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60 pages 2 hours read

Ann Patchett

State of Wonder

Fiction | Novel | Adult | Published in 2011

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Chapters 2-5Chapter Summaries & Analyses

Part 2: Manaus, Brazil

Chapter 2 Summary

Marina prepares for her departure to Brazil by seeing a Minneapolis epidemiologist, who gives her several shots, including Tetanus and a Yellow Fever vaccine. He also proscribes her Lariam, a potent anti-malarial drug with severe side effects, including depression.

These Lariam pills trigger an unpleasant flashback to her childhood. Her father, an Indian medical student who had met and married Marina’s white mother while studying at the University of Minnesota, abandoned his American family early in Marina’s childhood, returning to India to take a position at a university in Calcutta. During Marina’s youth, her mother would force her to take Lariam before and during her infrequent trips to visit her father. The Lariam triggered horrific recurring nightmares in which she was separated from and left behind by her father in the teeming crowds of Calcutta.

The evening before her departure, Marina visits Karen Eckman. While her three boys watch television in the den, Karen reveals a letter she had recently received from Anders. It is the second letter that has turned up in a week. The letter chronicles the ravages of a fever that has left him weak and frightened, hanging precariously onto life, and desperate to convey his love to Karen and their children. One line in Anders’ last letter to Karen particularly haunts Marina: “Such is your bravery, such is my good fortune” (43).

At home, she finds Mr. Fox waiting in her driveway, prepared to give her a final brief before her flight to Brazil. Marina invites him in and they make love, falling asleep together afterwards, only to be woken with a jolt by Marina’s jarring screams. She tells Mr. Fox about the dreams, but does not reveal the details, only disclosing that they are “generically awful” (49). Mr. Fox then drives her to the airport, handing her a going away present in the form of a special phone that will allow her to check messages, email, and make phone calls from anywhere in the world. He reminds her to take the Lariam, to call him regularly, and he implores her to “go down there, find out what you can, and take the next flight home” (50). They kiss goodbye and Marina boards the plane bound for Manaus, Brazil.

During the flight, Marina remembers that Mr. Fox was once married. His wife, Mary, died of lymphoma at 55, leaving behind Mr. Fox and their two grown-up daughters. Marina also reflects upon the fact that at 61, Mr. Fox is nearly 20 years older than her. She wonders if his love for her is an attempt to avoid losing another partner.

These reflections about love and loss trigger memories of her own parents, who naively believed their love and marriage would overcome the “pull of an entire country”—her father’s native India: “Marina’s own birth was engendered by [her parents] naïveté” (53). Marina wonders if this false hope, this naiveté is in fact the very basis for all birth, reproduction, and survival.

These thoughts rekindle memories of her own short-lived marriage in her 20s to a fellow physician, named Josh Su, during their residencies at Johns Hopkins. This marriage failed, as did her residency in obstetrics and gynecology, as a result of a tragic mistake Marina made while performing an emergency C-Section, a mistake that not only epitomized her troubled associations with Dr. Swenson, who had been the attending physician that night, but prompted her career switch to pharmacology.

“The accident” happened one night while working as the Chief Resident at Baltimore’s County Receiving Hospital. A young woman, already several hours into labor, was brought to the hospital. Her infant’s heart rate was unstable, and Marina, unable to perform surgery without Dr. Swenson, the attending physician, found herself in a Catch-22 situation. Medical protocol required residents to perform surgery only in the presence of an attending physician, but the long wait for Dr. Swenson to appear and the infant’s rapidly deteriorating condition prompted Marina to violate protocol and go ahead with the C-Section in order to save the child’s life. While making the incision, Marina realizes too late that the child is “occiput posterior,” or looking straight up, which results in her cutting directly down the right half of the infant’s face. The infant survived, but the incision left the child blinded in one eye and with a glaring scar.

During the subsequent board review and inquiry after the accident, Dr. Swenson failed to support Marina, merely stating that “the Chief Resident had been instructed not to proceed” (62). While Marina was ultimately allowed to return to her residency, she was so jarred by the incident that she walked away from the program and switched to pharmacology.

The chapter ends with more troubling dream images that seem to bleed into one another: a picture of Anders’ handsome sons merges with yet another dream of Marina struggling to hold onto her own father. 

