58 pages • 1 hour read
Olivie BlakeA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Gideon Drake is in a dream realm, accompanied by his roommate, Max, who takes the shape of a black Labrador. He has never met another medeian like himself, a magical creature capable of walking through others’ dreams, easily crossing the line between subconscious and conscious. He misses Nico but has become accustomed to his absence over the past year. When they first met in the freshman dorms at the New York University of Magical Arts (NYUMA), Gideon thought Nico might be a creature hunter, or someone sent by his mother, Eilif, a mermaid. Nico, however, seemed to immediately understand Gideon’s power.
As he crosses the dream realm with Max, Gideon feels them getting closer to Nico. He slides through the sand at his feet, through a sky into another desert. Getting past the Alexandrian Society’s protective wards is always tricky. Although Gideon can’t die in a dream, he can feel pain, which he does as he falls into an empty room. Nico is there, and Gideon tells him that he’s close to finding Libby.
The narrative states the novel’s titular paradox: “Your capacity for power increases exponentially in relation to the actual power you have gained; thus, to gain power is to be increasingly powerless” (16).
Libby’s ex-boyfriend, Ezra Fowler, has left her a room that’s fully supplied with clothing, indicating that she’ll be there for some time.
Ezra thinks that Libby will forgive him, but even if she doesn’t, it’s worth it to save the world from Atlas Blakely.
In the year since she and her fellow initiates entered the Alexandrian Society, they seem to have become more divided. Although Libby has been gone for a while, her absence is still notable. The remaining five, plus Dalton and Atlas, have gathered for their initiation ceremony.
The initiation takes place on the astral plane, outside their bodies. Each initiate will face another specific initiate, although the astral projection they face won’t be the actual person but their idea of that person. After initiation, they’ll become full members of the Alexandrian Society.
Nico goes first. A projection of his consciousness leaves his body and appears at the center of their circle. A projection of Reina, his sparring partner, appears, and they begin to fight. Reina, who’s watching this, critiques the projection’s fighting style, and is annoyed that Nico sees her as a weak adversary. She and Parisa, who’s communicating with her telepathically, both understand that Nico’s projection of Reina means that he doesn’t see her as a threat or someone worth destroying. Reina realizes that her lack of interest in power may look like weakness.
After her birth, Reina’s grandmother took her in, but when her mother remarried—to the “Businessman”—he discovered Reina’s power and forced her to attend family dinners. After her mother died, however, she lost contact with the family, even to the point that the Businessman had seen and not recognized her. She was glad, because he had only wanted to use her naturalist power—and to keep her power safe, Reina distanced herself from everyone.
Now she realizes that she let Nico get close, and he learned her vulnerabilities. She’s angry—and disappointed in him. When the ritual is over, Nico returns to his body, but before he and Reina can talk about the experience, it’s her turn.
In Reina’s ceremony, the projection is of Parisa. It’s night, candles are lit, and Parisa sheds the robe she’s wearing. Callum and Tristan, who have both had sex with Parisa, notice some differences between her actual body and Reina’s projection of her. Callum and Parisa discuss why Reina’s projection of her is naked, especially since they’re both sure it isn’t about sex. Tristan notices their conversation and is annoyed. Since Libby has been gone, he seems to have taken her place as the most anxious of the group.
Lately, he thinks about the night Libby disappeared, when he nearly killed Callum. He has dreamt that he did kill Callum, as the group had decided he would. While the rest of them watch, Tristan fidgets uncomfortably. He stands and paces around the circle as the projections talk, angry at the idea that the rest of them feel badly for him after Libby’s disappearance.
The projection of Reina and Parisa is a conversation, in which they discuss whether Parisa is interested in Reina. She claims that she can tell that Reina is powerful, but Reina pretends she doesn’t care. Parisa claims that Reina is afraid of becoming like Parisa and in the meantime isn’t using her power. A knife appears in the Reina projection’s hand, and she stabs Parisa just before the projection winks out.
Tristan’s turn is next, and his projection leaves his body. A projection of Libby appears, and he wonders if he’s about to be forgiven, but instead she curses at him, and shoots a stream of fire from her palm.
Tristan ducks Libby’s fire. Parisa, a telepath, tries to see into Reina’s mind to understand what happened in her projection, but Reina blocks her. Atlas, who’s also telepathic and has been watching the ceremony, gives her a small smile. She tries to communicate with him, but he blocks her out, as he has done since Libby disappeared. Parisa has learned that the way people see her says something about them. She thinks Reina’s downfall is that she expects everyone to behave according to her own standards. She has also seen inside Callum’s mind and knows that he has been fantasizing about killing Tristan. She remembers seeing into Tristan’s mind when he saw Libby’s fake body, and Parisa understands how powerful he is yet that he’s unable to recognize or use it.
