38 pages • 1 hour read
Jason ReynoldsA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Portico Reeves, whose superhero name is Stuntboy, introduces himself with fanfare, urging the audience to clap and stomp their feet. Stuntboy wears a cape and a superhero outfit. His black cat helps by turning on the theme music. Stuntboy considers everyone in his life to be a hero, and his job as a superhero is to make sure that the other heroes in his life stay heroic. He keeps his superhero life a secret but is willing to share his story with the audience. Stuntboy lives in an apartment tower that he considers a castle and loves being around so many people. He lives with his parents and Gran Gran, and he explains that he has “a terrible case of the frets” caused by anxiety (9). Stuntboy relies on his best friend, Zola Brawner, who has glasses and star barrettes in her hair. Stuntboy met Zola on the first day of school when she jumped off the school bus and was confronted by a local bully named Herbert Singletary the Worst. Stuntboy stepped in just as Herbert was about to insult Zola’s glasses, but Herbert followed Zola and Portico home, insulting them all the way. When Herbert followed them inside and onto the elevator, Portico started to feel the frets. A double-splash page (two pages drawn as a single comic panel) shows Stuntboy holding his chest and sweating as he feels mixed up and sick. When Portico and Zola get up to their apartments, which are right next to each other, Portico knocks on his door. Nobody answers, and he guesses that Gran Gran is sleeping. Zola’s mom opens her door and invites them inside, and Portico notes that Herbert lives in a “half door” between his and Zola’s apartments.
Portico and Zola go into her apartment, which is filled with lawn chairs because her father sells them for a living. Zola’s mother is a yoga instructor, and Zola uses those skills to teach Portico how to calm his body and mind when he feels anxious. She tells him to close his eyes and breathe deeply. While meditating, Zola asks Portico if he likes TV and superheroes, and Portico enthusiastically says that he does. Portico and Zola swirl around the pages as they talk and decide their superhero identities together. Zola decides to be a Super Space Warrior after her favorite show starring Mater and Pater, and she helps Portico discover his own superhero identity as Stuntboy. Portico likes the name because he likes doing dangerous things and wants to be the protector of all the other superheroes. Portico learned how to make creative names for things from his grandmother, who used to be a nurse and had funny names for all the parts of the body. Portico invents the “zamarama zig zag” and various other stunts (35), and he spends his first afternoon with Zola practicing them.
Stuntboy looks back on some of his early work as a superhero 157 days later, including smelling a classmate’s fart so that Zola didn’t have to and falling down the stairs so that his neighbor wouldn’t fall instead. At dinner one night, Portico’s parents tell him that they’re each moving into different apartments. Portico doesn’t understand that his parents are separating and thinks they’re all going to live together in two homes. His excitement confuses his parents, but they say nothing.
Days later, Portico walks into his apartment to see his parents fighting over a chair that they have had since they met. It was a chair they won when they tied a game of musical chairs in school, and neither wants to give it up. Portico has never seen his parents fight and doesn’t know how to react; they tell him to go see what Zola is up to “in the meantime” and assure him that nothing is wrong. Hearing “in the meantime” makes Portico think that his parents are in the midst of a “mean time,” in which they are mean to one another. He finds Zola in the courtyard, and she reminds him of an episode of Super Space Warriors in which Mater and Pater fight over a steering wheel and end up breaking it. The result is an explosion that almost kills them. Suddenly, Portico feels that his parents are in danger and dashes home to save them. He performs stunts and breaks up the fight, which makes his parents laugh. They make a decision about the chair, and Portico feels like he did his job.
This section introduces the novel’s structure, form, and setting, which help establish Portico’s characterization as well as the novel’s light, humorous tone. Stuntboy, in the Meantime is narrated in the third person by the protagonist himself, Portico Reeves. This stylistic approach allows Portico to talk about himself more objectively and through the lens of someone observing his own past behavior. It also creates intrigue as he narrates as though he’s inside a story or television show as he speaks to a live audience: “In order to understand how he became the greatest superhero you’ve never ever heard of, you first have to know where it all started—in a castle” (3). There is theme music to introduce each episode, and Portico’s cat helps introduce each new segment, which adds an extra layer of fantasy and humor to the story. The novel is primarily set in an apartment building called Skylight Gardens, which is where Portico lives. As a child, Portico’s world revolves around where he lives and the people he lives around. Portico rarely mentions the negative sides to living in an apartment, instead holding an optimistic view of living among so many people. The setting, narrative voice, and humorous elements highlight Portico’s playful perspective and optimistic approach to life.
Despite Portico’s lighthearted, optimistic tone, this section also introduces his central internal conflict: Understanding and Experiencing Anxiety. He feels obligated to protect others, but he struggles between wanting to be brave and the anxieties that he still has about changes and conflict. Portico’s superhero persona, Stuntboy, emerges out of his desire to protect those he cares about. For most of the story, Portico keeps his Stuntboy alter ego a secret, which means that Portico and Stuntboy are almost like two different people. Portico’s internal struggle with anxiety is complicated by his parents’ separation. When Portico sees his parents fighting for the first time, he isn’t sure how to react and panics. He also doesn’t understand what is really going on between his parents, which leads to confusion and more anxiety. He misinterprets his parents using the phrase “in the meantime” as them being mean to one another, which is an ironically appropriate misinterpretation. Portico struggles to understand and cope with his parents’ fighting, illustrating how the theme of The Effects of Family Conflict on Children is connected to Portico’s journey with anxiety.
While Portico faces conflict at home, his friendship with his best friend, Zola, helps him manage his anxiety and confusion, emphasizing The Foundational Supports Provided by Friendship. Portico’s heroic title is inspired by Zola, who proves to be essential in helping Portico navigate the changes in his life and find his inner strength. From the first chapter, Portico turns to Zola when he needs guidance, and she helps him understand what is going on between his parents by using episodes of Super Space Warriors. The artistic shift that occurs when the television show is depicted reveals how important the show is in the children’s lives; with the adults around them always busy or self-involved, Portico and Zola must figure out ways to navigate life on their own. Portico fiercely guards Zola because their friendship helps him get through a difficult family situation and eases his anxiety.
This section also introduces the novel’s antagonist, Herbert Singletary, who is characterized as an angry, aggressive foil to Portico. Portico and Zola’s friendship began when Herbert chose to target and bully Zola. The introductory chapters portray Herbert as a confusing and complex character, who initially appeared nice to Portico but quickly turned into a bully when his mother began yelling at him. This context suggests that the source of Herbert’s aggression is not really hatred toward Portico and Zola, but rather misplaced anger toward his own situation. Herbert is an example of what Portico could be if he held the same negative attitudes as Herbert. While Portico does fear change and the conflicts between his parents, he doesn’t take his frustrations out on others and tries to see the positives in every situation. It is these early interactions with Herbert that also give Portico the opportunity to hone his Stuntboy skills and practice protecting others.
By Jason Reynolds