48 pages • 1 hour read
Adrienne YoungA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
August searches his mother’s home for records, remembering his life with her after his father, Calvin, left them. Noah comes to his door and welcomes him back. He tells him that his wife, Emery’s mother, has passed away and kindly asks August to avoid Emery while he’s in town. August agrees.
Emery goes to see Nixie, who is making candles. Emery helps with the process while they discuss the day’s events. Nixie is concerned about her and says that her relationship with August was “no ordinary childhood love” (88). She accidentally mentions the town where August lived after Saoirse Island, and Emery realizes that Nixie knew where he had gone. Nixie confesses that Emery’s mother and August’s mother wrote to each other for years. Betrayed, Emery goes home and looks through her attic until she finds the letters from August’s mother. She learns that he and his mother changed their surname from Salt to Somerfield.
Emery processes her discovery and remembers the months she spent searching for August online, hoping to find where he went. Eventually, her parents confronted her and told her to stop looking. Emery goes to see her father with the letter and learns that he knew where August was but hid the truth from her. He insists that he was only protecting her, but Emery implies that he was really protecting his own secret.
At nine years old, Emery and Lily study magic with Emery’s grandmother Albertine. They practice making a cut rose grow. Using an apple to tell a story, Albertine recounts how the island orchard was started by Lily’s ancestor before being passed through marriage to the Salt family. When Albertine goes into the kitchen, Lily sneaks a look further into the spell book.
Emery unearths the ferry tickets that she hid away after the fire. She and August had been secretly planning to leave the island, and she feared that they would implicate him further. She remembers Lily’s funeral and finds another hidden item: the deed to the Salt orchard. After August’s grandfather Henry died, the council announced that the orchard had been left to the town. Dutch calls and asks to meet Emery, and she leaves for the tearoom. Before she goes, she sees a starling outside her window. Once at her door, she meets August. They are both nervous, and Emery rushes off.
Noah reflects on his life with Emery. He remembers her vulnerability after the fire and the way she would go to August’s old house and sleep in his bed. Noah would go over and carry her home. He waits outside her empty house before driving off to Leoda’s house for a small council meeting; he tells them that Emery might become a problem.
August goes to visit Emery at her shop. She confronts him about his betrayal, taking off without saying goodbye. They briefly discuss their current lives. Dutch comes in and is surprised to see August but is cordial. He tells him that he’s now running the orchard. August leaves, and Dutch follows. He tells him that he and Emery are now together and implies that he doesn’t want August shaking things up. August alludes to them both keeping secrets and promises that he’ll be gone soon.
Emery is restless, hiding from old nightmares that have recently returned. She goes to her mother’s letters and begins reading them. August’s mother, Hannah, tells Emery’s mother about her new life on the mainland. In the final letter, she laments the night of the fire and calls August’s actions “unforgivable.” Emery becomes frightened that August did kill Lily after all.
Five months before the fire, August returns home late and bloody. His mother is asleep, but Emery wakes up and sees his wounded face. She wants to tell Jakob about August’s grandfather’s abuse, but August refuses. He reminds her that they’ll soon be leaving Saoirse Island. August reflects on his father, who abandoned them years ago. He decides that he can’t blame him.
In the present, Emery processes the contents of the letter and decides to confront Nixie. Outside her house, she meets Dutch, who’s fixing his truck. He asks to talk about their relationship, but Emery is hesitant. He storms away, and Emery feels guiltily relieved. She goes to see Nixie and shares the letter, claiming that it contains proof about Lily’s murder. Nixie advises her to proceed with caution.
August goes to the records office to claim a copy of the deed to his house. The receptionist, Sophie, is nervous around him. She pulls out the folder for his house but finds it empty. She advises him to order a copy from the records office on the mainland. August leaves as another woman comes in. The two women begin gossiping about him once he’s gone.
