits them. Kirillov signs the confession and takes the gun into another room. Peter reads the confession, and, after a harrowing flurry of paranoia, he hears a gunshot. Peter checks the dead body and then slips out through “Fedka’s secret passage” (701).
Peter and Erkel wait for a train at the station. Erkel admits that he wishes Peter was not going to Saint Petersburg. Peter promises to “come straight back” (703) and assures him that their network is very extensive. Their conversation is interrupted by the appearance of one of Yulia’s relations. They discuss Yulia’s worried state and the poor health of her husband. The man invites Peter to join him in the first-class carriage to play cards. When Peter waves goodbye, this is the last time Erkel will ever see him. Something gnaws at Erkel’s sense of wellbeing.
Stepan sets out on his “insane undertaking” (706). He walks along the highway. As he walks, he thinks about the strange recent events in his life and frets about Fedka. A cart approaches with a “peasant woman” (709) onboard. Stepan is intrigued by the cart; the “inquisitive woman” (710) sparks up a conversation and offers him a ride. He claims to be a teacher but cannot give exact details of his plans. They take him to a village, where he is shown to a warm house and given pancakes. He shares vodka with the woman he met on the road.
A different woman tries to sell him a Gospel as the local people discuss the arson attack in the town. He is recognized by one of Varvara’s former servants, a man named Anisim Ivanov. Stepan struggles to explain his actions to Anisim, who in turn explains his true status to the villagers. After learning that the Gospel seller’s name is Sofya Matveevna Ulitina, Stepan overhears the peasants talking about him. They talk about how he can get to Spasov, ignoring his pleas to stay in the village. Stepan makes plans with Sofya, who is also traveling to Spasov. Anisim wishes him a “good journey” (720).
Stepan and Sofya travel to Spasov. He offers to help her sell Gospels. As they travel together, he begins to become obsessed with her. At the same time, he develops a terrible fever. They stop in an inn. Feeling feverish, he tells Sofya an elaborate and fictionalized version of his life’s story. He desperately pleads with her not to leave him. Over the course of the next two days, she spends two terrible days caring for the sickly Stepan. He asks her to “read him the Gospel” (729). Sofya reads Bible stories while he praises her reading style. She continues to read to him in his fever as the landlords pester her for money and to see Stepan’s paperwork. Eventually, Stepan becomes delirious and loses consciousness. Three days later, he begins to improve. He hears a carriage arrive outside.
The carriage contains “Varvara Petrovna herself” (733), who has been alerted to Stepan’s presence by Anisim. Varvara dismisses Sofya and confronts Stepan. He claims to have found “real Russian life” (734). Varvara sends Dasha to fetch a doctor as she hisses criticisms at the “irredeemably shallow” (736) Stepan. When Stepan sleeps, Sofya speaks to Varvara about Stepan’s fevered ramblings. He talked, she explains, about his love for a “noble lady” (738). Varvara buys all Sofya’s gospels and sends her away again. The doctor says that Stepan’s condition is “extremely dubious” (739). Varvara sends for a priest. Stepan speaks about God, regret, and religion. He dies three days later, passing away in his sleep “like a candle that burns down” (742). Varvara arranges the funeral and takes Sofya home with her to settle at Skvoreshniki, insisting to her new acquaintance that she has “no son” (743).
Marie wakes up. She is still exhausted but worries about Shatov’s absence. Arina hears what happened from Virginsky and tries to cover up her husband’s involvement in the crime. By the time she visits her patient, Marie, she discovers that Marie has gone to ask Kirillov about Shatov’s whereabouts. Seeing Kirillov’s body, she grabbed her baby and ran out into the street in a panic. Both Marie and her baby die over the coming days.
An uproar arises in town regarding the apparent “secret society of murderers, arsonists, revolutionaries, and rebels” (746). Shatov’s body is found quicker than Peter expected; the police quickly realize that Kirillov could not have acted alone. Lyamshin cannot maintain his silence. He tries to die by suicide and then runs to the authorities, telling them “absolutely everything” (748). He tells them that Peter’s society was aiming to collapse society with an “enormous” (749) network of likeminded groups across the country.
The only person Lyamshin does not implicate is Stavrogin, who he says did not play “any role in the secret society” (749). Virginsky is arrested and admits everything immediately. Erkel is arrested but admits to nothing, though his youth garners him some sympathy. Liputin is arrested in Saint Petersburg; he did not flee the country with his false passport because he was searching for Peter and Stavrogin. The narrator insists that the “business is not yet over” (752). Already, people are hailing Peter as a genius if not a moral man.
