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44 pages 1 hour read

Kiley Reid

Such a Fun Age

Fiction | Novel | Adult | Published in 2019

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Symbols & Motifs

Hands

A frequent motif throughout Such a Fun Age are hands. These play a special role in Emira’s life; her family all are skilled craftspeople. In contrast to her parents and siblings, Emira needs to “wait for her hands to find themselves” (37). In an interesting early moment of the novel, as soon as Emira gets to the Chamberlain house, “Briar [takes] Emira’s hand” (6). The connection between Briar and Emira’s eventual journey to find what she wants to do finds representation by their connection via their hands. 

Spoons the Goldfish

On Briar’s birthday, Emira gifts the small child a goldfish. This is the only gift that Briar likes, naming the fish Spoons and watching him swim until Briar falls asleep. When Spoons dies, Alix suggests that Emira just get a replacement fish, though this marks a significant shift in their relationship. Emira has to take “a picture of a dead fish” (134) back to the pet store and try to get a new goldfish who looks similar. This kind of illusory tactic is not how Emira normally treats Briar, whom she considers capable of having real conversations. Spoons the goldfish opens the door to Emira understanding Alix’s motivations and self-absorbed nature, which eventually leads to Emira feeling more confident with taking charge. An example of this comes up later when Emira takes Briar across the state line to New Jersey to the aquarium, feeling assured that “she and Briar were a unit, Mrs. Chamberlain wasn’t there, and Briar fucking loved fish” (207). By nurturing Briar’s interests without a care for Alix Chamberlain’s perspective, Emira shows her true, loving, thoughtful self.  

Hair

As a novel that features significant cross-racial interaction, Such a Fun Age provides significant commentary on the ways that white people perceive black women’s hair styles. Early on in the novel, Zara gives permission for Briar to “touch” (6) her braids. Similarly, Alix often wonders at Emira’s appearance and hair. Later, when Emira and Kelley begin their relationship, she “reposition[s] his hands away from her hair” (85), and he apologizes for this behavior. Each time Emira and Zara interact with white people, they are subject to racist beliefs or attitudes regarding their hair, which is a common issue. Though hair might seem like a small motif to focus in on racist thoughts, it is a critical way that Reid consistently references the ignorance of the white characters in the novel. 

Letters

Alix Chamberlain’s success and downfall in Such a Fun Age are both the result of her penchant for writing letters. Though Alix is able to build an entire career out of writing letters to get free goods and services, her habit of recording her thoughts and feelings formally is also extremely revealing, especially in regard to her more dysfunctional thought patterns. Despite having an entire career built on publishing her letters, Alix still feels outrage over a high school instance where Kelley shared “a private fucking letter!” (111), despite knowing that she had found those same “coffee-colored letters” (298) in the crack of his senior year locker, meaning that he did not share a letter at all. In other words, Alix’s letters represent her own choice to be ignorant and to hold onto negative emotional patterns from her youth. This is also evident by the fact that Alix “still signed her letters as Alex” (101) when writing to her family’s black maid, Claudette. In her letters as an adult, Alix Chamberlain represents her carefully crafted persona; yet when she writes to Claudette she reverts to Alex Murphy, a racist, scared teenage girl who cannot truly express herself or acknowledge the weight of her own actions. 

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By Kiley Reid