Chapter 3 Summary

Marina arrives in Brazil, her point of entry into the Amazon River Basin, where she hopes to find Dr. Swenson’s secret research station and to discover the truth about Anders’ death. After passing through customs, Marina discovers that they have misplaced her luggage, which includes the special phone that Mr. Fox gave her. Heading to the airport lobby, she is met by a Vogel employee, Milton, a smart and savvy Brazilian man hired to serve as her guide and interpreter in the dangerous urban landscape of Manaus.

Milton drives Marina through the pot-holed and labyrinthine streets of Manaus to a store run by Rodrigo, Milton’s brother-in-law, where Vogel keeps a corporate account. Arriving at the store, Milton introduces Marina to Rodrigo, and serves as her translator, revealing that Dr. Swenson, “is an excellent customer” (72); the store serves as the chief outfitter and supplier for her Amazon station. Pressing Rodrigo for further intelligence about Dr. Swenson, Marina learns that Dr. Swenson visits Manaus infrequently, and her arrival is never announced. She also discovers that it has been nearly a month since Dr. Swenson was last seen in the city. Inquiring further about the best way to track down Dr. Swenson’s whereabouts, Milton suggests she find the Bovenders, a young expat couple who live in Dr. Swenson’s city apartment, and look after her affairs in her absence.

After buying necessary supplies at Rodrigo’s store, Milton takes Marina to the Hotel Indira, the shabby hotel where she will stay during her time in the city. She calls Mr. Fox, informing him that she has misplaced her luggage and the phone he gave her, making frequent communication extremely difficult. Exhausted, she falls asleep while still on the phone.

The next day, Marina explores Manaus, a city centered on shipping and tourism because of its location at the entry point into the vast Amazon Basin. Because the entire city borders the Amazon River, it is a fairly easy place to navigate. During her wanderings, she is struck by the dense riverboat traffic, the milky and murky waters of the Amazon itself, the overwhelming heat and humidity of the equatorial cityscape, the daily torrential rains, and the pervasive smell of rotting meat. Still without her luggage, Marina enlists the hotel staff to help her track down the Bovenders, who may be her best bet for finding Dr. Swenson.

Seeking refuge from the rains back at the hotel one afternoon, Marina reads an article in the New England Journal of Medicine that offers a historical overview of the research conducted on the Lakashi tribe’s reproductive capacity. She remembers how Anders used to remind her that the Lakashi were a remote Brazilian tribe whose women were able “to give birth to healthy infants well into their seventies” (79). Reading the article, she learns that this uncanny reproductive trait is the only thing that distinguishes the Lakashi from the neighboring tribes. She also learns that Dr. Swenson has been studying and working with the Lakashi for 35 years, which would include the period she was teaching a full load at Johns Hopkins. Marina speculates that she had been making trips from Baltimore to Manaus on weekends, vacations, and breaks, managing both her research and her teaching with her “relentless energy,” the same energy that made her a feared and demanding mentor to her students.

Later, Marina does a Google search of Dr. Swenson, resulting mostly in links to the New England Journal article and tedious complaints posted by former students about her “unfairly difficult” courses. The only intriguing link is to another doctor, the famous Harvard ethnobotanist Dr. Rapp, the first scientist to make contact with the Lakashi tribe as early as 1960. She discovers a picture of Dr. Rapp towering over the Lakashi natives who stand on either side of him; they are all holding mushrooms. Hoping for clues about the Lakashi's and Dr. Swenson’s location, the most specific information she can find is that they are in the “central Amazon basin” (80).

After her unfruitful search, Marina has a tense and unsettling conversation with Mr. Fox, who initially pesters her about the lost luggage and insists that he will buy her a new phone. Marina interrupts him and asks Mr. Fox to reveal the secret to the Lakashi's miraculous reproductive capabilities. While he initially evades her probing questions, claiming “confidentiality” (82) and that it “has nothing to do with [her]” (82), Marina presses him further, reminding him that she has journeyed all the way to Brazil, and she needs to know why this trip is so important. Mr. Fox eventually discloses the fact that the station researchers have traced the source of the fertility to a special tree bark that the women chew while it is “still on the tree” (83).  