Jake looks over a recent case, hiding his whisky in a coffee cup. Emery comes to see him and asks why he was so certain of August’s guilt all those years ago. Reluctantly, Jakob explains what happened: Lily was found in the woods with seawater and seaweed in her lungs, although her hair and clothes were completely dry. August and Dutch claimed to be together just before the fire. He admits that the autopsy revealed that Lily was pregnant, even though Emery adamantly denies that she was seeing anyone. She realizes that Lily must have been secretly seeing August. Jakob also mentions the family’s history of violence, with August’s father and grandfather both being abusive. Emery makes excuses and leaves. Once she’s gone, Jakob phones someone and tells them about the visit.
The second section of the novel is concerned chiefly with deepening tension and characterization. Although Chapter 13 is told from August’s perspective, it functions mainly to explore Noah more deeply. Noah’s careful yet warm approach to August introduces another layer to the island’s intricate social fabric, where alliances are formed out of both necessity and shared history. He and August meet and interact without Emery as a buffer between them, and so their warm yet cautious dynamic shines. His character is further enhanced later in this section when the narrative moves directly into his memories of parenthood. These flashbacks not only humanize Noah but also reflect the broader themes of The Influence of Ancestral Heritage and the burdens passed down through generations.
In the following chapter, a similar interpersonal dynamic occurs between Emery and Nixie. There are parallels between both scenes as the younger generation and the old find common ground and offer snapshots into the past. The narrative then moves into Emery’s childhood, showing her learning magic with her grandmother and Lily. This magical training marks the beginning of Emery’s connection to her family’s legacy, highlighting the blending of tradition and identity formation. This is the most overtly fabulist moment in the novel, moving from magical realism and into true fantasy. The reader is shown Emery’s very first interaction with the family spell book: “I’d never been allowed to open The Blackwood Book of Spells. Not until my ninth birthday” (102). This glimpse into magic and legacy explores Emery’s link to the influence of ancestral heritage. The spell book represents not just the magic of the Blackwood family but also the weight of knowledge and responsibility inherited through the generations. It also introduces the idea of the Salt orchard being stolen from the Morgan family, and the notion of land ownership being tied to legacy foreshadows the novel’s climactic tension between the two families.
These chapters also further develop Emery and August’s relationship, which previously had only been hinted at through memory and implication. August confronts her in person and, in doing so, begins the steps toward confronting his own mistakes. This encounter sets the stage for the unraveling of their shared history, where love, betrayal, and misunderstanding merge into a complex emotional landscape. Their dialogue is different from any prior interactions between them and other supporting characters; now, they share pieces of their journeys since seeing each other last and how they still feel about their shared past. The emotional honesty in these scenes reveals the depth of their unresolved feelings, creating a tension that pulls the narrative forward. Within this section, Emery also discovers her mother’s cache of letters, which rattles her carefully constructed veneer and speaks to the influence of ancestral heritage. The letters are presented on the page, in an epistolary style, and fill in some of the gaps during August’s absence. The letters, while offering pieces of the puzzle, also serve as a symbol of secrets buried within families and relationships, deepening the sense of mystery. They also create what’s called a “MacGuffin”—a physical object that acts to push the plot forward. In this case, it’s the letter that appears to implicate August in Lily’s murder, acting as a catalyst for both personal and communal suspicion, driving the characters toward confrontation.
Finally, these chapters begin exploring the deterioration of Emery and Dutch’s already fragile relationship. Dutch takes the uncertain step of standing up for himself, attempting to take control of his own destiny in a way he’s never done before. This marks a key turning point for Dutch, as he moves from passive acceptance of his circumstances to a more assertive stance, even if it comes at the cost of his relationship. Emery reflects, “He’d had unending patience for me, waiting out my dark moods and hoping I’d come around to what he wanted. […] Dutch had put up with my shit for a lot of years” (136-37). Emery is aware of the role that she is playing in their trouble but is unable to break out of her habits. Her self-awareness adds layers to her character but also highlights the inertia that can come with grief and unresolved trauma. By pushing for more respect than he’s being given, Dutch eventually loses the tenuous hold he had but frees himself from an empty relationship in the process. This moment illustrates the novel’s exploration of self-liberation, as Dutch’s actions mirror the broader pattern of characters breaking free from The Power of Love and Obsession.
By Adrienne Young
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