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Hooks asks Etta about a visit she received from Kabuo in 1945 after he returned from war. Kabuo was attempting to obtain the seven acres, insisting his father was only one payment from outright ownership and that it was wrong of Etta to sell the land. Etta remained firm that she repossessed the land just as a bank would and sent the Miyamoto family the equity they had earned from the sale. Etta tells Hooks that both she and her son felt Kabuo gave them threatening glances whenever either of them saw him from then on. She claims her son remained cautious around Kabuo.
Ole Jurgensen—the farmer to whom Etta sold the land—testifies next. He insists that Kabuo had no legal claim to the seven acres when Jurgensen purchased it from Etta. Jurgensen adds that when he spoke with Kabuo about this in 1945, Kabuo went away angrily, vowing to get his land back. When Jorgensen had a stroke, he decided to sell his farm. Carl Heine approached him about buying it, and Jorgensen accepted a down payment on September 7, months before the trial. Soon after, Kabuo arrived, asking to purchase the land, which had been advertised for sale. Jurgensen and his wife explained that they had just sold it to Carl. When Carl returned a few days later, they informed Carl that Kabuo had approached them to buy the land.
Kabuo eats alone in his cell during the trial’s lunch break. He recalls first meeting Gudmundsson and liking him. Gudmundsson brought a chessboard to their first meeting. Kabuo recalls killing four German soldiers during the war and believes the murder charge must be karma for these deaths. He lies on the bunk, daydreaming of his marriage to Hatsue in the concentration camp, learning kendo from his father, and a boat trip the family took in August just before Heine’s death.
Ishmael recalls the day in the cedar tree with Hatsue. It became a place where they met to kiss and, later, have sex. At the time, Ishmael believed their meeting was preordained. With time, Hatsue confessed that her religious beliefs caused her to believe that their relationship must be wrong because they hid it. At school, they did not interact.
That summer in 1941, Hatsue was crowned the Strawberry Princess. Fall comes, and the teens continued to meet, though Hatsue felt her behavior was evil because she lied to her family by keeping their relationship hidden. Ishmael protested. They both worried about the war that unfolded overseas.
The narrative shifts to Hatsue’s learning of the Pearl Harbor attack. That night, her father received a telephone call from a Japanese neighbor warning him that citizens throughout Amity Harbor were arming themselves out of concern that Japan might attack. There were rumors that California and Oregon would be invaded. The next day, the people living on the island were warned of possible air raids and blockades.
Ishmael’s father released a special war edition of the newspaper. One article reported of several local Japanese declaring their loyalty to the US. Ishmael and Hatsue meet; Ishmael felt that Hatsue should not worry, but Hatsue disagreed. She argued that, despite being an American citizen, she would be considered more Japanese than American.
In the flashback, Ishmael goes to work with his father, who is having difficulty keeping up with so much news. Over the next two months, Arthur printed stories of ordinary events alongside local impacts and reactions to the war. He notes each time a Japanese resident heads off to join the Allies in battle. Some accuse Arthur of favoring Japanese people, and he begins to lose subscribers.
In a flashback, two FBI agents search Hatsue’s home. Her father, Hisao, allows them in, insisting he and his family are loyal to the US. The agents argue that some locals claim some Japanese families have contraband items. The agents confiscate the gun and swords belonging to Hisao, along with the dynamite he uses to remove tree stumps. Then, they arrest Hisao, explaining he will be taken to Seattle for questioning. His wife, Fujiko, protests; Hisao tells her to phone Robert Nishi. When Fuijiko does, she learns he, too, has been arrested. In all, eight Japanese men from town are arrested and sent to concentration camps in Montana.
Hatsue’s mother explains to her five daughters that they must prepare to face hatred. As her mother speaks of the superiority of Japanese people over white people, Hatsue protests. She cannot reconcile the bombing of Pearl Harbor with this claim and argues that she identifies much more as an American than as a Japanese person. Her mother asserts that living among Americans has tainted Hatsue. Hatsue suspects her mother knows of her trysts with Ishmael.
