50 pages • 1 hour read
Alaina UrquhartA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Jeremy lurks at the St. Louis No. 1 cemetery the day after he buried his victim alive in one of the old inground graves. There are not many of these given that New Orleans’ placement atop a water table makes burial in the ground challenging, as the water pushes the buried caskets up. He remembers putting the woman in the casket he dug up alongside the desiccated bones of the original corpse. He relished in putting Emily’s bracelet on her wrist before he buried the woman. He remembers hiding the dead, rotting body beneath the stage at the jazz festival and watching with glee as people recognized the horrible smell. Jeremy can still see the woman’s face before he killed her, the fear and anguish fresh in his memory. He reminds himself that he can make no mistakes this time in his mission—his mission that began seven years ago.
The girl who was buried alive went into respiratory distress and died. Her stab wound was in the C6 region of her spine, rendering her paralyzed. When Wren receives this information, she shakes her own leg, horrified. The killer tended to the wound, and what killed her was hemlock poison. Wren finds this upsetting and cannot help but think of the dead girl’s grieving parents finding out the horrifying details of her fate. She sorts through the victim’s belongings, her ruined clothing covered in blood and vomit, before looking at The Bracelet. She can hardly believe it, but it’s real. It’s her bracelet from another life, years ago. Wren is Emily, by a different name now.
Jeremy is upset about his self-proclaimed failure. He’s unsatisfied that his victim was uncovered alive, even though he took precautions and poisoned her with hemlock, the same poison that Socrates ingested when he was sentenced to death in ancient Athens. He wants Emily to remember who he is and to remember the time that she spent running from him in the bayou. Even years later, he’s still upset about his other failure: Emily’s escape. He obsesses about it, and though he wants to remain calm and measured, he cannot.
Wren is the name that Emily chose for herself when she put the pieces of her life back together after her brutal attack by Cal/Jeremy, because wrens “signify rebirth and protection, immortality, and strength” (161). When Jeremy stabbed her, he missed her spinal cord, allowing Wren to use Katie’s body to escape despite her blurry vision. She blamed herself in the past for being an “easy” mark, but now she knows that the horrors she endured were not her fault. Wren finds the memories haunting, and the image of Cal’s smile haunts her most of all. Now, because of The Bracelet, she knows that Cal was the Bayou Butcher and killed people before he took her, and now he’s doing it again. She calls John and asks if he’s on his way to her and tells him that she has something big to tell him.
She starts the incision on the latest victim, Emma, and fights tears as she thinks about what Emma went through and what Wren went through herself. Emma was a runner, and her legs are still strong, though she has scrapes on her feet. Wren wonders if Emma was taken to the same swamp that she was. When John gets there, Wren tells him that the victims are taken to a controlled environment: the killer’s house that he inherited it from his parents. John tells her that that’s a leap of logic, but then Wren admits that she knows who is doing it. She tells him that she was Emily Maloney, that Muller is her married name, and that she changed her first name to Wren. John says that his father worked on her case, and Wren remembers him as a kind man who believed her, while other officers thought that she made it up due to the drugs in her system. They also didn’t believe her because she described Cal as brunette, while other witnesses identified the Butcher as blonde. Though Wren insisted that he dyed his hair, her testimony was still dismissed because she could not identify where she had been taken after she escaped. She begins to cry, and John holds her.
Wren composes herself and shows John the bracelet. She discusses the details of what Cal told her. He inherited a home from his ailing mother, which is likely where she and the other victims were taken. She also finally places the name Philip Trudeau: He was Cal’s childhood best friend. John agrees to call Philip and ask if he knows Cal/Jeremy. Wren also removes herself from the case, given her personal connection to the killer.
Jeremy feels out of control, full of rage that his moment was taken from him because Emma was not dead when she was dug up. He goes on the hunt at a bar called O’Grady’s. Towards last call, he scans the bar, settling on a woman in her mid-twenties whom he finds repulsive due to her repositioning her dress in a way that Jeremy finds vulgar. He projects desperation and delusion onto her. He asks the bartender to send her a Cosmo, then approaches her. After a brief conversation, he invites the woman, named Tara, back to his house under the pretense of doing cocaine, after he spots blood in her nose that indicates that she is a regular cocaine user. She agrees and willingly gets in Jeremy’s car. They ride in silence until Jeremy makes small talk with Tara. She is a lawyer but lost her first job after she graduated law school. Jeremy takes the car down a backroad, not quite near his house. He stops the car and says that it’s a nice evening for a walk, and though Tara senses danger, she follows him as he turns on a flashlight and walks into the woods.