Varvara returns home. Dasha reads a letter from Stavrogin, inviting her to escape with him. He confesses to everything and praises her. He claims that in Russia he was “incapable of finding anything [he] could hate” (753). Still, he struggles with his desire to do good and evil in equal measure. He feels an urge to die by suicide but he is afraid that doing so will make him seem too magnanimous. Dasha shows the letter to Varvara, who wants to join Dasha and flee with her son. However, Stavrogin seems to have already left the address he gave to Dasha. Varvara and Dasha explore the empty apartment and find Stavrogin in the loft. Stavrogin is “hanging behind the door” (756). He leaves a note, blaming only himself. The premeditated nature of the suicide means that the coroners rule out any “possibility of insanity” (756).
Shatov spends the final part of Devils enduring a rollercoaster of emotions. As he prepares to go to the authorities to inform them about the role of Peter’s society in the fire and the murders, he is shocked to find his estranged wife on his doorstep. He is even more shocked when she gives birth to a son. Shatov has sunk into a deep disillusionment with everything until this point in the novel. He became disillusioned with Russian society, so he joined Peter’s revolutionaries. He became disillusioned with Peter’s revolutionaries, so he decided to go to the police. Shatov was unmoored from his society, unable to care about anything or invest himself in any cause. Everything seemed utterly inadequate and purposeless in his life.
The return of his wife and the birth of the baby change everything immediately: Shatov is given a purpose. In the space of a few hours, he suddenly sees everything in a new light. The disillusionment dissipates, and he feels a sudden desire to not only live, but to build a better future for his new family. Unfortunately for Shatov, this brief and radiant optimism is crushed in a matter of hours. He is executed on Peter’s orders and dumped in a pond, while his wife and child die of exposure in the aftermath of his murder. Shatov is thrown from deep despair to sudden optimism, only to have everything he cares about snatched away from him by his former friends. Shatov’s fate reveals the hollow ideology of Peter’s organization. In Peter’s world, there is no room for humanity or optimism. There is only self-serving, cynical opportunism.
After the embarrassment of the literary festival, Stepan decides to leave town. He has lost everything, including his proposed marriage to Dasha and his attachment to the woman he truly loves, Varvara. He leaves town on foot, refusing to take a horse or a carriage as a way to punish himself. His journey is a form of self-flagellation, in which Stepan deliberately throws himself on the mercy of a world he no longer understands. Once on the road, however, his experiences begin to subtly mirror the experiences of his son. Like Peter, Stepan convinces himself that he is finely attuned to the perils of the working class. While Peter murders every working-class person on whose behalf he is supposedly conducting a revolution, Stepan simply embarrasses himself in front of everyone. He immediately becomes hopelessly attached to a Gospel seller named Sofya and then slips into a fever, all while assuring himself that he has an innate understanding of the lifestyles and the needs of the working-class people he meets.
Stepan dies of a fever, having barely traveled any distance at all. His brief exposure to the outside world was enough to kill him, though he finds some happiness at the very end of his life. Varvara tracks him down and sits beside him while he dies. This is not a romantic reunion, and she does not promise to love him. Her mere presence, however, acts as a sign of absolution, allowing Stepan back into her world for the brief time he has left. With Moreso than the priest administering the last rites, Varvara’s presence provides Stepan with comfort in his final moments. As with Shatov’s reunion with his estranged wife, both reunions emphasize the importance of human connection and compassion as safeguards against nihilistic despair.
The novel ends with Stavrogin’s death. For all his domineering personality and charisma, Stavrogin’s death is quiet. The death itself happens “off-stage” in the narrative, to the point where his mother and Dasha arrive too late to the scene to do anything other than bear witness to the body. Stavrogin dies by suicide after wrestling with the idea for a long time. After the sins he has committed, he initially feels as though suicide is too easy and too self-indulgent an option. By the time he dies, however, he feels no other way in which to demand society’s judgment. His criminal behavior has been an attempt to force society to view him with the same loathing with which he views himself.
While society always found a way to forgive Stavrogin, he can no longer accept the absence of judgment. He dies by suicide in a very particular manner. It is highly significant that Stavrogin dies by hanging, as the method of his death by suicide mirrors that of Matryosha’s, the young girl he confessed to abusing and driving to despair. In choosing to die in the same manner as she did, Stavrogin appears to be turning his death into an act of penance for that specific crime above all else. Furthermore, Stavrogin takes care to ensure that his actions cannot be misconstrued as the result of impulse or mental illness: The careful and meticulous way in which he prepares the instruments of his own death leave the coroners with no other option but to declare that he could not possibly be experiencing any mental health crisis.
In this way, Stavrogin is able to assert his full agency and culpability so that even society will now have to accept the truth of who he is. Stavrogin’s deliberate and purposeful action contrasts with the earlier scene in which he broke free from police custody. Then, people were happy to attribute his behavior to a medical issue. Now, Stavrogin is forcing the world to see him as he sees himself, denying the world the chance to make excuses any longer.
By Fyodor Dostoevsky
Allegories of Modern Life
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Good & Evil
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Philosophy, Logic, & Ethics
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Satire
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