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Lawrence HillA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
The crossing takes nearly two months, and as they sail into St. Georges Bay on March 9, 1792, Aminata recognizes the mountains—Sierra Leone means the “Lion Mountain,” because the range resembles the “lion’s back and head” (375). She realizes that, thirty-six years earlier, she had left Africa from this very place. She is in Africa, but she is still not home. Instead she is near Bance Island, “a hive of slave trading” (377). And even if she does make it to Bayo, people will ask where her husband and children are. She fears having to “confess that in the land of toubabu, I had managed to save only myself” (376).
The Nova Scotians are dismayed to discover their new colony is located near Bance Island. Clarkson explains that there were few choices for land. He assures them they will thrive there, and be free. But when a slave ship passes by, and its captain gives them supplies, Aminata stares transfixed at the enslaved Africans. Thomas Peters, who is among the colonists, demands to know why Clarkson does nothing to stop the slave ship. Clarkson insists he has no power over the slave trade here, as he had warned at the start of their journey. Aminata understands that “nothing would be simple” in this enterprise, and it is best to be practical (379).
On the third day, with no plan for getting people off the ships, Clarkson receives a visit from King Jimmy of the Temne people, with whom the British have negotiated for land. The King will not talk to the black people, only to Clarkson, and, grudgingly, to Aminata. He sends his men to help the colonists disembark. Clarkson names the colony Freetown and remains to help them get settled. Amidst some grumbling that Company men will govern their colony, the people get to work. They clear land, empty the ships’ stores, and build homes. The Company supplies everything. They own all the resources, and “they even seemed to own us,” Aminata thinks (383). They must not to leave Freetown, since the Company cannot protect them from hostile tribes or slavers.
Aminata worries that she will “never feel truly at home again until [she] found [her] way back to Bayo” (386). But her own dreams must be deferred for the good of Freetown. For now, she learns some Temne words to communicate with the natives, who view her as an outsider. Within a month, the colonists have built dwellings for all, a church, and a few Company buildings; within two months, a basic town arose. On behalf of the Nova Scotians, Thomas Peters demands the Company provide the land grants that were promised so that farming can begin. Instead, the Company insists the blacks fortify the towns and build more office buildings.
Distrust and anger begin to rise, but Aminata sees this phase of her life as “nothing more than a stepping stone” (387). The Temne never integrate with the colonists as she had hoped. Instead, European naval and trading vessels abound, so the colony becomes “an unlikely mix of Nova Scotians, Africans, British officials, and sailors on leave from their ships” (388). To her dismay, the crews of slave vessels come to Freetown to socialize, which Clarkson claims is inevitable. He and Aminata have a respectful relationship, and when her work is done, they often sit together, reading in companionable silence. Aminata knows that being in Africa cannot “bring back all the people [she] had lost” (391), but her longing for her daughter is less intense here: it is impossible that May is in Africa.
The Company has promised free provisions for a time, but within a few months they have provided only half of the rations and demand labor in exchange for the rest. They then charge exorbitant rates for supplies, but do not provide enough paying jobs. Aminata teaches at the Company school and makes a meager income from midwifery and healing. The Temne, in the meantime, pressure Clarkson to pay the for the use of their lands. The free blacks have now realized that the Temne had sacked the previous colony. The current peace is a fragile one, but despite the looming threat, Aminata dreams of making an “overland journey” to Bayo (393).
The Temne consider Aminata “a toubab with a black face,” not an African (394). Aminata now feels a loneliness she has not felt since she first arrived in America. The influx of slaving ships continues, and one day African slavers drive a group of captives through Freetown itself, which Clarkson had promised would never happen. Aminata, Peters, and others confront the slavers, who insist King Jimmy granted them the right to pass. It is his land, they claim. On the dock are Nova Scotians, armed Company men, thirty captives, and six African slavers. Neil Park, Clarkson’s second-in-command, tries to negotiate, but he tells the Nova Scotians to desist. They “cannot save the slaves” or war will break out with the Temne (398). When Peters grabs a slave, one of the African slave traders stabs him with a sabre. Aminata holds him as he dies, telling him, “You led us to freedom, Thomas Peters. You led us to Africa” (399). Scot Wilson, a black settler, aims his own musket at the African slavers, and is shot by the Company men. The British then hold the Nova Scotians back as the slavers load their captives and sail away.
