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John SteinbeckA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
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Arthur is a legendary ruler of Great Britain who is first seen in the book as Sir Kay’s teenage squire. At this stage of his development, he demonstrates humility and loyalty, in large part, because he was raised in obscurity and isn’t aware of his royal parentage. Arthur isn’t physically described, except in generic terms as a strong and courageous warrior. He is celebrated for bringing peace and order to the chaotic, petty realms that populated England during his time.
Arthur embodies the virtues of the ideal monarch in that he protects his people from invaders and exhibits fairness and generosity in governing his subjects. However, he possesses two major flaws. The first is that he is overly generous, even to his enemies. Sir Kay complains that Arthur’s liberal behavior as a host may bankrupt the treasury. Of greater significance is Arthur’s childlike trust in those close to him. He is destined to be betrayed by his sister, his wife, his best friend, and his illegitimate son.
Merlin is an old sage who has become supremely adept at using magic. He enjoys teaching the lesson that appearances can be deceiving, often assuming the guise of a beggar when he accosts one of Arthur’s knights: “Merlin knew the winding channels of the human mind, and also he was aware that a simple open man is most receptive when he is mystified, and Merlin delighted in mystery” (4).
Merlin uses magic to enable Arthur’s conception and later acts as the young king’s mentor and advisor. Despite his considerable gift of prophecy, Merlin is unable to escape the doom that he foresees for himself. The old wizard becomes infatuated with a young damsel. When she has learned all his secrets of sorcery, she seals him up in a cave. The chronicle suggests that Merlin is still alive though unable to escape his prison.
Arthur’s half-sister, Morgan le Fay, is an evil enchantress. She is described as a beauty with black hair and dark eyes. As a child, she is sent to a convent where she becomes proficient in the dark arts: “It was her pleasure to use men against men, fashioning from their weaknesses weapons for their strength” (109).
Morgan’s prime motivator is jealousy, and she directs that emotion toward Arthur because he possesses the crown, and she doesn’t. She attempts to kill her brother on multiple occasions. Sometimes she takes direct action but, more often, uses others to commit her crimes for her. Morgan would also like to destroy Lancelot simply because he is Arthur’s perfect knight. She views him as a plaything to be ripped apart and then discarded.
Just as Arthur is viewed as the ideal king, Guinevere is viewed as the ideal queen. Though not described in much physical detail, she is golden-haired and very beautiful. When Arthur first glimpses her at her father’s court, he falls instantly in love. After their marriage, Guinevere functions as the king’s chief advisor. She is a skilled observer of human behavior and often points out subtleties that Arthur misses.
Guinevere accepts her passive role as the inspiration for all the knights at Camelot. They view her as a goddess, though she points out that she doesn’t feel the impact of her actions until one knight sends his hostages to her as living proof that he seeks her blessing: “It seemed to me that through that knight I became valuable in the world. I feel myself to be a little precious because of him” (212). Her comment reveals just how much she chafes under the restrictions of her queenly station. Later, she will rebel against it overtly by engaging in a love affair with Lancelot.
Lancelot is the paragon by which all other knights are measured in Arthur’s court. He illustrates the ideals of the code of chivalry. Lancelot is described as physically handsome and brave. He is a man of action, not given to introspection. By his own admission, he never experiences doubt or fear because he believes his cause is just.
Lancelot dislikes examining his own motives to such a degree that he nearly kills his nephew when the latter asks him if perfection is enough: “Then, in one man he saw a combat more savage than ever he had seen between two, saw wounds given and received and a heart riven to bursting” (221). Because Lancelot has actually achieved perfection as defined by the code of chivalry, he soon feels jaded and without purpose. Although he quests for greater glory, his victories are effortless and meaningless. His sense of disillusionment ultimately drives him into Guinevere’s arms.
Although all the knights in Camelot go on quests at some point in the narrative, Steinbeck’s version of the story only focuses on four. Each one illustrates a different principle.
Sir Balin becomes known as the knight with two swords. When he successfully draws the magical sword sent by the lady Lyle, he refuses to give it back and ignores the warning that the sword has a curse on it. His narrative illustrates the futility of trying to outrun one’s destiny. Every attempt to save someone and redeem himself ends in disaster.
Sir Gawain is young and hotheaded. Even though he demonstrates great technical skill as a knight, he lacks wisdom and humility. The damsel he chooses to assist him on his quest abandons him because of his arrogance.
Sir Marhalt is a mature knight who has seen much combat. He doesn’t brag about his skill at warfare but simply gets the job done in a workmanlike manner. Marhalt lacks the flash of Lancelot or Gawain, perhaps because age has made him more cautious. He wisely chooses a practical lady to guide him on his quest.
Sir Ewain is the youngest of the questing knights and the one most in need of guidance. Because he lacks experience in the battlefield, he wisely chooses an elderly woman who can instruct him in battle tactics and technique. Ewain emerges from his quest a far more competent warrior for having taken the advice of a crone.
By John Steinbeck