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59 pages 1 hour read

Neal Stephenson

Snow Crash

Fiction | Novel | Adult | Published in 1992

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Symbols & Motifs

The Metaverse

In Snow Crash, the Metaverse is a virtual reality environment that takes the shape of an urban environment. When entering the Metaverse, people are able to walk down the streets, ride vehicles, and enter buildings as though they were in reality. In this sense, the Metaverse is a form of heightened reality. While inside the Metaverse, Hiro can be whomever he wants to be. He can alter his avatar so that he appears in a way that better suits his identity, or he can alter his appearance to hide from other people. The Metaverse offers a more flexible, more individualistic version of reality. This flexibility provides the Metaverse with an escapist element. When entering the Metaverse, people can be whoever they want to be. They can live out the fantasies and ambitions that they might not be able to carry out in their actual lives. This fantastical proposition inherent in the Metaverse ties into its history as a construction by a team of idealistic hackers. Young men like Hiro wanted the Metaverse to be a technological wonderland. They wanted people to live their best lives in the Metaverse, suggesting that the entire Metaverse is a symbol of the opportunity and hope offered by technology and hacking skills. With this, the Metaverse represents the potential for a technological future.

However, life inside the Metaverse is not ideal. Hackers like Hiro have been marginalized, and like everything else in the Snow Crash world, everything has become commodified. For all the potential for self-expression, people who use the Metaverse remain limited by their material conditions. They either lack the computing power needed to render certain avatars, meaning that they cannot afford to look the way they want, or they are forced to inhabit virtual reality spaces that are owned and operated by big businesses. Even though the Metaverse is a seemingly limitless virtual space, real estate is still a premium investment. The real estate within the Metaverse is a symbolic recreation of the complete commodification of the world defined by unfettered capitalism; artificial limits have been created to better extract profits from the masses. The commodification and corruption of the Metaverse’s ideals demonstrate the corrosive nature of capitalism as defined in the Snow Crash world. In reality, the police accept all major credit cards. In the Metaverse, the same companies who own the security forces own every facet of existence, and they charge people who use it for the privilege of occupying a virtual reality space.

Amid this rampant commercialization, certain people in the Metaverse do not need to obey the rules. Either through better hardware or sheer financial muscle, the rich and the powerful can dominate the Metaverse as they do the real world. Rife owns a vast swath of real estate in the Metaverse that does not need to conform to the same rules as everywhere else. In a very literal sense, the same rules do not apply to the rich. This imbalance is a symbolic reflection of the status quo in reality, where rich men such as Rife are permitted to do as they please because there are no longer any rules or regulations that can limit their actions. The rich have recreated the social hierarchy inside the Metaverse, and only talented hackers like Hiro are able to bend these rules as a challenge to the social order. Rife’s status in the Metaverse and Hiro’s ability to challenge him is a symbolic demonstration of the conflict between the rich status quo and the marginalized majority.

Advertising

In the heavily commodified world of Snow Crash, everything is a commercial. Every blank surface is used to sell goods and services to consumers. Even traditional mottos or idioms have been replaced by an advertising equivalent. The police force, for example, no longer offers to protect and serve the people. Instead, they assure the consumers that they accept all major credit cards. They are advertising themselves as a corporation rather than a public institution and reiterating the omnipresent nature of advertising. In the world of Snow Crash, everything is a symbolic opportunity to sell something to consumers.

The ubiquity of advertising in the Snow Crash universe is a symbol of unfettered capitalism. In this world, everything has become commodified. Everything is a good or service that must be sold to the masses. As such, everything has a commercial, and everything is a commercial. Even Rife’s media network becomes a vector for a virus, a metaphor for how modern society uses mass entertainment as a vector for commercials. The virus is an analogy for commercials, infecting the minds of the audience and convincing them to behave in a way that may be contrary to their actual interests.

The omnipresence of commercials in the world of Snow Crash is exemplified by Hiro’s final victory. After wrestling with Raven to stop the bomb, Hiro unleashes his SnowScan program just in time to prevent the bomb from infecting hundreds of thousands of hackers in the Metaverse. The SnowScan program detects the Snow Crash virus and replaces the image with something of Hiro’s own invention. However, the only thing that Hiro can think of to put in its place is an ad for his own services. The ubiquity of advertising is such that a commercial is expected. An empty or blank space is inconceivable; Hiro subconsciously refuses to miss an opportunity to sell himself to his fellow hackers.

Glossolalia/Speaking in Tongues

Glossolalia is the act of speaking in tongues. During the course of Snow Crash, Hiro and YT meet several people who begin speaking in seemingly unintelligible tongues. At first, this behavior seems like the product of brain damage (in the case of Da5id) or religious belief (in the case of the Falabalas). Both protagonists dismiss speaking in tongues as gibberish or babble, something that seems like pure noise in a world which does not make sense. As they pick apart Rife’s plan, however, they begin to learn that the act of speaking in tongues is not just an uncontrollable response to a given situation but a demonstration of a person’s connection with the metavirus that Rife is trying to propagate.

Whether through a computer virus or a physical virus, Rife plans to undo the work of Enki and unite people together under the yoke of the Sumerian language. The people are not speaking in a chaotic babble; they are speaking Sumerian, and they can understand each other. As such, glossolalia is a metaphor for both Rife’s hidden plan and the way information hides within chaos. Hiro must separate the signal from the noise, determining what makes sense and what does not. When he realizes the truth about glossolalia, he is shown that the behavior he initially dismissed is actually the entire plan itself. The act of speaking in tongues symbolizes the hidden truth in the world, prompting Hiro to reinvestigate the world around him for the depths and nuances he initially dismissed.

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