Finishing the call, Marina heads back out into the city, buying a white heron carving from a young boy at the market square. Looking around, Marina realizes how well she blends in with the locals, who have dark skin like her. She thinks about Anders, whose height, Nordic looks, and blue-eyes must have made him stand out, and attract a lot of attention from the locals. She remembers how pale his skin was, and how easily it would burn without sunblock, and she wonders how Vogel ever could have sent him to the jungle.

Returning to Rodrigo’s store, Marina encounters the Bovenders for the first time. They are much younger and more attractive than she expected, with a slight accent that she thinks is Australian. Barbara, who claims to be a writer, is tall, thin, tanned, blonde-haired and fashionably dressed with a gold chain around her ankle. Her husband, Jackie, a pro-surfer, is brown haired with a face that is “nearly too pretty” (85). He has a tattoo that wraps around his ankle and is dressed in a t-shirt and baggy shorts. Marina introduces herself to the couple, inquires whether they got the letter she left for them, and learns that the Bovenders have a rather casual relationship with their mail. Most of the mail simply goes into a box that Dr. Swenson sometimes picks up “when she comes to town” (87).

The conversation shifts suddenly to Anders, whom the Bovenders met during his time in Brazil. Barbara speaks about the couples’ devotion to Dr. Swenson and about their admiration for the seriousness and importance of her work. They see themselves as Dr. Swenson’s protectors, shielding her “from the press” (89), “from other doctors” (89), “from other drug companies trying to steal her work” (89) and from Vogel, who Barbara calls “the worst” of them all (89). Barbara refers to Anders as “a huge distraction” (89) during his visit to Brazil, hanging around, following them, and always asking questions. When Barbara suggests that Anders is probably still out there being a nuisance, an indignant Marina reveals that Anders is in fact dead, and that she has come on behalf of his widow, Karen, to learn the details of his death. All the blood drains from Barbara’s face and the Bovenders and Milton express their sincere sympathy for Anders’ untimely death. After collecting her supplies, Marina leaves the store, certain that, “in her rush to be unpleasant” (91), she has probably alienated the Bovenders and broken the only thread that could lead her to Dr. Swenson.

Chapter 4 Summary

A week after she first meets them, the Bovenders invite Marina to the beach at Ponta Negra. While Milton warns her that they need to leave no later than 6 am to avoid the unbearable afternoon heat, the laid-back Bovenders refuse to rise before 9am. Milton and Marina arrive at 9, but the Bovenders keep them waiting over an hour.

On the drive to the beach, Jackie complains of chronic carsickness and the narrative recaps their conversation the night before. The Bovenders had contacted Marina, offering a list of all the must-see places in Manaus, and wanting to know more about Anders. Marina agrees to meet them for dinner, where she reveals the letter that Dr. Swenson had written informing Mr. Fox of Anders’ death. The Bovenders visibly react at the mention of Mr. Fox, asking Marina: “Is he awful?” While Marina responds with a neutral “no,” her recent conversations with him have caused her to question his true character.

While the Bovenders express sympathy for Marina’s loss, they continue to defend Dr. Swenson, rejecting any suggestion that she could bear any responsibility for Anders’ death. “She’s very focused,” they assert, “she has to be.” When Marina insists that she never suspected Dr. Swenson was at fault, the couple relax, and Barbara, still unaware of the depth of Marina’s personal history with Dr. Swenson launches into a monologue extolling Dr. Swenson’s virtues: “She is a force of nature” (96), “her work is so thrilling” (96), and most importantly, she is a woman who “sees the world without its limitations” (96).

Marina, long ago disillusioned by her own experience with Dr. Swenson, quickly shifts the topic back to Mr. Fox, attempting to discern the reason for the Bovenders’ open hostility towards him. Barbara reveals that Mr. Fox “bothers her” (97), writing her letters, calling her, “asking her what she’s doing” (97), and being generally intrusive. Marina reminds them that Vogel, Mr. Fox’s company, is funding her research, her apartment, this dinner and everything they enjoy, and that Mr. Fox, is ultimately responsible for getting a return on his company’s substantial investment. Barbara, however, dismisses this notion of the patron’s responsibility and asks, “Is the person who commissions Van Gogh responsible for the painting?” Barbara’s question reminds Marina of the sort of philosophy she would have entertained in her early 20s, and the question signals an insurmountable generational and experiential divide between the two women.

