64 pages • 2 hours read
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Two ambulances await on dry land for the children. Realizing his struggle is finally over, Cort loses consciousness. He wakes up almost a day later, his father standing over him. He learns that the girls are safe and Liza is not going to lose her leg. Knowing that the girls are okay and his father is there to look after him, Cort finally feels free of worry. Mrs. Stovall comes and thanks him. Cort is grateful for the company but simply wants to sleep.
Cort is discharged from the hospital later that day, and his father drives him home. Cort admits, “I hated you for leaving me like that” (191), and his father promises that he will never do that again; Cort begins to cry. Back at the landing, they survey the damage, and Cort’s father informs him that they can stay with the Stovalls until they are sorted. He asks what Cort thinks of them building a house together on the Stovalls land, and Cort is delighted but wants to check that it is not an effort to get his mother back. It’s not; Cort’s father has finally made peace with the fact that she is not coming back.
Although he is limping and cannot use one hand properly, Cort helps his father with the clean-up. When they are done, Cort’s father sits down exhausted, and Cort offers to get some cans of soup out of the garage for dinner. When he gets to the garage, Catfish casually walks past him like nothing has happened. He is a little scratched and battered and covered in mud but is otherwise unharmed. Cort tells him he can sleep with him that night because “[n]obody’s leaving anybody again” (197).
The next morning, Mrs. Stovall returns with Francie while Liza continues to recover in the hospital. They talk about Cort’s mother, and Cort finds himself coming to terms with things more and even saying that he will go and see if she needs any help soon. Mrs. Stovall reminds him that not everyone wants to live on the river. Cort points out that his father says it’s in their blood, but Mrs. Stovall gently observes that “your dad can be a little extreme” (199); Cort agrees.
Liza comes home a couple of days later, her leg braced and bandaged. Later in the day, she and Cort talk on the porch; he asks her if she still wants to move, worried that the events will put her off life on the river for good. However, she says that she does not want to move as long as he is still with her. Cort asks her to the fall party and she accepts, even teasingly asking him why he did not ask her to the last party. Cort is delighted and relieved.
Cort and his father talk about the bear’s actions and whether he really was trying to save them. Cort acknowledges that he now understands the warning about the harsh reality of the swamp. He admits that, while he loves life on the river, he also feels isolated and wishes he could get to basketball practice. He even suggests an elaborate plan about traveling to practice by boat. However, his father simply says that he will take him. Now that Cort’s mother has left, he does not need to earn as much money and can take the time off work. He also tells Cort that there is no pressure for him to take up his job as a river guide and that he can do what he wants with his life. Cort knows that he is proud of his life and his lifestyle again and no longer feels any need to get away from it. He knows that this is his home, as long as the people he loves are there.
The final chapters offer resolution, bringing closure to the themes, symbols, and relationships. When the girls are ready to go to the hospital, Cort loses consciousness, finally relaxing now that his responsibility is complete. After sleeping for an entire day, he learns that Liza will not lose her leg and both girls will make a full recovery. This is the first time he feels relieved, his task finally complete. Cort’s responsibilities have transformed him, but now he can relax into being a young teenager, walking the line between childhood and adulthood at a natural pace.
Cort also begins to resolve things with his father after admitting how hurt and angry he was when his father abandoned him; he cries when his father promises that he will never do that again. As he cries, he settles back into the role of a child—a mature and responsible child, but one who now has adults to support him and look after him. His worries about belonging and lifestyle choices are also resolved, again by his father taking greater responsibility for his son. Cort’s father reassures him that he is committed to building a stable home with his son. The unstable life of the houseboat has been washed away, and they are committing to building a new stable home and family.
In this time of change and acceptance, Cort is also warming up to his mother, even saying that he will visit her and help her clean up after the hurricane. This is a reflection of the theme of loss: Like his father, he accepts the loss of their once stable family unit, but he has now learned that this does is not necessarily a loss—it is only a change in how he lives and how he loves his family and friends. He also starts to feel more at peace with his lifestyle and belonging, and Cort’s father even makes an effort to be less extreme and show up for his son. He offers to drive Cort to basketball practice and tells him he does not expect Cort to become a river guide like him if he does not want to, giving Cort a greater sense of acceptance and freedom. Cort no longer feels shame about his lifestyle and even feels good that “the delta [is] in my blood” (208).
This newfound freedom to balance life on the swamp with a more “normal” life allows Cort to take new pride in his life, resolving both the theme of belonging and the symbolism of the swamp. In part, this is due to his father taking up his responsibilities again and becoming more flexible and understanding of his son’s needs. However, the major change is in his relationship with Liza. Having saved her life, she has grown even closer to him, telling him that he makes her “feel safe” (203) and accepting his invitation to the dance. This is part of Cort’s coming-of-age, as he admits his feelings for Liza and begins to move into adulthood but at a much gentler pace.
By Watt Key