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45 pages 1 hour read

Paul Tremblay

The Cabin at the End of the World

Fiction | Novel | Adult | Published in 2018

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Background

Cultural Context: The Characteristics of Apocalyptic Cults

Content Warning: This section of the guide references death by suicide.

Apocalyptic cults, also known as doomsday or millenarian cults, believe that an imminent catastrophic event will lead to the world’s end. Members are typically fervent in their convictions and willing to take radical action in anticipation of an apocalypse. The allure of doomsday cults stems from a combination of factors. Members are often psychologically vulnerable and seek meaning, purpose, and a sense of belonging. Cults typically center around a charismatic leader who claims to have exclusive insights into the impending catastrophe. Cult leaders may present themselves as prophets, messiahs, or chosen ones, offering followers a sense of purpose and salvation in the face of perceived impending doom. The driving narratives often include themes of divine judgment or a cleansing of the world to make way for a new and better order.

Characteristics of apocalyptic cults include strict adherence to the leader’s teachings, a sense of urgency about the predicted event, and a belief in the necessity of radical actions to prepare for or trigger the prophesized outcome. Cult members often withdraw from mainstream society, isolating themselves from friends and family who don’t share their beliefs. This isolation creates a heightened sense of group identity, reinforcing the cult’s insular worldview.

Doomsday cults have been responsible for various instances of violence and mass suicide. One infamous example is the People’s Temple, led by Jim Jones. The cult’s activities culminated in the Jonestown Massacre of 1978 when Jones convinced more than 900 followers to die by suicide by ingesting cyanide. Similarly, the Heaven’s Gate cult believed that a UFO would transport them to a better life on another planet, leading to a mass death by suicide ritual in 1997. Dressed in identical outfits, the cult’s 39 members asphyxiated themselves by securing plastic bags over their heads.

Social scientists have attempted to explain why some cult members remain committed to their beliefs after their prophesized events fail to occur. While some group members lose faith, others commit more fully to the group’s aims. Cult leaders often set a new date for the world’s end, or members may convince themselves that their actions averted or delayed an apocalypse (Festinger, Leon, et al. When Prophecy Fails: A Social and Psychological Study of a Modern Group That Predicted the Destruction of the World. University of Minnesota Press, 1956). Ultimately, when followers zealously dedicate themselves to their convictions, maintaining these beliefs “allows them to avoid the embarrassment of how wrong they were in the first place” (Abelson, Robert P., et al. Experiments with People: Revelations from Social Psychology. Routledge, 2003).

In The Cabin at the End of the World, Tremblay’s depiction of a group with apocalyptic beliefs takes inspiration from real-life doomsday cults. Leonard and his companions cut themselves off from society to follow their ideology. Their matching outfits, the sacrifice of their members, and the ceremonial use of masks over their faces recall the actions of the Heaven’s Gate cult. Leonard’s size affords him a powerful physical presence as the group’s leader. His understated aura of assurance causes others, including Wen, to instinctively trust his judgment. Tremblay illustrates the group’s rigid mindset through their determination to see world events such as tsunamis, epidemics, and air disasters as the materialization of their predictions. By employing multiple narrative perspectives, the author shows that although most of the group’s members experience doubts, they’d rather sacrifice themselves than acknowledge that they were wrong. The revelation that Leonard and his followers met online underscores the role of web forums in cultivating extremist groups.

Cultural Context: The Four Horsemen of the Apocalypse

The Four Horsemen of the Apocalypse is a biblical concept associated with the end of the world. In Revelation (6:1-8), the four figures appear after the first of the seven seals are opened, unleashing God’s judgment. Each one rides a different colored horse, symbolizing a distinct aspect of destruction. The first rider, on a white horse, is often interpreted as representing conquest. The second rider, on a red horse, symbolizes warfare and bloodshed. The third, on a black horse, represents famine and economic crisis. The fourth, on a pale horse (known as the “Pale Rider”), signifies death and plague.

In The Cabin at the End of the World, Tremblay draws on this biblical reference in his depiction of Leonard, Redmond, Adriane, and Sabrina. The self-proclaimed prophets of the apocalypse each wear shirts corresponding to one of the Four Horsemen. In the Book of Revelation, the Four Horsemen’s appearance accompanies the opening of the seven seals. Leonard’s prophecies echo the events that occur when the seals are broken: An earthquake occurs, survivors retreat to higher ground, and the stars fall from the sky. Tremblay’s novel emphasizes this biblical imagery by repeating patterns of four and seven. The narrative is divided into four parts, it features seven characters, Wen catches seven grasshoppers, and Leonard knocks seven times on the cabin door. By continuously alluding to these biblical references, the author demonstrates the power of apocalyptic imagery. While the intruders are evasive about the nature of their religious beliefs, they’re clearly influenced by these Christian concepts.

Cultural Context: Knock at the Cabin

The Cabin at the End of the World inspired the 2023 film Knock at the Cabin, directed by M. Night Shyamalan. The movie stars former WWE star Dave Bautista as Leonard and Rupert Grint as Redmond. Tremblay discussed his work with Shyamalan but had no input into the final script. While the movie largely captures the premise, characters, and tone of The Cabin at the End of the World, it also significantly deviates from the source material.

The movie version of the story involves minor amendments to the plot. The four intruders die in a different order, and while Sabrina kills Leonard in the novel, the movie depicts him, not Sabrina, as the final survivor of the four who dies by suicide. The script, combined with Bautista’s portrayal, paints Leonard as the most sympathetic of the intruders. Most significantly, Wen survives in the film adaptation. However, Eric dies after persuading Andrew to sacrifice him.

The omission of Wen’s death in the movie was likely motivated by the taboo associated with depicting on-screen child mortality. However, this amendment to the narrative removes the ambiguity of Tremblay’s original text. The novel presents Wen’s death as futile. Having failed to make a sacrifice, Andrew and Eric face an uncertain, possibly apocalyptic future after losing their daughter. In contrast, the movie indicates that Eric’s self-sacrifice halts the apocalypse, allowing Andrew and Wen to drive to safety. Thus, the group’s warnings of the end of the world are revealed as justified. In addition, the film resolves uncertainty about Redmond’s identity when his driver’s license proves that he’s O’Bannon. While Tremblay’s text remains ambiguous until the end, the film ties up those lingering questions.

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