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62 pages 2 hours read

S. E. Hinton

That Was Then, This Is Now

Fiction | Novel | YA | Published in 1971

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Themes

The Choices and Responsibilities of Adulthood

Content Warning: This section of the guide mentions trauma resulting from substance use.

Throughout That Was Then, This Is Now, Hinton traces Bryon’s progress from the relatively thoughtless world of his youth toward the complex realities of responsible adulthood. Faced with new choices as to what kind of person he wants to be and what kind of life he wants to lead, Bryon discovers that every choice comes with a cost.

As the novel opens, Bryon and Mark share a relatively carefree outlook. Mark, in particular, has a knack for getting out of difficult scrapes unscathed, something that both amuses and annoys Bryon. On one occasion, Mark reminds Bryon that he used to be the same way. In reality, of course, neither Bryon nor Mark enjoys supernatural protection from harm, but Mark acts as though he does. For the time being, they live in a world almost without consequences, free to steal, hustle, and fight without fear.

Bryon’s feelings on the subject change over time due to two primary factors. First, he comes to recognize Mark’s attitude as being rooted in a kind of selfish denial. He is shocked on one occasion to hear Mark insist that “nothing bad has ever happened to me” (112), given that Mark’s parents killed each other and Mark himself had been arrested and nearly killed, among other things. Bryon realizes that Mark’s view of his own success is not accurate, since it relies on his not caring about anyone other than himself. Second, Bryon simultaneously realizes that, as he allows himself to care about others, such as Cathy and Charlie, he opens himself up to the possibility of loss and grief.

Realizing that his decisions have real consequences, Bryon follows Cathy’s lead in being more responsible and adhering to laws and societal expectations. For instance, instead of continuing to hustle after Charlie’s death, Bryon gets a job in a grocery store. Even then, Bryon continues to think in simplistic terms, as if by choosing differently, he can guarantee the best, most desirable outcomes.

A final shock comes in the realization, after reporting Mark, that some situations do not have any viable solutions, and every choice necessarily comes with a cost, since it excludes the choices left unmade. By reporting Mark to the police, Bryon satisfies his conscience, which, in light of M&M’s experience with LSD, opposes the distribution of illegal drugs. The cost of his choice is his relationship with Mark and Mark’s future happiness, both of which become unsalvageable. Devastated, Bryon’s mood is impacted, and he does not emerge by the novel’s conclusion. In the end, Bryon’s experience demonstrates the pain that often accompanies personal change, as previous associations are damaged and lost, and represents the troubling reality that acting in accordance with one’s conscience is no guarantee against regret. Instead, Bryon finds the adult world to be on in which his values and his emotions may often be at odds.

The Vicious Cycle of Revenge

One key aspect of Bryon’s development is his changing attitude toward violence. Hinton presents violence as part of a cycle that reinforces itself through retaliation, while charting Bryon’s struggle to rise above this cycle.

Bryon’s initial attitude toward violence is one of eager engagement. When they witness the Shepherd accosting M&M in Chapter 1, Mark smiles at Bryon, and Bryon explains, “We both liked fights” (21). After the scuffle is over, Bryon reports, “I was really feeling good” (23), and he responds affirmatively to Mark’s question, “You still in the mood for a little action?” (23), which is Mark’s way of suggesting that they assault a nearby Black man. After M&M calls them out, however, Bryon admits that he “didn’t feel quite as good as I had before” (24).

This experience softens and prepares Bryon, such that when he visits Mike in the hospital not long afterward, he doesn’t find Mike’s claims of empathy for his attackers so far-fetched as does Mark. Around the same time, however, he vows to take revenge on Angela for her role in Mark’s injuries. Before he has a chance to do so, he is shocked by Charlie’s sudden death. During the trial of the men who killed Charlie, Bryon comes to an important realization about revenge: “I didn’t feel glad, or vengeful, or anything. I really hadn’t much cared whether or not they even caught those guys. Charlie was dead, nothing was going to change that” (89).

