112 pages • 3 hours read
Agatha ChristieA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Hastings and Poirot enter the police station, where the superintendent takes pains to greet them politely, possibly because he fears they heard Crome’s dismissive tone. The murder victim was a man named George Earlsfield, which deviates from the expected pattern. The next witness, a slightly fussy old man named Downes who Hastings says resembles the frog footman, character from Louis Carroll’s Alice in Wonderland, recounts failing to awaken the man in the seat in front of him and summoning aid. The senior officer assures him he should be happy he was spared. Downes nearly faints, and the police escort him home, deciding to watch him in case the killer makes another attempt.
Just as Poirot is assuring the officers the killer will soon make an error, a blustering man who owns a lodging house brings in his employee as a witness. She reports her encounter with Cust, his odd behavior and bloody sleeve. Her employer explains they only made the connection when the news of the murder broke and other employees saw Cust sneak out. The maid, Mary, describes Cust as a man who stoops, wars glasses, and is “shabby-looking” (200-01). A junior officer brings in the register, which confirms Cust’s initials, though not his entire name. (they cannot determine if it is Case or Cash) and that a large supply of stockings was found in the room. Crome congratulates Poirot.
A fatigued Crome, still in his office, agrees to meet a witness, who turns out to be Tom Hartigan, Lily Marbury’s boyfriend. Tom describes Cust and his recent odd behavior, including lying about his trip to Doncaster. The published account of the man at the hotel led Tom to ask Lily’s mother for Cust’s initials, and if he had been away during the Andover murder along with the others. Crome takes down the Marbury address and asks about Cust’s behavior—apparently he has become more eccentric and reads the newspapers obsessively. Crome checks witness statements and finds the report from Churston of a man likely Cust, acting strangely after a film.
Tom returns to Lily, recounting that Crome is unremarkable, but that he hopes he will achieve some fame as a witness. Lily asks if Poirot was there, and then asks Tom to tell her more. Back at Lily’s house, Cust takes a telephone call from a woman. He tells Mrs. Marbury his sister has had a baby and that he must leave. Mrs. Marbury begins to feel guilt for suspecting Cust, placated by the idea of her lodger as an uncle. Cust, trying to make his escape, recalls the telephone call. He thinks the woman who called was Lily, warning him of the danger from the police, wanting no harm to come to him. He leaves, uncertain of his destination.
At a strategy meeting, Crome and the assistant commissioner go over the case against Cust with Poirot and Hastings. They confirm he visited Ascher’s neighbor and the Barnards on all the relevant dates and that he is missing from his lodgings. When told of the phone call that prompted Cust’s departure, Poirot pronounces it odd but does not explain further. A search of Cust’s room reveals stationary matching the letters, and a collection of railway guides. Crome reports his search for the knife and that he finally found it in the hall hidden in some furniture. Poirot is less triumphant than the others, seeming distant when they announce the criminal will soon be apprehended. Poirot admits, “There is something that worries me very much. It is the why? The motive” (215). Crome declares that Cust must resent Poirot. Poirot does not answer as the police continue to debate the nature of mental health conditions. The commissioner, as others have, closes by wondering where Cust is.
Cust, returned to Andover, finds Mrs. Ascher’s shop empty. He is hungry and destitute. He finds a wanted poster mentioning the case, wondering if Poirot has unmasked him. He wanders, reflecting on his absurd situation, as it befits his entire life. He goes forward, finally seeing a sign for a police station. He faints.
Christie maintains a delicate balancing act, pointing out the mounting incriminating evidence against Cust while Poirot remains largely silent. He, unlike the police, professes no confidence in Cust’s guilt. Cust himself does not understand his circumstances— he has no idea who his putative ally might be. Presumably, Franklin warns Cust to flee, knowing this will enhance the case against him and further divert suspicion. Cust is clearly baffled and afraid—there is no arrogance in his manner, and his choice to flee is one of fear, not triumph.
If Cust cannot find the motive for his own behavior, Poirot maintains that this is the key to the case, not the physical evidence. Crome, interestingly, is willing to believe hatred of Poirot is sufficient motive once the killer is caught, much as he previously dismissed Poirot’s importance. Poirot is largely absent from these chapters, primarily observing whereas previously he spoke at length. This allows Christie to let the case against Cust stand, however briefly, without intervention from a more analytical voice. But, close reading reveals how Christie seems to agree with her detective. She does not give Cust any motive, only means and opportunity. Poirot’s behavior clues the reader in that Cust is likely a red herring, assuring Christie a captive audience for the climax.
By Agatha Christie