51 pages • 1 hour read
Sylvia PlathA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Joan tells Esther that her trouble started with a summer job that gave her bad bunions and made her feel terrible. She quit her job, isolated herself and contemplated suicide. She was sent to a psychiatrist who allowed several medical students to observe her and referred her to group therapy, which she found insulting and ridiculous. After leaving his office she saw an article about Esther in the local paper. She shows Esther several newspaper clippings chronicling Esther’s disappearance and rescue. Inspired by Esther’s suicide attempt, Joan went to New York and thrust her arms through a window.
That night, Esther wakes up in the midst of a physical reaction to her insulin treatment. She feels better but by the time she sees Dr. Nolan again the improvement is gone. Dr. Nolan informs her that she won’t be having any more visitors for a while, which makes Esther happy. She hates visits, because she knows her friends and family are comparing her to the girl she was before the bell jar descended. She especially hates visits from her mother, who always begs to know what she did wrong. It’s Esther’s birthday, and earlier that day her mother brought her a bouquet of roses, which she dumped in the trash. Esther tells Dr. Nolan that she hates her mother, intending to shock, but Dr. Nolan looks satisfied.
Esther is moved to Belsize, the ward for women slated for release. Esther is confused because she doesn’t feel she has improved, but relieved to leave the threat of shock treatments behind. Joan is at Belsize. Esther thinks of Joan as “the beaming double of [her] old best self, specially designed to follow and torment [her]” (205).
The women at Belsize are stylish and chatty. Esther watches them quietly, feeling insecure. Joan fits in with the sociable women, treating Esther with slight condescension. In the living room, Joan shows the other women a picture of Esther in a fashion magazine, but Esther denies that it’s her. The night nurse joins them in the living room and tells them that during the day, she works at a state hospital that is understaffed and overpopulated. Esther feels as if the nurse is warning her that she only has two options: get better or fall back down the rungs of the system all the way to the state hospital.
The next day the nurse on shift doesn’t bring Esther breakfast. Esther assumes she’s made a mistake, but the nurse tells her that she will be getting her breakfast later. Esther knows what this means: the only patients ever denied breakfast are the women receiving shock treatments later in the day. She feels betrayed by Dr. Nolan, who didn’t warn her about the treatment like she promised. Dr. Nolan tells her that she didn’t want Esther to be awake all night worrying. She promises she will be by Esther’s side the whole time to ensure that the treatment is done correctly. She accompanies Esther to the electrotherapy room, where a tall nurse named Miss Huey talks to her soothingly as she sets up the treatment. When the first shock hits her, Esther immediately passes out.
Esther wakes to find Dr. Nolan waiting for her. Dr. Nolan brings her back to Belsize and tells her she will receive treatments three times a week until she feels better. The bell jar has lifted and hangs suspended above her head, letting in fresh air.
Esther cracks her breakfast egg with a knife. She thinks that she used to love knives, but when she tries to remember why her mind unmoors and “[swings], like a bird, in the center of empty air” (216). She watches Joan and another patient named DeeDee sitting at the piano and feels sorry for both of them because they can’t keep men interested in them.
Buddy Willard writes to both Esther and Joan. Joan tells Esther that she never liked Buddy much but loved his family. She used to visit them all the time but had to stop once Esther started dating Buddy. Esther recalls that that morning, she’d caught Joan and DeeDee in bed together. She is both fascinated and repulsed by Joan, who is similar enough to herself that she seems like “a wry, black image” of Esther (219). In her therapy session that afternoon, she asks Dr. Nolan what women see in other women that they can’t see in men. Dr. Nolan replies, “tenderness” (219).
Joan tells Esther that she likes her more than Buddy. Esther thinks of all the eccentric women, like Philomena Guinea and Jay Cee, who want to care for her and mold her into their image. She retorts that Joan makes her want to vomit and leaves the room.
With Dr. Nolan’s permission, Esther gets fitted for a diaphragm. She hates the thought of being forced under a man’s control by having his baby but feels guilty for her lack of maternal instincts. With the diaphragm in place, she feels free, and decides to find a man to sleep with.
Esther begins making progress toward recovery under Dr. Nolan’s care at the private hospital, which operates to much higher standards than Esther’s original facility. Dr. Nolan’s compassionate approach contrasts with Dr. Gordon’s flippant one. Although Dr. Nolan prescribes Esther electroshock therapy, she makes sure Esther is as comfortable as possible and sees to it that the treatment is administered with care. Under Dr. Nolan’s direction, it works as intended, and the symbolic bell jar of Esther’s depression lifts a bit to let in fresh air. The treatment is not perfect, however. In its aftermath, Esther’s mind feels blunted; she can’t think about knives, which used to fascinate her. This moment is symbolic of a larger dynamic. In order to recover, Esther has to sacrifice some of herself.
Esther takes to Dr. Nolan immediately. She is a shining example of a young, independent woman who is career-focused and successful in a male-dominated field, the kind of woman Esther looks to for guidance and hopes to one day become. Despite her rejection of traditional femininity, Esther is mildly put off by the other unconventional women in her life—Doreen, Joan, Jay Cee, and Philomena Guinea. She finds some fatal flaw in all of them that sets them apart from her. She finds no such flaw in Dr. Nolan, and casts her as a stand-in mother figure. Dr. Nolan provides Esther the guidance and understanding that Mrs. Greenwood cannot give, and she also is the one to help make Esther well. As she grows closer to Dr. Nolan, Esther is more vocal about her disdain for her mother. Her anger, when compared to the dull numbness of before, is a sign of progress.
The character of Joan Gilling provides a medium for Esther to explore her identity. Distorted and unrecognizable reflections have haunted Esther throughout the novel, and Joan is the ultimate culmination of this symbol. Looking at the woman who shares many life experiences with her but seems to be outpacing her in recovery, Esther feels like she’s seeing a mocking reflection of the girl she used to be before her descent into depression. She viciously picks out Joan’s flaws, both to make herself feel better and because she sees her own disdained self in Joan. Having Joan as an extension of herself allows Esther to symbolically come face to face with the concept of identity.
Esther’s reaction to Joan and DeeDee’s relationship shows that she has internalized some of the same conservative and patriarchal standards she is subjected to and holds them over others. Witnessing their encounter, which would have been extremely illicit in the 1950s, disturbs Esther, and she is consequently brash to Joan. This moment reminds us that Esther is both a victim of and a participant in an unfair society.
Dr. Nolan fills a motherly role by providing Esther with the prescription for a diaphragm, an early form of contraception. Securing a method of birth control symbolically frees Esther from one of the forms of patriarchal control over her body. She no longer has to dread an accidental pregnancy which would open up the “windowless corridor” of pain in her body (66). After halfheartedly trying to lose her virginity several times, Esther finally seems ready to go through with her plan.
By Sylvia Plath