The narrative then flashes forward again to the beach at Rio Negra, where Marina begins to wilt in the oppressive heat of the late morning; she seeks shelter and shade under an umbrella that Milton, ever resourceful, has set up. In sharp contrast, the Bovenders seem oblivious to the extreme heat, and are eager exhibitionists, showing off their nearly nude and perfect bodies for all to see. . The whole scene makes Marina and Milton feel like parents, watching their children at play.

Marina’s rising internal temperature mirrors her growing impatience over the Bovenders’ delay tactics, who are clearly the gatekeepers controlling access to Dr. Swenson, a perception that Milton confirms. Just when the heat seems unbearable, Milton guides Marina into the murky water of the Amazon River. While the water is a welcome relief from the heat, Marina is afraid of what lies hidden beneath the surface.

Later, back at the Hotel Indira, Marina checks the new cell phone Mr. Fox has sent her for messages, and takes a nap haunted by the recurring nightmare of her father. Barbara Bovender calls her, checking to see how she is recovering from the heat, and invites her for a drink that evening at the apartment they keep for Dr. Swenson.

Marina is astonished by the elegance of the lavish, high-ceilinged apartment, with its breezy balcony overlooking the river, and walls decorated with Paul Klee paintings; it is far more glamorous than anything else she has seen in Manaus. She is stunned by the views and astounded by the notion that such an opulent apartment could be set amidst such a gritty and squalid city like Manaus. As the Bovenders remind Marina, however, Manaus was once one of the wealthiest cities in the world until the rubber barons no longer made money from boiling the rubber from the trees. After that, the city began its long slide into decay, but the apartment is a reminder of that rich and decadent history.

Marina enjoys a drink while the Bovenders share a joint, and Marina begins to inquire about the nature of their work for Dr. Swenson. She is shocked to find that they don’t really take care of her mail other than to store it for her in a box, nor do they handle any of her bills, which are all paid for by Vogel. When they show her the mail box, Marina leafs through it, finding several of her own letters to the Bovenders. More importantly, she finds stacks and stacks of mail for Anders Eckman from his wife Karen, letters that he never received.

Discovering one of her own letters to Anders, the Bovenders inquire about the nature of Marina’s relationship with him. “Were you in love with him?” (109), they ask. Marina refutes this and reflects upon the nature of her feelings for Anders. She concludes that they were friends, colleagues who did the same research for several years, who ate together; however, somehow this journey to Brazil has clouded her memories of Anders, her waking and sleeping thoughts now haunted by intimate images of him, on the verge of death, with his head on her lap. Marina wonders privately whether she has in fact fallen in love with him, at least “for a minute” (109).

After leaving the Bovenders’ apartment, Marina calls Karen Eckman from her hotel, and is surprised that Karen is awake in the middle of the night. Karen has suffered from insomnia since her husband’s death; she tells Marina that Anders knew and despised them. They had kept him occupied for an entire month before Dr. Swenson finally appeared. When Karen asks what the Bovenders said about her husband, Marina confesses that they didn’t know he was dead. Without revealing that Karen’s letters to her husband had gone unread, Marina does explain that communication between Vogel, Manaus and Dr. Swenson’s station in the Amazon was almost non-existent. On hearing this, Karen begins to cry and there is little Marina can do to comfort her. Later that evening, Marina begins to feel the effects of a fever and experiences a nightmare in which her father drowns after his boat capsizes on a river.

In the subsequent days, Marina is wracked by fever, a condition that recalls the sickness that had killed Anders. In spite of Marina’s protests, Barbara stays in the hotel to look after her. She offers her a foul remedy—a cup of river water boiled down to its essence as prescribed by a local shaman. Marina, a career scientist, if horrified by this superstitious folk-medicine, and initially refuses the shaman’s cure. However, when Barbara insists, she drinks the awful concoction, and the next day, after a bout of vomiting followed by a deep sleep, Marina finds the fever is gone. Barbara is still in her hotel room, reading the New England Journal of Medicine article about the Lakashi, having brought Marina some formal dresses to wear to an engagement the next evening. The chapter ends with Marina shooing Barbara out of her hotel room, and taking the journal with her.

Chapter 5 Summary

The next evening, the Bovenders take Marina to see Gluck’s opera, Orfeo and Eurydice, at Manaus’s beautiful Teatro Amazonas Opera House, where they sit in Dr. Swenson’s reserved box seating. Like the apartment, it is an opulent and dramatic counterpoint to the relative squalor of the city.