The deaths of Wilson and Peters bring despair to the colony. At a private memorial, “speaker after speaker condemned the Company for siding with the slave-traders” (402). Some call for an armed rebellion against the few dozen Company men in Freetown. When the Company men come to pay respects, Aminata meets Alexander Falconbridge, a navel surgeon who had worked aboard slave ships. He then turned against slavery, and publically denounced the slave trade. He is haunted by his experiences and has written an anti-slavery tract, which he gives Aminata. He offers to help her go back to Bayo, but it involves going through Bance Island because travelling inland is too dangerous. She considers his offer, as she has made little progress convincing the Temne to help her. Aminata also befriends Alexander’s wife, Anna Maria, who gives her a book written by a former slave, Olaudah Equiano. Anna Maria encourages her new friend to write her life own story. One day, while having tea together, they debate the history of slavery. Anna Maria tells Aminata how the English justify the slave trade: they insist the Africans were enslaving each other before Europeans joined the trade. Aminata rejects this argument but she enjoys their frank discussions.
Aminata tries for another year to persuade the Temne to take her to Bayo. Making no progress, she accepts Alexander’s offer. She dons European garb for the trip, and “the clothing helped [her] feel as far removed as possible from the skinny, naked girl who had been penned and branded in the Bance Island slave pen some forty years earlier” (412). Once there, they are greeted by William Armstrong, second-in-command of all the English forts. The “white castle”—i.e., the fort—is as magnificent: luxuriously furnished and staffed by African servants (413). Aminata is distraught when she accidentally sees captives in their pens. Armstrong apologizes—he had not intended for his guest to see these horrors. A debate ensues about the evils of the slave trade. Armstrong asks whether the “experience was so terrible,” and he claims they do not brand the captives (421). To make her point, Aminata shows him her branded skin, and he is dumbstruck: the letters are “G” and “O,” he says, and stand for Grant and Oswald, the founders of the company that runs Bance Island (422). Armstrong warns her that the trip to Bayo will be dangerous, but she is resolute. He takes her to meet the “great Fula trader” (424), Alassane, who sells captives in exchange for goods. Aminata asks him to take her to Bayo. She speaks to him in Temne, for she does not trust him and she does not want him to know she speaks Fulfulde. He will consider her offer, he says. Back in Freetown, Clarkson tells he is returning to England. He asks Aminata to come too: the abolitionist cause needs her. She is touched, but explains that she must return to Bayo. Clarkson is terrified and tries to dissuade her, but she convinces her friend that she must go home. And if she does make it, she “expect[s] to stay” (428).
In September 1800, Aminata prepares for her inland journey to Bayo. It has been six years since her visit to Bance Island with Alexander Falconbridge. In that time, Freetown has seen an armed rebellion put down by Jamaican Maroons brought from Halifax by the British. But the colony still thrives and is attracting an increasing number of Africans, including escaped captives. Freetown’s Governor lends her a small boat, and she is accompanied by Anna Maria and Alexander Falconbridge, as well as Daddy Moses, Debra, and Caroline, the baby she delivered. Anna Maria begs her friend not to go. Aminata bids her friends farewell, believing she will never see them again. Alassane arrives with ten canoes and a load of captives he trades to Armstrong. “I return home,” she says to him, and he replies “alhamdidilay” (God willing) (432).
The journey is exhausting, but the men treat her respectfully. She is protected and well fed. She catches a fever but cures herself with the herbs she brought along. One night, she overhears Alassane and his men speaking in Fulfulde: they are plotting to sell her to slavers as soon as possible. Aminata knows in that moment that she will “never make it back home” (439). She begins planning her escape, studying the route they take and the villages they pass. The next day, despite feeling ill again, she slips away in the night. She walks for three days, hiding during the day and walking only in darkness. She disguises her tracks, as the men are expert trackers. On the afternoon of the third day, she sees a goatherd and collapses at his feet, begging for help. He speaks Fulfulde. He carries her to the village where she is allowed to rest and recover in a tent. A tiny girl peeks in at her, and they learn they share the same name. When the little girl leaves, the elder Aminata decides she will dedicate the remainder of her life to stopping the slave trade. She realizes that freedom is worth fighting for: “Bayo I could live without. But for freedom, I would die” (443).
