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51 pages 1 hour read

Jodi Picoult

The Book of Two Ways

Fiction | Novel | Adult | Published in 2020

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Symbols & Motifs

Superstition

According to Dawn, her mother “lived and died by superstitions” (9). Dawn’s mother “put safety pins in my clothing to ward off the evil eye, she taught us never to whistle indoors and if we left the house and had to come back in, we were to look in a mirror or our luck would turn” (49). Dawn mentions her mother’s superstitions often, usually with gentle humor, but without really believing in them. However, there are times in the story when Dawn is threatened by a loss of control and falls back on superstition. Picoult uses superstition to highlight how one reaches for control in situations, like plane crashes, where none is possible. 

Dawn and her brother gently mock their mother’s superstitions, and yet, when Dawn is pregnant, she resorts to them: “I slipped a newly minted penny in each shoe. I slept with a knife under my mattress, to keep away evil spirits. I went into labor two weeks early, but all my superstitious behavior paid off” (138). Dawn believes that carrying superstitions helped Meret to have a successful birth. Earlier, when Dawn moved into Brian’s house, she “hid a baby shoe in the insulation, to ward off evil” even though she “thought it was ridiculous” (201). When something is important enough to her, she falls back on superstition to create a sense of control.

Even Brian, Dawn’s very literal physicist husband, has the feeling that, somehow, his angry thoughts about her caused the plane crash. Dawn is “stunned that scientific, methodical Brian could believe, even in passing, that his dark private thoughts had anything to do with an airplane malfunction” (373). By showing even Brian to be susceptible to superstition, Picoult highlights the ways humans will reach for control, even in the face of their own beliefs.

Book of Two Ways

The Book of Two Ways is a map through the afterlife that highlights “the blue water and black land routes through the Netherworld. The crimson line between them, a lake of fire” (30). Throughout the novel, the Book of Two Ways acts as a metaphor for Dawn’s own journey through her past and into her future. This is reflected by the titles of the chapters themselves, “Land/Egypt” and “Water/Boston.” In this way, Picoult draws a direct connection between Dawn’s own life and the Book of Two Ways.

When Dawn is in the plane crash, literally midway between her lives in Boston and Egypt, her position is mirrored by the fire of the crash: “I have sunk into the lake of fire, between the two routes of the Book of Two Ways” (354). Dawn equates the aftermath of the crash with the fire that separates the Land and Water routes, continuing to use the map as a way to think about her life.

The Book of Two Ways also connects to Dawn’s two careers as Egyptologist and death doula: “I remember that what fascinated me most about the Book of Two Ways was how comforting it would be to have a map to reach the afterlife. Even the Ancient Egyptians recognized that knowledge was the difference between a good death and a bad one” (211). The Book of Two Ways connects the two separate areas of her life, Egypt and Boston, and brings her past into her present.

Golden Wyatt

Dawn often uses imagery of gold and royalty when she describes Wyatt, a symbolism that remains constant, even as her view on him changes. When they first meet as students, he seems to be the chosen one of the program and confident in that position. While she feels as though she has to struggle, everything comes easily to Wyatt: “I noticed that the light Harbi had been trying too hard to catch for me touched Wyatt’s hair effortlessly, like a benediction” (42). Later, she will realize that his confidence is a facade, masking a deep sense of insecurity about their competition. By then, Dawn has fallen in love. Although the same imagery continues to symbolize Wyatt to her, it is now because of her love for him. 

When Dawn sees Wyatt again, 15 years later, nothing has changed for her. The first time she sees him she says: “All the remaining light in the room is drawn to his hair, still gilded, a crown for a prince” (46). As she watches Wyatt on the phone, he looks “regal and demanding, the sun anointing him, frustration billowing out behind him like royal robes” (231). From the time she first meets him to seeing him again 15 years later, Dawn sees gold and royal imagery as reflective of Wyatt’s character. Picoult uses this symbolism to emphasize Wyatt’s impact on Dawn and her attraction to him; Picoult uses the same imagery 15 years later to show that Dawn’s reaction to Wyatt remains the same.

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