55 pages • 1 hour read
Christopher BuckleyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Nick Naylor is the novel’s protagonist and the chief spokesperson for the Academy of Tobacco Studies, the deceptively named advocacy group established by the tobacco industry to counter the public outcry and governmental legislation brought about by the negative health consequences of tobacco use. Nick is handsome, articulate, creative, and quick-thinking. He is detested by the anti-smoking community, which views him as an unprincipled shill who is quite successful at presenting tobacco use as not particularly harmful.
Formerly, Nick was an investigative TV reporter. He came to public attention when he mistakenly broadcast a news report that the president of the United States had choked to death while eating. Divorced from his ex-wife Amanda, he has a 12-year-old son, Joey, who attends an expensive private school, St. Euthanasius. Nick has several sexual partners, each relationship ethically questionable: his assistant, Gazelle; the investigative reporter, Heather Holloway; and his ambitious coworker, Jeannette.
Though he is continually questioned about his motives by a variety of individuals, Nick seems unclear about why he fiercely, cleverly, and deviously defends the tobacco industry. In every business relationship, he engages in a subtle game of one-upmanship: with media commentators, health care advocates, Hollywood moguls, and even the former prime minister of Great Britain. Throughout, the author portrays Nick as a sympathetic, charismatic character despite the obvious reality that he is an unscrupulous liar. Whether his eventual turn to anti-smoking advocacy reflects a genuine Personal Reckoning With Unethical Behavior or simply an instinct for survival is correspondingly ambiguous.
The Mod Squad consists of Nick, Polly Bailey, and Bobby Jay Bliss. Each of the three is the primary spokesperson for a controversial but lucrative American industry: tobacco, alcohol, and firearms. They refer to themselves as the Mod Squad, which is an ironic reference to the 1960s TV program about hip undercover police officers, though “Mod” for this group means “merchants of death.” Whenever negative news emerges concerning one of their respective industries, the media calls upon them for a response; their work centers on The Manipulation of the Truth for Corporate Gain. The three meet frequently to dine and to share tips about how to deal with thorny public relations issues. This group comprises Nick’s only loyal, reliable cadre of friends and advisors.
Polly is the spokesperson for the Moderation Council, which handles public relations for the alcohol industry. Polly is married to and in the process of divorcing Hector, an activist intent on reducing the world’s population through birth control distribution; he lives abroad in lower-income nations, the implication being that his concerns about population growth are a form of racist eugenics. An attractive young woman and a smoker, Polly finds Nick appealing but resists the urge to become one of his sexual conquests.
Bobby Jay is a Vietnam veteran who has a hook for a left hand. He is also a born-again Christian. He is the spokesperson for SAFETY, the Society for the Advancement of Firearms and Effective Training of Youth, which encourages gun ownership and the protection of Second Amendment rights.
Though the title “Team A” only appears in the last few chapters of the book, its members—BR/Budd Rohrabacker and his assistant, Jeannette Dantine—work together as a team from the beginning. BR, president of the Academy for Tobacco Studies, displays his intention to replace Nick, the executive vice president of the Academy, with Jeannette from the outset. Repeatedly foiled in his efforts, he has Jeannette seduce Nick in such a way that they can frame him for faking his own kidnapping and attempted murder.
BR, an imposing figure, comes from the “vending machine” side of tobacco sales, implying that he has a rough background. The Captain, who funds and silently controls everything at the Academy, brought BR aboard to counter the expensive lawsuits brought against the industry by sick smokers. BR achieves this in the most prominent cases by using Team B, a group of assassins who make it seem like their victims—people who speak out about the tobacco industry’s harm—die while smoking in bed.
Jeannette is a beautiful, icy, and severe woman who has the ability to charm. Most other employees of the Academy are wary of her, perceiving her to be the puppet of BR, who fires anyone he perceives dispensable. Buckley does not reveal Jeannette’s ultimate fate; she disappears after BR dies while supposedly smoking in bed.
The author depicts the Captain as the last of the old-school tobacco tycoons. He embodies the ethics and methods of 19th-century robber barons to achieve his goals for the tobacco industry. A Korean War veteran, the Captain resides in Winston-Salem, North Carolina, where he holds court at his Tobacco Club, summoning underlings like Nick whenever he wishes to speak with them or assign them specific tasks. When he likes someone, such as Nick or the former British prime minister, he allows them the use of his corporate jet and crew. The Captain is polite, humorous, refined, and generous with those he likes. Disappointed at never having a son—he named the last of his seven daughters “Dave”—the Captain perceives the resourceful, likeable Nick as the son he never had.
Beset by a bad heart, probably the result of heavy smoking, the Captain experiences declining health throughout the narrative until his death. The night before he dies, he promises Nick that he will fire BR and Jeannette. His last act, however, is to contact his corporate spy, Gomez O’Neal, and tell him to watch out for Nick. This is in keeping with the Captain’s often-repeated tagline, “Tobacco takes care of its own” (240).
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