The villagers care for her, but they have many questions. They ask her to prove she has lived with whites, so she reads to them from a slave narrative. They ask about her husband and children, and about her family in Bayo. With Youssouf, the village elder, she discusses her desire to leave Africa, despite the fact that he and his people had saved her life. He asks her to stay and be his wife. She must convince him to help her, or she will be unable to leave. She says she will stay “for one revolution of the moon” (446) to tell stories of her life. The visitors from surrounding villages bring gifts and she tells her stories. Although she never makes it home to Bayo, for one month of her life, she becomes the village storyteller, the djeli, just as she had always wanted. After she recovers from the fever, she helps the women plant the millet fields, and makes indigo with them. She asks about hiring a guide, and makes a startling discovery: “It was almost impossible to get into Africa, but easy to be taken out” (447).
The year is 1802, and Aminata is travelling to England aboard the Sierra Leone Packet. In the past, she never imagined coming to England to stay, only as a stepping stone to get to Africa. Now, she is “tired and old,” and she knows she is “crossing the ocean one last time” (448). In the port of Gravesend, she is met by John Clarkson, whom she has not seem in eight years, and his brother, Thomas. All around her are poor white people, whom she had forgotten about. The whites in Freetown had all been Company men or their wives, and they lived in luxury. Here, there is death and decay everywhere.
The brothers take her directly to the offices of the Committee for the Abolition of the Slave Trade, where twelve men eagerly await her arrival. Sir Stanley Hastings introduces himself and declares his plans to write Aminata’s life story. But she is tired and still ill, so Clarkson insists on taking her to his house to recover. She longs for family, and “despite [a] life of losses,” the “loneliness” of London is unlike any she has ever experienced (452). The English climate and the food are unappealing to her. She especially misses the fruits and vegetables of Sierra Leone and writes to Debra to send her spices. She wants to meet other black people, so she corrals Dante, the Clarkson’s black butler; but he tells her he is under strict orders to keep her away from black people. As always, Aminata wonders if May lives among them, but she knows her daughter could be anywhere on earth.
At the next Committee meeting, she rebukes the committee members for isolating her from other blacks. She declares her intention to write her own story, cutting off Hastings when he suggests they will guide her. They strike a bargain: she will write her own story, but they will deal with the press. She promises not to speak publically until they can present her story to the British Parliament. She writes “on and on…with no end in sight,” as the abolitionists squirm with impatience (457). The slavers had already made their argument to Parliament in favor of continuing the trade, claiming they are “rescu[ing] Africans from barbarity in their homelands” (457). The abolitionists urge Aminata to hurry, but Hastings defends her, urging their patience. She gives William Wilberforce, the only Committee member who is also in Parliament, fifty pages of her manuscript, and he begins preparing his report.
The day comes for Aminata to testify before Parliament. Ten committee members, Wilberforce among them, are facing her as she sits alone at a long table. The two-hour testimony is exhausting. Afterwards, she must show the brand on her body to members of the press. She thinks longingly of the days when she told her stories to the villagers in Sierra Leone. That joyful affair was punctuated by “laughter and interjections, and she had felt “as if [she] were surrounded by family” (460-461). The next day, the newspapers are full of her story. In the days that follow, she receives requests to speak in public, and she accepts as many speaking engagements as she is able. Clarkson says she has “eclipsed every member of the abolition committee,” except perhaps Wilberforce himself (461). As if to confirm his words, a letter arrives: it is an invitation from King George III to come to tea.
For weeks, people line up outside the committee offices, waiting to meet Aminata. In the crowd, she glimpses a “beautiful young African woman,” about eighteen years old, with “dignity and an upright bearing” (462). As always, Aminata has never ceased to scan the crowd, “hoping for the impossible” (462): to find her daughter. But today there is no time to wonder, as she is whisked away to Buckingham Palace, accompanied by Wilberforce. A white servant brings her tea. There is no sugar present, in deference to the cause of abolition. When Queen Charlotte Sophia takes her hand, she speaks Aminata’s African name. She is the “first white person to use it on first greeting” (464).