When Hatsue meets with Ishmael later, he says they should move to Seattle together after their graduation. Hatsue says a “mixed” couple will no longer be accepted anywhere in the US. In March, the order for those of Japanese descent to relocate to the concentration camps is given. Hatsue and Ishmael meet in the cedar tree one final time. Ishmael has developed a plan to smuggle letters back and forth from the camp. They have sex, and he begs Hatsue to marry him. Hatsue tells him she cannot marry him, and then leaves.
In another flashback, Hatsue, her mother Fujiko, and her sisters are transported to the concentration camp—Manzanar—in California. Along the way, they are forced to sleep in horse stalls and eat unfamiliar food that makes many of them ill. Fujiko tries to remain calm but is also ill throughout the journey. The barracks at Manzanar are dismal and the camp crowded.
One day, Hatsue’s sister opens a letter addressed to Hatsue with the return address of “Journalism class” at San Piedro High School. It is a letter from Ishmael, and the sister immediately brings it to Fujiko. Fujiko fumes silently upon learning that Hatsue has been involved with a white teenager. She thinks back to the beginning of her arranged marriage to Hisao and how unhappy she was initially; eventually, she settled into life with Hisao and learned some form of love for him.
Fujiko plans to confront Hatsue with the letter, but before she can, a group of boys from the island comes by with lumber, offering to make shelves, chairs, or other furniture that Fujiko might need. Among them is Kabuo Miyamoto, and Fujiko is impressed by his politeness and the kindness he displays as he crafts a set of shelves.
When Hatsue arrives, Fujiko thrusts the letter at her, forbidding her from writing Ishmael or interacting with him in the future. Hatsue apologizes for deceiving her mother. Fujiko composes a letter to Ishmael’s parents, revealing the relationship and politely explaining that Hatsue is forbidden to have any more contact with Ishmael. She shows the letter to Hatsue, who insists Fujiko need not send it because she has decided herself that the relationship is over. Fujiko instructs Hatsue to write her own letter to Ishmael explaining this.
Over the next few days, Kabuo delivers the furniture he has made and has tea with the family. In time, he asks Hatsue on evening walks, and the two kiss.
Five months after receiving Hatsue’s letter, Ishmael begins marine training. In October, he trains as a radio operator and is sent to New Zealand. He continues to train and practice maneuvers during the day; at night, he joins the other young men in drinking and carousing but feels empty and does not enjoy himself. In November, his regime is shipped out, though they do not know their destination. That night, they all write letters home, knowing it is possibly the last opportunity they will have to do so. Ishmael writes a letter to Hatsue in which he professes to hating Japanese people and her as well. He crumbles the letter and throws it into the ocean.
Their ship makes its way to Betio Island but comes under attack along the way. When they are 500 yards from the beach, Ishmael and some others jump off the ship and try to make their way to shore. Ishmael keeps his large pack on him, though others shake theirs loose. Around him, other men are shot and some bleed to death. As he reaches the beach, Ishmael smells the odor of dead bodies and realizes he may be the only remaining member of his squad. He is able to locate one other soldier—Ernest Testaverde—and they trade stories of what they have witnessed and the condition of the other men. Together, they and 300 others mount the seawall. Testaverde is killed by a bullet to the head, though Ishmael does not witness this. He himself is shot in the arm and rescued four hours later by medics. Ishmael is taken aboard a ship where his arm is amputated.
This section provides rare moments in which Kabuo himself is the narrator, allowing the reader to evaluate Kabuo’s guilt in Carl Heine’s death for themselves and furthering the theme of Justice and Truth Seeking. Etta Heine remains certain of Kabuo’s guilt, representing the extreme position that no possibility of his innocence exists, again highlighting the theme of Racism and Enemies. To Etta, the sale of the strawberry farm provides a perfect motive for Kabuo to murder Carl Heine. Etta emphasizes the nonverbal signals that Kabuo gives to her and her son as proof of his culpability, believing that the expression she believed to see on Kabuo’s face is evidence that he intended to harm her son. The certainty with which Etta interprets Kabuo contrasts with the way in which Ishmael repeatedly asserts that Hatsue’s face is inscrutable, making it impossible for him to interpret her inner thoughts. Later, Kabuo will admit to himself that he is aware that others find his facial expressions menacing, though he insists that this interpretation is incorrect and the result of cultural differences. These cultural differences in mannerisms demonstrate the way in which people search for differences as signs of danger or a person’s operating outside of the perceived norm. Further, Etta’s reaction to Carl’s death and subsequent blaming of Kabuo highlights a connection between grief and anger: Carl has died in a tragic accident, and though there are dangers to fishing, his method of death is likely uncommon but by no means impossible. Rather than approaching the situation with logic, Etta approaches it with emotion, both from the loss of her son and her dislike for Japanese people following World War II. In a sense, Etta’s unwavering condemnation of Kabuo is a continuation of her cruelty and discrimination toward his family years earlier. Etta represents the anger, narrow-mindedness, and racism of some Americans after the war.
