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25 pages 50 minutes read

Anton Chekhov

The Bet

Fiction | Short Story | Adult | Published in 1889

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Themes

Theoretical Knowledge Versus Experience

The question about capital punishment versus life in prison is based on an abstraction none of the guests have experience with. These young men don’t have much life experience, and they base their opinions on their theoretical knowledge—their understanding of morality, the role of the state, and the speed at which one punishment or the other may kill a person. The banker mentions the term a priori, which means based on theoretical deduction rather than empirical observation. (Its opposite, a posteriori, implies that knowledge is derived from experience and observation). “[If] one may judge a priori,” he says, “capital punishment is more moral and humane than imprisonment” (336). He acknowledges that he lacks the experience to decide but still expresses his opinion based on what he believes to be true. Chekhov doesn’t tell us the banker’s age, but it’s safe to assume that he’s older than the lawyer because he calls him “young man” (337) and, by the end of the story, the narrator describes him as “old” (339). He tries to make the lawyer reconsider his decision to enter the bet by arguing that he risks losing some of the best years of his life. He appeals to the lawyer’s reason (“Come to your senses”) but the lawyer follows his initial impulse (337).

During his confinement, the lawyer gains empirical knowledge of the concept that, for him and the other party guests, had only been an abstraction. Ironically, what becomes theoretical for him now is ordinary life. Deprived of his freedom and all human contact, he comes to learn about the world by reading thousands of books. Following a tendency to let his characters fail, Chekhov builds upon the lawyer’s first mistake (his impulsiveness and belief that theoretical knowledge was enough to predict his experience in confinement), to allow him to make a new mistake. The lawyer claims that, through his reading, he can replace the lived experiences of which his confinement deprives him. He uses active verbs such as “drunk,” “sung,” “chased,” “loved,” “visited” and “climbed” to describe all the things he did in the books the banker sent him (341-42). He claims to have become wise and more intelligent than other men without having lived any of those experiences. Chekhov explores a theme that occupied writers before and after him, from Miguel de Cervantes in the 17th century to Jorge Luis Borges in the 20th century: the dichotomy between a life lived through books and one lived through experience.

The banker renounces life as “paltry, fleeting and illusory” without having an empirical knowledge of it (342). Though Chekhov leaves it up to readers to decide whether the lawyer has become wise and embrace his cynical view, Chekhov’s approach to life through his writing celebrates, rather than denies, life and the human condition.

Confinement Versus Freedom

The lawyer’s 15-year imprisonment serves as a metaphor for other forms of confinement. Both characters are trapped by their sense of pride and the impulses that lead them to pointless behavior. Contemporary readers may find it hard to understand the two men’s need to keep their word, but in Chekhov’s time, it would have been easier to accept that the men don’t want to go back on their word. While the trap of a code of honor is easier to accept within the story’s historical context, even Chekhov’s contemporaries could presumably tell that the lawyer and the banker were trapped in their author’s theater of human folly.

The lawyer’s attempt to transcend the confinement of his jail by reading books points to the theme of prison literature—the idea of “traveling” outside the prison through knowledge. Yet, if incarceration often results in a form of self-improvement or self-realization, in this case the lawyer still appears trapped in his mental confines and continues to make mistakes. The lawyer is trapped by his self-imposed obligation to remain jailed by the banker. The banker, in turn, is trapped by his obligation to continue to jail the lawyer. In the process, both men start losing their humanity, the lawyer because he adopts a cynical and ascetic view of the world, and the banker because he enables his captive’s self-inflicted punishment.

The strict rules of the agreement drawn to regulate the lawyer’s confinement point to the characters’ self-inflicted despotism. Just as the lawyer cannot leave the cottage or communicate verbally with anyone, the mental confinement to which the two men submit themselves is absolute. The banker is confined by his social status so much so that he decides that “[the] only salvation from bankruptcy and disgrace is—this man’s death!” (340). The lawyer is confined by the belief that he knows better (first, better than the banker; later, better than all of humanity). Caught by the need to prove he knows better; he even raises the terms of the banker’s initial bet by ten years. When he renounces the two million rubles, he explicitly states that he will deprive himself of his right to the money, showing that he continues to be trapped in a confinement of his own making—his need to prove his superiority.

In the end, the banker locks the lawyer’s renunciation letter in a safe. Confinement appears now as a small-scale replica of the larger forms of imprisonment present in the story, one that points to the characters’ inherent incapacity to set themselves free.

Life and Death

While the theme of life in prison versus capital punishment may be central at first glance, the discussion around this topic becomes absorbed in the larger theme of life versus death. Just as there is no true winner of the bet, there is no resolution as to which form of punishment is more appropriate. Is death preferable to life in confinement? The story doesn’t offer definitive answers to those questions, and readers must decide if the lawyer’s transformation is preferable to his demise. The unraveling of this dilemma becomes more compelling as the intentions and actions of the men come into focus.

Chekhov invites readers to consider life versus death by introducing the image of the lawyer as a man who, after living 15 years in isolation, no longer looks “like ordinary people” and is “a skeleton covered in skin” (341). The banker realizes that isolation has changed the lawyer to the point of making him look half-dead. His murderous plan becomes easier as if the lawyer’s decrepitude could justify the killing: “All I need to do is take this half-corpse, throw him onto the bed, and gently smother him with a pillow” (341). But the piece of paper in front of the lawyer contradicts the spectral image: the lawyer has found in books a substitute for life, a life to be scorned but life nevertheless.

Part of the knowledge the lawyer has acquired is the realization that death is the common denominator of all of humanity: “death will wipe you from the face of the earth the same cellar mice” (342). The realization of the finite and illusory nature of life leads him to reject life and embrace a despairing attitude, but since the lawyer has also embraced the study of religion and the Bible, his despair is of a peculiar sort—one that includes God.

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