40 pages • 1 hour read
Langston HughesA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Use these questions or activities to help gauge students’ familiarity with and spark their interest in the context of the work, giving them an entry point into the text itself.
Short Answer
1. What do you know about Langston Hughes? Can you name one or two works by him?
Teaching Suggestion: Langston Hughes is probably the most famous figure associated with the Harlem Renaissance—a flowering of African American art and literature in the 1920s and 30s. At the time, Hughes was primarily a poet and often incorporated elements of traditional African American storytelling, dialect, and music (as well as the newer genre of jazz) into his writing. Some of his more famous pieces include “The Negro Speaks of Rivers,” “The Weary Blues,” “I, Too,” and “Let America Be America Again.” Students are less likely to know that Hughes also penned novels, plays, and short stories, or that he continued working well into the civil rights era (“Thank You, M’am” was published in 1958).
2. How would you define the “American Dream”? Are there any ideas, objects, people, etc. you especially associate with it?
Teaching Suggestion: The American Dream is essentially the idea that any American can secure a better life through hard work. Whether this is true for everyone (or even most people) is obviously a contentious issue; implicitly, “Thank You, M’am” calls attention to the fact that African Americans have historically lacked access to this dream but still upholds its core emphasis on personal responsibility. Use students’ responses to begin teasing out some of this complexity.
Short Activity
Although “Thank You, M’am” is a short story, hints of Hughes’s poetic voice surface throughout, particularly in his compact but evocative descriptions of characters. Consider two of the phrases Hughes uses in association with characters: “willow-wild” and “a large purse that had everything in it but hammer and nails” (Paragraphs 16, 1). Jot down the first three to five words, images, or ideas each of these phrases suggests. Alternatively, sketch a portrait of the character you imagine might fit one of these descriptions.
Teaching Suggestion: Use this activity to get students thinking about how characterization works (especially within the constraints of a short story), and how Hughes’s expertise as a poet might help him communicate a lot of information with very few words. For example, Hughes’s description of the purse and its contents immediately evokes its owner’s strength (due to its size), practicality, and preparedness (due to the number and kind of things the purse contains—if not a “hammer and nails,” then other similarly utilitarian objects).
By Langston Hughes