Parisa realizes that the simulation is being acted out for someone else, who will learn about all their weaknesses. Meanwhile, Tristan’s projection is still dodging Libby’s attacks, and Parisa believes that the simulation is about his guilt. The projection of Libby continues to attack, and Tristan can’t withstand it anymore. Unlike the other simulations, when Tristan returns to his body the projection of Libby remains, and Parisa and Atlas both realize that Tristan has moved through time. Parisa sees into Atlas’s mind for a moment and understands that he’s seeing Tristan as the answer to his problem.
Callum assumed that Tristan would appear in his simulation. After the betrayal of Tristan’s murder attempt, he assumed that he’d have the opportunity to do the same and rise above it, proving himself the better man. However, when his simulation begins, the projection is also himself. Callum and the projection of himself have a drink, and the projection expounds on all his worst fears and insecurities. Callum knows that the others are watching and now can understand the toll his power takes on him. They now know that, as an empath, everything he alleviates for other people, he takes into himself, sometimes even physically.
Since Libby disappeared, Nico’s days are all the same. He’s beginning to wonder what the point of anything is when Gideon returns to his dreams. He tells Gideon that the initiation ceremony was meaningless, but Gideon insists that, even if it felt like a game, it meant something. He tells Nico that he has located Libby but can’t just enter her dreams unexpectedly. He has to make her believe that he’s consciously in her dreams, which will be difficult because Libby is chronically skeptical.
Gideon also tells Nico that he has promised his mother, Eilif, that he’ll do a job for her, breaking someone out of their consciousness. Nico is resistant but finally tells him to be careful. When he wakes up, he realizes that, by spending so much time in his dreams, he’s spending his power. He feels exhausted lately, and wonders if the others are feeling the same. Then, Tristan knocks on his door and asks Nico to help him die.
When Reina goes to the archives, she finds Parisa there, in the center of the room, apparently doing nothing. Parisa brings up how Nico’s projection must have hurt her feelings, but Reina denies it. Parisa leaves when Atlas arrives, and Reina returns to her project—she has been looking into cosmology and returns research on Viviana Absalon, the medeian that Dalton mentioned in one of their lessons. When Viviana Absalon died, her organs were those of a woman half her age, suggesting that she had the power of longevity. The question is why she, and others like her, often seem to die young from untimely accidents. When she receives her books from the archive, she finds a note that some of her requests were denied.
Nico comes to the archive and tries to make peace with her, but she refuses. He’s requesting a book on Schopenhauer but won’t say for whom. Reina thinks about how everyone has been implying that the archives are sentient. She has an idea and goes to find Callum. She wants him to use her power to amplify his abilities in an attempt to influence the archives to give her the texts she wants. He doesn’t say no but asks for time to think about the idea.
When the projection of Libby was about to kill Tristan, he was able to use his powers in the same way he did when he recognized that Libby’s body was an animation. He realizes that the intensity of the situation prompted this shift and wants Nico to try to kill him in order to pressure him into making that shift again. Using Schopenhauer’s will to live as a reference, he explains that if his life is threatened, his natural inclination toward survival will prompt the vision shift. Nico agrees, and they decide to meet later that night.
Tristan now understands a few things: He can see time as well as the energy waves that are magic. In the moment when projection-Libby was about to kill him, he was able to escape by shifting his perspective on reality. There is no objective reality, because he’s not seeing the same one that everyone else sees. He returns to the spot outside, on the grounds, where he saw Ezra, the traveler, so many months ago.
He stays there until it gets dark, when Nico arrives with a Schopenhauer text. Tristan explains that he needs Nico to nearly kill him—and to mean it—so that he can figure out his power. He talks about how he previously used his ability when he was a child to escape his father’s abuse even though he didn’t understand what he was doing. Before Tristan can react, Nico punches him so hard in the chest that he’s knocked unconscious.
When Atlas came to the reading room, Parisa thought he was going to reprimand her for using her telepathy on the library’s sentience. Instead, he asks for her help, and she can feel his urgency. He needs her help to fix a hole in the Society’s security wards—and doesn’t want anyone else to know.
Parisa asks if this issue is connected to Libby, and he tells her that he knows who took Libby—but not where. Parisa realizes that this event has affected Atlas deeply. She looks into his mind and steals information, hearing bits of conversation about becoming gods.
Libby realizes that Ezra abducted her to keep her away from the Alexandrian Society, not to hurt or kill her. Ezra clearly believes that she’s dangerous and that if all six initiates are together, they’ll destroy the world. She hears the others’ voices in her head sometimes and wonders if they were able to kill Callum as planned.