As she enjoys the opera, Marina wishes she could share the beauty of the theater, the pageantry of its wealthy patrons, and the fine performance with Mr. Fox, rather than the Bovenders. The opera makes her forget the difficult journey through the jungle that awaits her, transporting her to an idealized world of romance instead. Creating this idealized world, Marina reflects, is essential for human survival, a necessary refuge from “all the rotting in the unendurable heat” (124).

Later, when Jackie disrupts the performance with a mindless question, a woman, seated behind them, abruptly hushes him. When they turn around, they are shocked to discover the woman seated behind them is none other than Dr. Swenson, who has arrived unannounced. After a brief greeting, Dr. Swenson dismisses their astonishment, and silences them, insisting they listen to the upcoming solo that concludes the show.

After the opera, Dr. Swenson introduces Marina to Easter, a deaf and extremely undersized Amazonian Indian orphan that she has apparently adopted. Easter is sweet, highly intelligent, and charming, easily endearing himself to everyone.

Beyond his affability, Easter is an extremely capable guide, and this skill comes in handy when Dr. Swenson insists they walk from the Opera to dinner, oblivious of the fact that Marina is wearing a formal dress and high heels. Although Marina cannot keep up with Dr. Swenson’s relentless pace, with Easter’s help she manages to find the restaurant.

At dinner, Dr. Swenson is direct, telling Marina she should never have come, and that Mr. Fox’s meddling and “continual monitoring” (136) will not speed up her research or productivity. Marina tells her that she is also in Brazil to learn the details of Anders Eckman’s death.

At the mention of Anders, Dr. Swenson becomes evasive and dismissive, suggesting that there is little more to tell. When Marina continues to probe, Dr. Swenson becomes prickly, but she soon settles into a calm account of Anders time at the station.

“I liked Dr. Eckman” she says, “every aspect of his visit was a great inconvenience to me but there was something ingenious about him” (136). He had, Dr. Swenson reveals, a knack for being sincerely interested in everything, people, birds, and research samples. Anders was the type to ask several questions and take in every word. In spite of his interest, earnestness, and affability, however, Anders Eckman was entirely “ill suited for the jungle” (137). “The heat, the insects, even the trees made him anxious” (137). Though interested in everything, Dr. Eckman lacked the sense to know when to leave.

Dr. Swenson also reveals the special relationship that developed between Easter and Anders. He had taught Easter table manners, the alphabet, and been genuinely kind to him during his stay at the station. We learn that Easter was with Dr. Anders when he died. Other than these details, Dr. Swenson offers very little information about the cause and manner of Anders’ death.

Back at the hotel, Marina calls Mr. Fox, threatening to come home. Mr. Fox cajoles her into continuing the mission, but she is clearly starting to doubt the value of this undertaking.

That night she dreams about her father again, the dream mixed with memories of her father as a Doctoral student at the University of Minnesota. He, like the other Indian students, wore pink shirts that provided a jarring contrast with the stark winter landscape of Minnesota.

The next day, she meets Dr. Swenson at Rodrigo’s, where Dr. Swenson is preparing for her departure back to the station that morning. Marina reveals that she plans to join her on the long boat trip to the station. Later that morning, she boards Dr. Swenson’s boat, and they depart Manaus, heading down the Amazon into the deep jungle. Easter, though just a child, captains the riverboat.

Chapters 2-5 Analysis

Chapter 2 is fraught with troubling associations between the past and present, life and death, and unresolved fears of separation and abandonment. All of these feelings unite Marina, Mr. Fox, and Karen Eckman in some way. For Marina, the upcoming trip forces her to take the anti-malarial drug, Lariam, a drug she once took with horrific results. One of the side-effects—nightmares and depression—hit her particularly hard during her childhood visits to her father in India. Though she visited him periodically in her youth, Marina’s father left her mother to return to his native India when Marina was very young. This separation and abandonment was extremely painful for Marina, who essentially grew up without a father. Even her trips to India were shadowed by the memory of her father’s abandonment of her in the form of painful nightmares. Her father eventually remarried, establishing a new family, of which Marina was never a part. Thus, Marina felt marginalized in his life long before he died while she was in her 20s.