That evening, while recovering from her public duties, Aminata receives a visitor. It is the young woman who was waiting in line to meet her that morning. She has “cheeks smooth like ebony,” and though she has no telltale decorative scars, “she looked like someone from my village of Bayo” (465). It is May. They fall into an embrace and do not leave each other’s side for two days. Aminata learns that May has always been searching for her. The Witherspoons had told May she was abandoned, but May always remembered her mother. She was stubborn and when she would not stop screaming for her mother, they would lock her in her room at night. They made her their servant but did not pay her. One day, May ran away, and a black preacher took her in and raised her with his children. May worked hard and saved money for an education, eventually becoming a teacher of black children.
Aminata visits the school where May teaches. Reporters follow her every move. She is asked to speak at schools, both black and white, as well as libraries and churches. She goes everywhere, telling her story to anyone who will listen. When her fever returns, May nurses her mother back to health. They move into nice lodgings paid for by the abolitionists. Clarkson visits in 1805 to bring Aminata a new map of Africa and to report that the cause of abolition is advancing. She asks him to take care of her daughter when she is gone, as she knows she does not have much time left. He promises to help “put [May] on a solid footing in life” and Aminata is satisfied (468).
May’s school receives so many donations that they are able to admit more children, including poor white children. May renames the school “Aminata Academy” and her mother is known as the “grand djeli” of the school; she is thankful that every student knows that the word means “storyteller” (469). Every Friday morning, Aminata visits to relate stories of her life. She shows the children a map, points to Bayo, then to London, and proceeds to fill in the missing spaces in between.
Aminata is slowing down now. She no longer leaves the house and she is napping more. She is starting to lose “track of the days” (470). She learns that May is getting married to a kind man who is also a publisher. He will help tell her story. May has also found a cartographer who will include a map with the memoirs. As May leaves to witness Wilberforce’s motion in Parliament to end the slave trade, she kisses her mother on the forehead. Wilberforce is expected “to win this time” (470). The novel ends with Aminata’s words of farewell: “They can wake me with the news, when they come home” (470).
Sailing into port in Sierra Leone, Aminata sees that the flag is “two clasped hands, one black and the other white,” (376) a virtuous ideal of racial harmony that is never truly realized in this faraway place. As if sensing this limitation, Aminata tries to recapture her African roots. She knows the Temne “did not see [her] as one of them and…they never would” (386), but she learns some Temne words, in order to connect with them. She believes that the “most natural way to feed that sense of kinship was to learn their language” (386). Though they do not see her as African, neither does she see herself fully that way. She wonders “who exactly I was and what I had become” because of all of her migrations locate her in between various identities (386).
Just as she and many of the other blacks seem to possess liminal identities, so too does the new colony of Freetown. Residents must not go outside the colony, Clarkson tells them, so instead they build walls to keep themselves safely inside. Aminata worries that Freetown is “[n]either one thing nor the other” (384), not Nova Scotian, but not African, either. Similarly, she is also “neither one…nor the other, ”and her identity is indefinable (384).
Clarkson is trying to keep all the colonists safe. But no matter where she is in the world, Aminata and her people are subject to danger, as she explains: “I concluded that no place in the world was entirely safe for an African, and that for many of us, survival included perpetual migration” (385). The novel complicates the theme of migration, however, for as much as disparate Africans are bound together literally and figuratively, Africans harm other Africans in this novel. When Aminata tries to go home to Bayo, she falters. But the very people who threaten her—Alassane the slave trader—are other Africans. Not only that, but they are Muslims just like her.
