35 pages • 1 hour read
Tracy KidderA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
As the title suggests, this chapter revisits Deo’s childhood. His name, meaning “Thanks be to God,” is something that Deo’s mother learned in church. Many names in Burundi tell stories, and his attests to her gratitude as she gave birth to him. The villages, Kidder explains, are collines or hills, and Deo’s colline is on a hill called Butanza. The village is partially composed of his large extended family, who live in thatched wooden buildings in compounds surrounded by hardened mud walls. Cows are their only valuable resource.
The term “Hutu,” which will play a huge role in Deo’s life and in human history, is something he first hears in school as an adolescent when a girl becomes angry because she thinks he has called her a Hutu. Eventually, after much prodding, his relatives reluctantly explain that Hutus are defined as those who own no or few cows, while Tutsis possess many cows.
Deo’s family owns a bit of farmland down the hill by the lake and Deo becomes one of the young members responsible for tending the land and hauling the food the long distance back to Butanza. Deo’s mother is something of an eccentric figure, often lending out valuable resources like salt. It is shameful to have to borrow salt, and it is also infuriating to Deo’s father that his mother gives salt to shameful people.
Deo’s father is stern and a hard worker, and Deo spends less time with him than with his grandfather, Lonjino. Lonjino is often the one in charge of grazing the cattle when they must be moved to pasture further from home. One of Deo’s possessions after his escape is a photo of Lonjino, who once sold an old cow to be slaughtered. When young Deo protested, Lonjino returned the money and let the cow die a natural death. Lonjino also has experience of colonial injustice: he once worked on a Congolese rubber plantation, where the Belgian overseers would brutally beat workers for even minor offenses against arbitrary company rules. He also recalls the time in Burundi, prior to independence, when the Belgians extortionately taxed land and property. And he remembers the struggle in the region for independence, and the assassination of Prince Rwagasore—the Burundian liberation leader.
Deo distantly remembers a difficult time in his childhood, when a neighbor warned his family of trouble and they fled their home into the trees and pastures. When they return, a barn has been burned but the rest is intact.
Deo continues his grocery deliveries, but hardship has taken its toll. Not only is he haunted by the possibility that his family is slaughtered, but he now suffers from physical illness. Fortunately, at one of his deliveries, he meets Sharon McKenna—a former nun—who allows him to open up to her and even helps him find a free appointment with a doctor. There is an uncomfortable moment, though, when Sharon wonders if he is ill and thin because he is a gay man with AIDS.
Sharon can be very patronizing to Deo, but they spend time together and she attempts to help him. One thing that bothers him is when she discusses his story with others right in front of him, because no one seems to understand what is happening in Burundi. She wants to write a brief biography of Deo to use in finding aid for him, but his trauma makes him uncomfortable about this prospect. He does not want to announce that he is a Tutsi, partially of concern for the survivors in his family.
Sharon, a devout Catholic who works at the St. Thomas More cathedral, has a large network of acquaintances. She introduces him to some people—the Wolfs—who eventually become important to Deo.
Deo and Sharon visit the Wolfs, Nancy and Charlie. The situation is uncomfortable, like many of the situations he has with Sharon. He has reached a point where he feels like opening more, but his English fails him. He tells the Wolfs that he would like to return to school in some manner.
Meanwhile, Deo has trouble suffering through work. After a difficult and exhausting day, he quits, but must return of necessity; his boss reduces his already meager salary. Eventually, the Wolfs agree to take him into their home to live.
With the story of the rolling head, Chapter 3 recalls the Burundian injunction against dredging up the past. The head symbolizes talking about something so unpleasant that it means raising a controversy that will turn back against the teller himself. Deo thinks of both the Talking Head and gusimbura when dealing with Sharon.
Chapters 4 and 5 introduce the theme of kindness, specifically, the kindness of strangers. Though there are difficult moments with Sharon—like when she asks him whether he is a homosexual prostitute—there are humorous misunderstandings, as well. For example, intent on learning phrases and words he overheard around the city, Deo asks Sharon what “motherfucker” means. Deo describes Sharon as “the brother you fought with for your share of the blanket at night and thought you never wanted to see again, you hated him so much, and then felt so glad to find in the morning lying on the mat beside you” (55).
In part, the difficulties with Sharon continue to remind the readers that Deo is an educated person forced to endure a situation in which people cannot really comprehend him as anything other a person from the Third World. He often feels patronized and undervalued. In this sense, Deo’s story highlights how privileged people often misunderstand refugees and displaced people or immigrants, assuming them to be inferior in various ways when in fact, they are merely disadvantaged.
By Tracy Kidder