60 pages • 2 hours read
Ann PatchettA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Dr. Marina Singh, the novel’s protagonist, is an intensely loyal, empathetic, and talented researcher and pharmacologist in her early 40s, struggling to extricate herself from troubling romantic patterns and a traumatic past. Her past traumas have multiple origins, starting with her father, a medical student from India, who abandoned her and her white American mother to return his home country after completing his schooling at the University of Minnesota. This separation left Marina to grow up without a father, and resulted in recurring, traumatic nightmares that force her to relive this abandonment again and again. Connected to her father’s abandonment is Marina’s troubling pattern of romantic relationships, including a failed marriage in her 20s, and her current relationship with a 61-year-old-man who is nearly old enough to be her father. Her love interest, Mr. Fox, is not only 20 years older but is also her boss, the CEO of Vogel. Although she hopes to achieve a loving relationship with Mr. Fox, these hopes are extremely naïve, since he refuses to acknowledge their relationship publicly, refuses to verbally express his love for her, and constantly prioritizes company profits over their relationship.
Marina’s troubled relationships with her father and men in general are not the only challenges related to her past. A once promising obstetrician, Marina abandoned that prestigious career for the safety of a biomedical research lab after suffering a harrowing surgical incident that left her feeling deeply betrayed and abandoned by her mentor, teacher, and supervisor, Dr. Swenson. While she is easily the most courageous, likable and sympathetic character in the novel, with the possible exception of Easter, the disappearance of Anders, her close friend and colleague, forces her to confront these complex and traumatic elements of her past—her father’s memory and her relationships with Dr. Swenson, and Mr. Fox. Her trip to the Amazon is not only a trip to discover the truth about Dr. Swenson’s research and Anders’ death, but a journey to confront, and overcome all the traumas of her past.
Marina’s mentor, teacher, and residency supervisor at Johns Hopkins, Dr. Annick Swenson is one of the most complicated characters in the novel. A legendary biomedical researcher, her life and her career have been inextricably linked as she has spent nearly 50 years balancing her formal teaching and advisory roles at Johns Hopkins and other institutions, both academic and corporate, with her life’s passion, researching the Lakashi tribe, and their rare ecosystem. Her ability to manage both responsibilities underscores her tireless energy, and her relentless pursuit of her ambitions.
Dr. Swenson is both tireless and exceptionally brilliant, qualities that make her intolerant of fools, incompetence, and anyone who slows down or impedes her progress. These traits made her an unforgiving and challenging professor and, at least initially, these qualities make her seem obsessive and monomaniacal, insensitive, unresponsive and perhaps, in the aftermath of Anders’ disappearance, conspiratorial.
While these are our initial impressions of Dr. Swenson, the real Dr. Swenson is a much more nuanced and sympathetic human being. Her mission, to develop and distribute an anti-malarial vaccine developed from the Martin tree bark, is a noble one, and her determined attempts to protect the fragile Lakashi culture and ecosystem from exploitation offer a sympathetic counter-balance to her portrayal as a self-obsessed scientist.
When we finally meet Dr. Swenson, our initial impressions must also live alongside the sympathetic image of her as a desperately lonely woman and a good mother, surviving the loss of her mentor and the great love of her life, Dr. Martin Rapp, and raising a Hummoccan Indian boy as her own son.
If Dr. Swenson becomes progressively more human and sympathetic in her characterization, Mr. Fox becomes decidedly less so over the course of the novel. Initially, Marina’s love for him and his overt guilt over sending an ill-equipped Anders to the Amazon make him a sympathetic figure. In addition, we learn that he lost his wife, the mother of his two daughters, prematurely to lymphoma. While these are all humanizing traits, as the novel develops, Mr. Fox, like his name, seems more and more ruthless and cunning in his relentless quest to develop and distribute the fertility drug that Dr. Swenson has promised to deliver. His unexpected arrival at the Amazon research station, a trip made at significant risk and expense, seems, at the outset, like a brave and dashing attempt to rescue his lover and employee, Marina. This is not the case, however, as Mr. Fox quickly trades her medical services in exchange for what he believes is the fertility drug (it is actually the malaria vaccine). Mr. Fox’s willingness to trade Marina for corporate profit in the form of a game-changing fertility drug exposes his true values and motives for the trip. He is ultimately a cynical CEO, an individual determined to realize his personal and corporate agenda regardless of the human and environmental cost.
While Easter has virtually no dialogue in the novel, he is central to the novel’s engagement with familial love, connection, and affection. A 12-year-old Hummoccan Indian orphan raised by Dr. Swenson at her Amazon research station, Easter epitomizes precocious intelligence, competence, loyalty and unconditional love. He not only serves as a skilled guide and river boat pilot, able to navigate every turn of the Amazon, day or night, he becomes a loyal and indispensable companion to both Anders and Marina, which breeds much jealousy in Dr. Swenson, who fears that they will try to take Easter with them when they return to America.
As his name suggests, Easter represents a rebirth of humanizing love, tenderness and connection. He enables Anders to act as a parent during his separation from his own sons. Likewise, for Marina and Dr. Swenson, Easter’s affability and vulnerability trigger their own unrealized mothering instincts and attachments. While Easter’s tribal and geographic origins could not be more culturally distant from those of Anders, Marina, or Dr. Swenson, their easy and immediate love for him underscores the universal potential for human connection and affection, a biological need that transcends language, culture, social class, and national boundaries.
By Ann Patchett