The rise and fall of the relationship between Hatsue and Ishmael unfolds in this section, providing insight into both of their characters and highlighting the theme of Parental Expectations and Family Legacy. Ishmael’s love for Hatsue is clear, and he explicitly conveys this to her before she is forced to leave Amity Harbor for the concentration camp. Though Hatsue is adamant that they must end the relationship, Ishmael does not share this view. Unlike Hatsue, he does not feel that any possible racism they might experience as a diverse couple cannot be overcome. He does not regard such outward prejudices as justification for ending their relationship in part because he is not the party being discriminated against. Indeed, Hatsue tries to impress upon Ishmael the ways in which his whiteness prevents him from being able to understand the situation from her perspective. Not only is she certain that they would be subjecting themselves to outward animosity, but she is keenly aware of the way in which her parents, as Japanese people, would disapprove of a courtship with a white man. In keeping with this, Hatsue never hesitates to insist that the relationship is indeed over when confronted by her mother. As Fujiko learns of the past courtship, this could have led to a more extreme tension between the mother and daughter, but for Hatsue, there is no debate: She chooses to remain loyal to her family and her Japanese heritage despite any romantic feelings for Ishmael that might remain. By the same token, Hatsue is quick to agree to spend time with Kabuo once he begins to court her at the camp. Hatsue commits to Kabuo and to the expectations of her parents, demonstrating the tremendous pressure that is presented when cultures collide; this pressure is magnified by racism and the effects of World War II, as the safest way forward was likely to keep with tradition and societal expectations.
The theme of Racism and Enemies comes to a head with the forced concentration of both Hatsue and Kabuo’s families at Manzanar. The poor condition of the facility and the quick imprisonment of Hatsue’s father (despite the lack of evidence that he is a threat to US security) illustrates the way in which all Japanese Americans were presumed to be dangerous merely because of their ethnicity. Fujiko is unsurprised by this and establishes the goal of maintaining a sense of dignity and self-worth despite the hatred that surrounds the family, which demonstrates the value of family legacy even at the darkest of times. This sense of dignity helps to shed light on Hatsue’s character, as she is determined to maintain her family’s dignity despite her past indiscretion.
The horrors of combat are conveyed through both Ishmael and Kabuo’s experiences in World War II, which helps to examine the theme of Racism and Enemies. The memories of having to kill German soldiers remain fresh in Kabuo’s mind, and he harbors sadness, guilt, and remorse for having taken the lives of others, thus highlighting that Kabuo does not think in terms of enemies. Indeed, the fact that these murders occurred during the war provides no solace for Kabuo, as he is certain that his soul must pay a sort of reparation for this perceived wrongdoing. This provides strong insight into Kabuo’s character: Kabuo blames his past behavior for his present circumstances and strongly condemns violence. Here, Buddhist beliefs impact him, as he is certain that the trial is a form of karma for the lives he has taken. These inner thoughts also provide important insight by which to evaluate Kabuo’s guilt: On the one hand, his actions in war demonstrate that he is capable—both physically and mentally—of taking another life. To his credit, however, the remorse and sadness that Kabuo feels by the deaths of those who are regarded as his enemies suggest he would be much less likely to murder Carl Heine. His exact feelings toward Carl are difficult to discern, and thus readers are placed in a similar position as the townspeople and jurors. Ishmael, too, experiences violence during his time in active duty. The emotional toll that the war has on Ishmael is certainly powerful, though he does not directly focus upon it after he returns. In witnessing such horrors, Ishmael shares a commonality with Kabuo, though they are also positioned as rivals for Hatsue’s hand in marriage—a fact that is unbeknownst to Kabuo.