By the time Bryon and Mark catch Angela in a vulnerable position, Bryon mostly feels sorry for her, rather than angry at her. Only when Mark reminds him that Angela nearly caused Mark’s death does Bryon feel “all the hatred I had for Angela” come surging back (111), making him once again a willing participant in the cycle of retribution. Still, following some quiet reflection, Bryon comes to regret Mark’s actions toward Angela, and after her brothers beat him up, Bryon asks Mark not to retaliate. As he explains to Mark, “I’m sick of this circle of beating up people and getting beat up. It’s stupid” (131).

Although Bryon manages to distance himself from physical violence from that moment on, he continues to struggle with retaliation in different forms. As his mother asks him, “Bryon, you got even with Mark for Cathy, then you got even with Cathy for Mark. When are you going to stop getting even with yourself?” (156). The implication is that Bryon came to resent both Mark and Cathy for their competing influences, and then finally to resent himself for mistreating each of them. This gives birth to a new cycle of hatred, this time directed inward and manifest as an overwhelming sense of guilt and regret, which permeates the narration. As the novel concludes, Bryon has yet to realize that this second cycle is, perhaps, just as damaging and “stupid” as the first.

Risk Factors for and Consequences of Substance Use

Through the experience of the Carlson family, Hinton explores some of the risk factors that can lead to substance use, as well as the related consequences.

As the narrative begins, M&M is a trusting, happy, naive 13-year-old attracted to the peaceful, inclusive philosophies of the 1960s counterculture. M&M enjoys simple pleasures such as the “groovy” colors of his favorite candies.

The first signs of trouble appear when Bryon visits the Carlsons to pick up Cathy for a date. Within earshot of M&M, Mr. Carlson makes snide remarks about M&M’s “hippie-influenced” long hair, comparing it to Cathy’s. He goes on to critique M&M for failing his math and gym classes, saying “How anyone can flunk gym is beyond me” (53), and later adding, “It’s not as if M&M was an invalid” (54). Notably, Mrs. Carlson and Cathy both object to Mr. Carlson’s open criticism of M&M, but he persists. Thus, the generation gap between Mr. Carlson and his son isn’t necessarily the problem; rather, it’s his arrogant and dismissive way of interacting with M&M that drives a wedge between them.

The next time Bryon hears about M&M from Cathy, she is worried that he has started smoking cannabis. Bryon, who has smoked cannabis himself, thinks that is no big deal, but Cathy explains her fear that cannabis could serve as a gateway drug. Additionally, she distinguishes between Bryon, who is “smart enough to enjoy [himself] without artificial stimulants” (92), and the highly suggestible M&M, who may not be. She attributes M&M’s newfound addiction to his unhappy home life, where “he’s gotten so much grief for his hair and some of his ideas […] so he goes other places” (93). Despite these warning signs, M&M’s relationship with his father continues to deteriorate, even as he finds sympathy and friendship elsewhere. At the next chance he gets, M&M leaves home, supposedly for good.

By the time Bryon and Cathy manage to track him down, M&M is in the middle of a bad trip on LSD. Bryon’s interactions with those who are immersed in drug culture leave him feeling frustrated at their apathy and permissiveness. Despite their declarations to the contrary, Bryon reflects, “I’m not sure I’d consider them free” (124). When Red reports that he and a few others took turns holding M&M to keep him from jumping out a window, Bryon thinks to himself, “What did the guy want, a medal? He had given him the stuff in the first place” (140). Though Bryon does smoke and drink on occasion, he finds it upsetting that a youth such as M&M should be allowed and even encouraged to try harder drugs that could potentially alter his entire future. As Bryon’s anger and fear about M&M’s outcome drive him to report Mark for drug dealing, he ends up searching the past to understand how these tragic outcomes could have been avoided, and suggests that, at least for M&M, his path to substance use started with alienation in the home.

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