Tara continues to flirt with Jeremy, teasing him for assuming that she is not smart because she’s wearing a low-cut dress. She leans in to kiss him, and right before their lips touch, Jeremy tells her to run. Tara thinks that it’s a joke until he pulls his knife out of his boot. She runs into the dark, and Jeremy puts on night vision goggles and pursues her. He taunts her like he taunts all his victims, telling her that fear makes the meat of an animal taste worse. She hides, and Jeremy pelts her with rocks. She begs him to stop, but he catches her and cuts her palm. As Tara screams, the voices of two men call out, offering help. Jeremy panics and grabs her and gags her with his hand. After a moment of consideration, he slits her throat and runs away, leaving her dying body there for the men to find. He knows that they will not be able to save her.
He gets back to his car and screams and cries, upset that he was nearly caught and went into an unknown territory instead of sticking to his careful routine. He drives home listening to loud music, his anger threatening to swallow him whole.
John gets a call from his partner, Will, saying that they have another victim, but this one is alive. Though she is alive, she cannot speak. John and Wren rush to the hospital to see what is going on. Though Wren removed herself from the case, she still wants to be involved, too.
When John and Wren get to the hospital, Will fills them in on the details of Tara’s attack. Two night hunters found her where she had been attacked, and though her throat was slashed, her carotid artery was only nicked, so they were able to save her life. Her vocal cords were damaged in the attack, so she cannot speak while she recovers. The police gave her a paper to write on, and she scribbled the name Jeremy. At the scene, the police found Tara’s receipt from O’Grady’s, pointing them to where Jeremy picked her up. John and Wren go to investigate and see who else saw Jeremy with Tara.
The plot twist is revealed in these chapters through the symbol of The Bracelet, which represents a return to the past. This is a turn in the narrative when the time discrepancy and Wren’s real identity are clarified. The bracelet appears first on Wren/Emily’s wrist in class the night that Jeremy kidnaps her. It reappears on Emma, the buried victim, which confirms Wren’s fears that the man who kidnapped her years ago is the Bayou Butcher. The bracelet also demonstrates Jeremy’s obsessions, highlighting The Dangers of a Controlling Nature. He fixates on it during biology class, he retrieves it when it falls from Wren/Emily’s wrist in the parking lot, and he keeps it for seven years after she escaped, ready to plant it on a victim whom he knew Wren would discover. Jeremy’s controlling nature is also demonstrated by his return to the cemetery the day after the unearthing of his victim to relish in the success, though he is upset about the victim’s temporary survival. This inspires him to spiral into further anger and instability, losing his sense of control—the control of which he works so hard to deprive his victims. His loss of control continues when he kidnaps and attempts to murder Tara, demonstrating his character devolving further into raw, murderous impulse.
The symbol of The Bayou is complicated when Jeremy kidnaps Tara. He takes her to the woods instead of his familiar bayou, which results in him being interrupted as he hunts her. This throws him off kilter and strips him of his comfortability with his process. As he is not in the bayou, he is not familiar with the terrain, and he loses his familiarity with death, which leads in the following chapters to the discovery that he failed to kill Tara. The shift of setting adds nuance to the symbolism of the bayou and demonstrates further the connection that Jeremy has with the bayou and its importance to the success of his plan. When he deviates from that plan and lashes out on impulse, he places himself at risk of capture by the police. His betrayal of the bayou, and his move away from his Bayou Butcher moniker, results in a failure to connect symbolically with death and complete Tara’s murder.
Since the duality of her identity is revealed, Wren’s emotions become more apparent, especially as it pertains to The Pursuit of Justice. She wants justice for the victims, but she also wants justice for herself. Her character evolution over the past seven years is revealed through Wren’s free indirect speech as she examines Emma’s body. She used to blame herself, but she learned to survive and move on. Now she is dragged back to the past through her bracelet. The symbol of The Spine reappears as Wren recalls how Jeremy missed her spinal cord, failing to paralyze her and failing to take full control over her. Though she had limited vision and was stabbed deeply, she was able to survive and rebuild her life. The Bracelet reminds her of the scared woman she once was who needed help and was ignored by the justice system, and this motivates her to work harder than ever to find real justice for herself, Katie, and Jeremy’s newest victims.
The reveal of Wren’s identity also marks a shift in the narrative structure of the text. The shift in perspectives transitions from being between the past Jeremy and the current Wren. Their timelines sync up, which gives the story a more frantic pacing, as the structure conveys that the pair is converging. Urquhart raises the tension surrounding Wren’s ability to find and stop Jeremy, especially as it is now abundantly clear that Jeremy is playing cat and mouse not with the police, but with Wren herself.