56 pages • 1 hour read
Olivie BlakeA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Tristan leaves. Libby no longer feels indebted to him, especially considering that their relationship was based on guilt. She also reflects on her lack of remorse for killing Ezra, Atlas, and Nico, as she views all of them as a means to an end. Libby grapples with her lack of remorse. After she lets Tristan go, she follows the sound of a scream to the reading room. There, she finds Callum, Parisa, Dalton, and Gideon. Callum is awake, while the others are sprawled on the floor. She punches him, and he drops the gun, which she subsequently picks up. She briefly considers killing him but hesitates when she realizes that his death won’t change anything. None of the deaths actually have. She leaves to go visit Belen at the hospital.
After Libby leaves, Callum picks the gun back up. Dalton wakes first, and Callum shoots him. When Gideon wakes as well, Callum turns the gun toward him. Parisa tells him not to shoot him. They catch up on what just happened. Then, Callum gets a text from Wyn saying that the Caines have Tristan. He tries to call Alys, but she hangs up on him. He leaves the house and hurries to the pub to find him. On the way, he realizes how much he actually cares for Tristan. Inside, he finds Tristan. Callum experiences a final moment of clarity before he is shot.
Nothazai pulls Sef Hassan, the fifth of Ezra’s group, aside and tells him that what he’s doing will benefit everyone who shares their goals. While Sef plays along, he is skeptical of Nothazai’s intentions. Sef prides himself on his integrity compared to his colleagues’ deceitful tactics. He knows that the archives will not easily give up their secrets to Nothazai but does not say this to him.
Callum arrives, and Tristan realizes that Callum was never going to try to kill him. This thought distracts him from disarming Adrian’s gun long enough for his father to shoot Callum in the head. Adrian then says that he can protect Tristan, but Tristan will have to work for him. They argue, and Tristan gets the gun. Adrian tries to offer Tristan a better deal, but Tristan rejects the idea of being a weapon for his father at all.
The chapter then presents a series of scenarios. In the first scenario, Tristan successfully destroys the bullet before it hits Callum and transforms the gun into a bomb, which detonates. The next scenario has him return to Libby at the manor house, and the two of them have sex with the knowledge that this still isn’t permanent. Callum manages to shoot Adrian first in the next scenario, and in the following one, Tristan kisses Callum and then kills him with a letter opener. Tristan refuses Atlas’s offer in the next, and in the one after, he tries to stop Libby from killing Atlas. The scenarios break down further, with more deaths and increasingly implausible situations, as well as some from Atlas’s perspective. The scenarios end. Tristan reiterates that he wants nothing to do with his father and then shoots him.
Reina waits for Aiya Sato in her Tokyo apartment. When Aiya arrives, Reina tells her that she wants to come back to the Society to do good. Aiya, however, challenges Reina’s perceptions and says that the Society chose Reina because of her selfishness rather than any inherent ability to save others. She advises Reina to focus on what she can control rather than futilely attempting to change the world. Reina leaves the apartment and goes to Aoyama Cemetery. Amidst the sakura (cherry blossom) trees, she sees Li waiting for her. In the end, they don’t attack but instead give her a silent warning that others will come for her eventually.
Reina returns to the manor house and reflects on how little it has changed as well as how empty it is. Parisa is waiting for her outside.
Libby visits Belen, who is hospitalized and facing investigation for war crimes. She reveals that she has early-stage frontotemporal dementia, caused by Nothazai messing with her brain. Libby offers to help her, but Belen dismisses this. They ultimately part ways with a mix of gratitude, resignation, and some unspoken forgiveness.
Libby stops at the Los Angeles Regional College for Magical Arts, her former campus from the 1980s. She observes the changes it has undergone and feels like a ghost among the student population. Later, she arrives at her childhood home and sneaks inside. She recalls the routine of visiting her sister, Katherine, every day after school and the pain of losing her. In her sister’s room, she finds Katherine’s journal and reads it.
Parisa stays at the manor house, unsure of what she's waiting for but feeling a need for change. She reflects on the cyclical nature of her life, which is always evolving but never truly moving forward. She contemplates Atlas’s death and the questions it raises about power and mortality. In her solitude, Parisa reads and rearranges the rooms for something to do. Eventually, she realizes that someone else has come to the house and finds Reina.
Upon learning of Nico’s and Atlas’s deaths from Parisa, Reina spirals into a suicidal state, believing that she has no more meaning and has wasted her life. She begins to intentionally give away her life to the earth. Parisa intervenes and urges her to stop. She reassures Reina and invites her to stay at the manor house with her to heal together, which Reina accepts.
James Wessex watches Tristan approach over the security monitors. His arrival heralds a confrontation that James knows he cannot win. Despite his attempts to maintain control, Tristan effortlessly disarms James both literally and figuratively, leaving him powerless in his own office. Tristan demands that James lift the bounty on his head, leveraging his newfound powers to coerce compliance. James begrudgingly agrees. As Tristan exits, James is left to the realization that, despite his wealth and influence, he has failed, and his empire will soon crumble due to his own inadequacies, just as Eilif predicted.