Callum’s voice is in Libby’s head more than anyone else’s, telling her that Ezra is overreacting and that Atlas won’t destroy the world. In one dream, she’s in NYUMA’s dorm, and knocks on Gideon Drake’s door. He tries to prove to her that they’re in her dream, and he’s truly there. He tries to get information from Libby about where she is, but she wakes up. Ezra is there, and she grabs him by the throat.
The prologue begins with Gideon Drake, who—although not one of the initiates—is an important character in the book. In this short section, Blake begins this second novel in the trilogy by providing orientation. Through Gideon’s perspective, the narrative conveys that Nico is still at the Society and shows that time has passed since the end of the first novel—Nico has been at the Society for a year now. In addition, Gideon’s perspective reintroduces the topic of Libby’s disappearance and establishes that Gideon and Nico are actively engaged in finding her.
The importance of Libby’s disappearance to the plot is reinforced in Part 1, which is short, consisting of only two chapters, one from both Libby and Ezra’s perspectives. Libby has been abducted by Ezra, a fact that wasn’t evident at the end of the first book. Blake uses dramatic irony here—the narrative has established that Libby has been abducted by Ezra and is safe and unharmed, but her friends don’t know this—a fact that is reinforced by Gideon and Nico’s search in the Prologue. By placing Libby’s disappearance front and center in the story, the author emphasizes the importance of this plotline.
Part 2 returns to the society, where the other characters participate in an initiation ceremony that uses astral projections. As the initiates realize, these projections are revealing because they’re products of the participants’ unique perspectives. They offer insight into their preoccupations as well as the way they perceive the other initiates. In the case of Nico and Reina, for example, his perception of her reshapes and eventually destroys their relationship—and sets Reina on a new course of study. Parisa’s insight that someone or something is learning about them from these rituals begins her own course of study, in which she probes the sentience of the archives themselves. Although the ceremony appears pointless to some participants, it puts both Reina and Parisa onto a new path.
Their lack of understanding about the purpose of the ceremony highlights the lack of direction that the students have received at the Society: Since Atlas recruited them, everything has been cloaked in secrecy. However, this reinforces the idea that the novel isn’t concerned with the Society’s rituals or exploring the world of magic. This novel—and trilogy—is more interested in examining the relationships among the initiates and the way that their experiences shape their relationships and actions moving forward.
The trilogy isn’t composed of stand-alone books, meaning that understanding the plot and character development in this second novel depends on having read the first. As such, this second novel operates as the “middle” of the trilogy. The first book establishes the Society’s setting and the status quo of both the story and the characters. The task of this second novel is to further develop those relationships and to show how the status quo shifts, how those relationships change or deepen, and how the characters’ goals and beliefs change because of their studies.
By the end of Part 2, the narrative has reintroduced each of the characters through the initiation ceremony. The simulations, rather than bring them closer together, seem designed to force them further apart, as was the elimination in the previous novel. At this point, the characters are separated by distrust, disappointment, and misunderstanding. They feel alone and are pursuing their studies isolated from their peers.
One example of this is the effect of the simulation on Nico and Reina’s relationship. Nico’s projection of Reina isn’t a true depiction of her but Nico’s perception of her. As a result, Reina can suddenly see what Nico really thinks of her. Reina now knows, or thinks she knows, that Nico doesn’t respect her because he doesn’t see her as a threat. Furthermore, Nico would never kill anyone to save her life, as she would for him. This is notable because Reina is withdrawn and reserved, and she doesn’t become close to many people. This is mostly a result of her background and the way that people have tried to manipulate her in order to use her power. Because of Reina’s deep distrust and her difficulty getting close to others, Nico’s perception of her is especially hurtful.
Part 3, however, offers signs that the group is beginning to come back together or at least that some of them have discovered the necessity of working together. The first of these is Tristan, who asks for Nico’s help; then Reina convinces Callum to collaborate with her, and it becomes clear that the initiates are forming new relationships. These relationships, however, are more than friendships; they’re alliances, which the initiates form to explore and learn about their powers. Despite the fact that the Society doesn’t seem to overtly advance their studies, the environment furthers both their development and their studies, albeit in a roundabout way.
At the end of Part 3, the narrative returns to Libby, and Gideon’s attempts to communicate with her, bringing the focus back to that storyline. The chapter ends with her opposing Ezra, showing that Libby’s status quo is changing and that her story is about to enter a new phase. This provides a nice counterpoint to the storylines happening at the Society—although there’s a lot going on in these early chapters, the narrative mostly involves the characters’ shifting relationships with one another. Libby’s story, conversely, provides additional tension and involves more physical, elemental action—attack and escape.
By Olivie Blake
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