Marina’s troubled relationship with her father is partially mirrored by her troubled relationship with Mr. Fox. He is not only nearly 20 years her senior, but he insists on keeping their relationship secret. By seeking a man of his age, who will never fully or openly embrace her, Marina is replicating her own relationship with her father.

Mr. Fox too, suffered loss and death when his wife died of lymphoma. Marina infers that his relationship with her, a much younger woman, is his attempt to prevent experiencing this loss again. While this may be the case, the events of the opening chapter point to the unpredictability of life and death. Anders, a relatively young man, has left behind a wife and three children. Marina’s own father died at a young age, and there is no guarantee that life will follow any predetermined biological pattern.

In contrast to these experiences of loss, comes the revelation that the Lakashi tribe has an extended reproductive capacity, which allows women to bear children well beyond menopause. This discovery flies in the face of traditional biological reproductive patterns and, if properly exploited, represents potentially enormous profits for the Vogel Corporation. For this reason, Mr. Fox is determined to discover the progress of Dr. Swenson’s drug development and research.

This new drug offers hope of permanent fertility, and much of this chapter deals with hope. For Marina, hope is fundamentally a form of naïveté driving human decisions for better or worse. Marina once placed her hopes in a marriage, but it lasted less than three years. She also placed her hopes in a career as an obstetrician, but a devastating accident in which she permanently scarred and blinded an infant, caused her to lose faith and hope in that career. Thus, instead of becoming a great surgeon, Marina became a lab researcher, retreating from a much more promising career.

Chapter 3 is set in the largest city of the Amazon region, Manaus, the historical gateway to the surrounding rainforest. The city, which lies sprawling along the banks of the Amazon River, is immediately characterized as a strange and alien place, exposing Marina to the stifling tropical heat and humidity, to outdoor markets teeming with meat and produce on the verge of rot, and to a medley of unknown Indian languages and mysterious Shamanistic folk cures. Beyond the shock of the climate and culture, Marina also must face this unknown landscape without any of her usual luxuries. Her luggage along with the special phone, her clothing, and her toiletries are all misplaced by the airline, so her arrival literally strips away all the accouterments and comforts of home, and, by losing her phone, makes communication with Vogel and Mr. Fox extremely difficult.

In this alien environment, the typically independent and resourceful Marina is forced to be dependent on others for help and guidance. Fortunately, Vogel hires Milton, a native of Manaus, who is extremely skillful, trustworthy and resourceful as both a guide and translator. He not only guides her capably through the pot-holed streets of the city, he also replaces her clothing and toiletries at his brother-in-law, Rodrigo’s store, and arranges accommodation for her at the Hotel Indira. Milton epitomizes dependability and street savvy; he is the consummate problem-solver, able to negotiate with customs officials, make quick decisions under pressure, and navigate the labyrinth of Manaus, he is largely responsible for making Marina’s life in the city manageable.

While Marina initially suffers from culture shock, her Indian features and dark skin make her, for the first time, blend in with the crowd. This is a far cry from her youth in Minnesota, where she stood out among the typically blue-eyed and fair skinned white people.

If Marina manages to blend in, in Manaus, the Bovenders, a young, “bohemian” couple from Australia, who serve as gatekeepers for Dr. Swenson, stand in jarring contrast to everything else in the city. Barbara, who fancies herself a writer, is a tall, beautiful blonde, prone to wearing skimpy outfits that attract attention. Her husband, Jackie, a pro-surfer, is equally handsome and perfectly toned. Though they come across as harmless, frivolous, and friendly, in reality, they are paid employees of Dr. Swenson, hired to fend off nosy corporate executives, journalists, and anyone else who tries to track down and gain access to their employer. Before Marina arrived, they had used their delaying tactics on Anders Eckman, keeping him in the city for several weeks until Dr. Swenson arrived. Similarly, the invitations they extend to Marina for various jaunts and outings around the city are a clear ruse to delay her access to Dr. Swenson. In return for playing “the gatekeeper” role for Dr. Swenson, she allows them to live in her apartment, and affords them a relatively carefree and leisurely lifestyle in the city.

In Chapter 4, Marina grows frustrated as the Bovenders continue to prevent her from gaining access to Dr. Swenson. While their outings to the riverside beach, and an invitation to a cocktail gathering at their lavish apartment are, on the surface, welcome breaks from the monotony that characterize her first few weeks in Manaus, it is clear that Marina’s patience and good will are on the wane.