As she watches Alassane and his men pray, she wonders “how a person who considered himself a good Muslim could treat other humans in such a way, but it occurred to me that the same question could be asked of Christians and Jews” (434). Yet, when they pass a slave coffle, she is “silent and unable to act” (435). Alassane asks her if she prays to Allah, and she answers, “I have my own prayers, ”but she does not reveal that she used to be a Muslim (436). Right after this conversation, she goes to sleep and overhears the men plotting to sell her to slave traders. She is thunderstruck, lamenting, “The man-stealers planned to sell me after all” (439).Thus, the “Muslim” (434) has morphed into a “man-stealer,” (439) in an alliterative and symbolic iteration.
This betrayal only makes her more determined. It echoes the earlier betrayal when she was first sold into slavery, and symbolically reinforces that the stain of slavery covers all its participants, black and white, African and American-born, Muslims and unbelievers, Christians and Jews, British and American. When she finally escapes Alassane, she finds herself in a remote village, and a little girl with the same name peeks at her. This is the third Aminata in the novel: the second Aminata is Sanu’s baby, who is thrown overboard on the Atlantic crossing by Fanta. That baby does not have a chance, yet this Aminata not only lives, but thrives, in her village. She asks the elder Aminata whether she is a toubab, or white person, and Aminata replies, “Do I look like one?” (441).The girl does not know, for she has never seen a white person. Yet, somehow, she senses that the elder Aminata is different, despite her black skin. In this chapter, entitled “Toubab with black face,” the elder Aminata is neither one thing, nor the other. These iterative Aminatas function symbolically to connect black people, but also to highlight their differences. Black skin does not, ultimately, equal sameness. When Aminata helps the ladies of the village plant millet and harvest indigo, they give her a gift of cloth, which she uses to dress as they do. But she is not African anymore, despite dressing like them.
At the end of her time with the villagers who rescue her, Aminata becomes their resident storyteller. To prove she can read and speak “the language of the toubabu,” she must read a book written in English. She chooses the book written by the now-famous Olaudah Equiano, which was a gift from Anna Maria. It is significant that she has chosen to prove her knowledge of English not by reading a book by a European, but rather a slave narrative. His story transcends culture and race, even as it seeks to uplift his people and recognize their suffering.
The title of Chapter 21, the novel’s final chapter, returns to the theme of storytelling. Aminata becomes a djeli in the African village of her rescuers, a joyful experience that felt like “being surrounded by family” (461).Now in London, she must become the “Grand djeli” of London, the representative of all enslaved people, the speaker for their sufferings. But as she looks around London on the day of her arrival, she realizes that she has forgotten about the poor whites. Aminata believes that human suffering is a universal experience. That is why the story of Exodus exists in the faith journeys of all three major religions, but as Biton reminded her aboard the slave ship, unbelievers suffer, too. Who is to blame for this suffering? The novel does not ultimately answer that question, though the link to currency reminds us that capitalism knows no boundaries in the new and old worlds.
At the close of the novel, Aminata proclaims, “I am finally done. My story is told” (469). By testifying before the British Parliament, she has helped advance the cause of abolition, and has helped Wilberforce to end the slave trade. But slavery itself has not been abolished, so the victory is incomplete. Aminata knows she will not live long enough to see this injustice rectified. John Clarkson tells her “One step at a time,” but she urges him to “hop with two steps…. Children do it. So can you” (468).
Nevertheless, the novel concludes with a tone of victory, albeit an incomplete one. May’s school is renamed “Aminata Academy,” and she becomes known as the school’s “grand djeli” (469), visiting once a week to give geography lessons. She unrolls a map of the world, and puts one finger on Africa, near Bayo, and the other on London. She tells the children about each place, and she goes on to fill in the blank spaces in between, thereby completing the maps of older days that were filled with blank spaces and ridiculous drawings. At the very end of the novel, we learn that May has found a publisher for her mother’s book, as well as a cartographer who will work to fill in the geographical details. Aminata says, “I would like to draw a map of the places I have lived,” and she “would like to put Bayo on the map,” unlike the cartographers of old(470).But she has already “put Bayo on the map” by virtue of telling her story(470).
The very last word of the novel is “home,” (470) literally referring to the return of May and her fiancé, who have gone to witness Wilberforce presenting his proposition to Parliament to end the slave trade. Many people believe that “he will win this time,” (470), and as the novel closes, Aminata awaits the good news.
By Lawrence Hill