Now alone, Gideon finally embraces the dream world over reality for the first time. He occasionally visits Parisa and Max in their dreams. While wandering, Gideon encounters a version of Nico. Gideon is uncertain if this Nico is real or not but chooses to embrace the moment regardless.
Nothazai, originally named Edwin Sanjrani, was considered a miracle before his birth due to his mother’s cancer and previous miscarriages. Despite being born into a privileged life, Edwin feels burdened by his ability to see the flaws in everything, especially in human bodies. He becomes a biomancer and hopes to use his abilities to help humanity. However, he eventually becomes disillusioned with the world and realizes that it cannot be saved. After he becomes the Caretaker, he finds Libby in the reading room. They both make requests of the archives. Nothazai is denied, while Libby is finally given a book containing the answer as to whether she could’ve saved her sister.
The Epilogue discusses the thoughts of Atlas, Alexis, and Ezra in their final moments. Each finds solace in simple pleasures or memories. The chapter returns to the duality of human nature as both good and bad and emphasizes the importance of seeking knowledge and a better world while cautioning against the pitfalls of selfish ambition and the pursuit of glory. Its final line, directed at Libby, says that the answers she seeks lie beyond the confines of the book.
While Part 8, like earlier parts, is titled after a philosophical concept, the novel’s final part is simply titled “Life,” suggesting that life itself can be its own philosophical paradigm shaped by the realities of surviving in the face of grief. Part 8 is named after naturalism, a philosophical viewpoint that posits that a natural world governed by laws is the only reality. In this view, the universe operates according to consistent patterns and principles. Part 9, “Life,” concludes the rest of the character arcs and depicts characters in states of grief and reconciliation. This simplistic title signifies a departure from complex philosophical concepts to a more straightforward exploration of human experience. Instead of being governed by abstract theories, the characters must find ways to cope with grief and hardship. For example, Reina and Parisa find strength in solidarity, while Gideon turns to his dream world for solace, illustrating how characters navigate their personal struggles without necessarily adhering to any specific philosophical framework. Instead, their actions stem from a primal instinct for survival and a desire to find comfort and meaning in their lives.
In the novel’s final section, characters complete their narrative arcs with moments of clarity that bring them to conclusions about themselves and what they want. Tristan goes through a series of possible futures to be able to articulate it to himself and his father, Libby goes to find closure, and Reina “simply [wants] to go home” (430). The Ezra Six have realizations as well; during Sef’s chapter, he sees that the group is on its way to imminent collapse. On his way to rescue Tristan, Callum has a series of realizations about his romantic feelings for Tristan. He privately reflects, “I don’t want to rule the world, I don’t want to control it, I don’t even want to influence it. I want to sit beside you in a little garden, I want to put your needs before mine” (406). This articulation of his feelings to the reader is directly followed by Adrian Caine shooting him in the head. The timing of Callum’s apparent death aligns with the “bury your gays” trope; one common element of the trope is for the character in question to be killed shortly after realizing or confessing their love. However, whether Callum truly dies is left ambiguous, as the narrative suggests that Tristan has reality-warping powers that he may be able to use to save him.
While the characters’ romantic entanglements were a subject of focus for the trilogy, the series ends with all of the partnerships broken up in some form, complicating traditional notions of romantic happiness as the primary path to a “happy ending.” Tristan breaks up with Libby, and Gideon is trapped in a false reality, living with a version of Nico whom he cannot know is real or not; of their potentially illusory relationship, the narrator notes, “[E]verything was perfect, or maybe it was fake, but who could tell the difference?” (462). Libby and Belen, who were romantically involved earlier in the series, get closure but ultimately part ways. The only two characters who are together at the end, Parisa and Reina, share a platonic relationship due to Reina’s lack of romantic or sexual attraction to anyone. The novel comments on this at the conclusion of Reina’s final chapter with the line, “[Parisa] didn’t touch Reina’s cheek. Reina didn’t kiss her. A breeze whispered through the forest, like the graze of two fingers along bare skin, but softer. Less fleeting” (451). The novel takes a non-traditional view of what a happy ending means to the characters. The two women who decide to stay together platonically and heal are portrayed as having the happiest ending.
Libby’s character arc reflects the importance of introspection over external validation. The final line of the novel addresses her directly: “Put the book away, Miss Rhodes. You won’t find what you’re looking for in there” (474). Through this line and other moments throughout the novel, the Epilogue implies that the interludes about Atlas are from Libby’s point of view, reading the book the archives give her at the end. For example, the line, “Her loss was an ocean, Atlas Blakely a speck in the sand” (342), mirrors the earlier line, “You already know that your loss is an ocean, Atlas Blakely a speck in the sand” (339). The final line of the novel coupled with Libby’s interactions with the archives show that she has not fully completed the growth she needs to to overcome her feelings of inadequacy. She is still searching for answers outside of herself.
By Olivie Blake