During the scene at Dr. Swenson’s apartment, she is visibly upset when she finds stacks of unforwarded and unread mail from Karen Eckman to her husband. Not only do the Bovenders not forward the mail, they have been instructed to simply store it for Dr. Swenson. This revelation seems to confirm Marina’s suspicion that the miscommunication and misdirection between Vogel and Dr. Swenson is a deliberate and coordinated campaign authorized by Dr. Swenson. Her attempts to hide her research station and to stay in a state of miscommunication suggest she has much to conceal, and confirm Marina’s suspicions that Dr. Swenson has become increasingly monomaniacal in her control of the research project, not to mention indifferent or hostile to anything or anyone that attempts to interfere with her research.

While Marina is caught in this prolonged waiting game with the Bovenders, she, like Anders before her, comes down with a fever, one that triggers painful flashbacks of her childhood separation from her father. Wracked by fever, Marina is rescued by the intervention of Barbara Bovender, who brings her a boiled cup of river water from a local Shaman. Though Marina’s formal medical training makes her skeptical about superstitious remedies and folk medicine, she submits to this mysterious concoction and is miraculously cured. This folk remedy points, not only to the limited knowledge and understanding of modern science and medicine, but also foreshadows many future discoveries of native wisdom and the power of natural medicine.

In Chapter 5, Marina’s miraculous recovery from the fever is followed by a visit to the opera with the Bovenders. The plot of the opera, a performance of Gluck’s Orfeo and Eurydice, bears more than a passing resemblance to Marina’s own impending journey down the Amazon. Like Orfeo’s trip into Hades, Marina must make a dangerous journey into the unknown interior of the Amazon, a place that has already claimed the life of her close friend, Anders. In addition, her mission to bring back information and to reclaim Anders’ body also offers startling parallels to Orfeo’s mythical and ill-fated attempt to bring back his lover, Eurydice, from Hades.

Although the opera is a tragedy, Marina is touched by this experience of culture and romance in the heart of the Amazon. For just a moment, she is able to escape the anxiety she has felt since embarking on her mission. The opera triggers her own repressed romantic longings; she, like Orfeo, is motivated by love—platonic love for Anders, romantic love for Mr. Fox, and deep compassionate love for Karen. However, like Orfeo, several signs point to her romantic hopes being unfulfilled. Her phone conversations with Mr. Fox are largely business-like and unsentimental, focused mainly on the mission. The opera, then, while moving, underscores the loneliness that results from her separation from Mr. Fox.

These romantic longings are short-lived, however, as Marina is distracted by the sudden appearance of Dr. Swenson, who also attends the opera. Until this point, Dr. Swenson has been revealed only through letters, flashbacks, and second hand accounts, so her sudden appearance in the novel’s fifth chapter is the first time the narrative offers a first-hand account of her character. In contrast to the size and sweep of her reputation, the physical Dr. Swenson is physically short, but she more than makes up for her diminutive size with her forceful personality, limitless energy, and a disarmingly sharp and decisive mind.

Initially, Marina is visibly intimidated by Dr. Swenson, who has a knack for controlling everyone and everything around her. The Bovenders are obsequious in her presence, and every decision and movement is made on her terms and at her speed, as epitomized by the long walk to a restaurant after the opera. Even at 73, Dr. Swenson moves so quickly through Manaus that Marina, in high heels, is unable to keep up. Later, at dinner, Marina’s inquiries into Dr. Swenson’s research and the fate of Anders Eckman are abruptly tossed aside, as Dr. Swenson dictates the flow and topic of conversation, apparently predicting and countering Marina’s questions and arguments before she has fully formed her thoughts. Literally and figuratively, Dr. Swenson always seems to be a step ahead of Marina, only revealing information when it suits her purpose.

In contrast to Dr. Swenson is her adopted orphan, Easter, a Hummocca native whom Dr. Swenson has raised since early childhood. While Dr. Swenson is guarded and elusive, Easter is kind and accommodating, guiding Marina through the city and making sure she reaches the restaurant safely. For a twelve year old, Easter is uncommonly poised, competent, mature and intelligent. His easy charm, affability and virtue make him the darling of everyone he meets.

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