56 pages • 1 hour read
Lynda Mullaly HuntA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section references drug and alcohol addiction.
The novel’s narrator, Delsie, asserts that she does not like surprises, so she is nervous when her long-time friend Aimee Polloch informs Delsie that she has a “surprise”: Aimee and Michael tried out for the summer play, Annie, at the Cape Playhouse, and Michael landed a part while she got the lead. Aimee requests Delsie’s help, as she wants to know what it is like to be an orphan. Delsie loses track of what Aimee is saying, as she never thought of herself as an orphan until this morning. While she often thinks about her mother and believes her to be alive, Delsie has to concede that her mother’s abandonment of her makes her an orphan.
Delsie’s grandmother, Grammy, works as a housekeeper for guest cottages. Delsie is looking forward to seeing one of those guests: Brandy, who has been her friend since they were toddlers. Delsie and Brandy meet up, and Delsie notices that Brandy looks older; she is wearing makeup and holding a purse, making Delsie feel self-conscious. Delsie feels reassured when Brandy tells her that she has taken out their pails for rocks and shells, which they collect each summer to make sculptures out of. They check the cottages’ bushes for a small stone house they constructed for fairies when they were younger, but the house is not there. Delsie is upset, but Brandy dismisses its disappearance. Brandy then says that she wants to go to the beach to tan. Delsie feels that Brandy is changing.
They go to collect rocks and shells on Seagull Beach, having fun and then bringing back their spoils. Brandy asks Delsie if she thinks collecting and building sculptures is kind of “babyish.” Delsie says it isn’t if they like it and that they shouldn’t care about what other people think. Brandy agrees, but Delsie suspects that she is lying.
Brandy goes with her mother to a mani-pedi appointment. As Brandy waves goodbye to Delsie, Delsie feels a strange emptiness and wonders what would happen to her if anything happened to Grammy. Delsie goes for a run on the beach and sees a seal pup being watched over by a beach patrol officer. Tourists are taking pictures of the pup, but the officer tells everybody to stand back, as the pup is frightened. The officer explains that it is normal to find pups left on the beach, as mother seals will sometimes leave their pups on shore while they hunt to keep them safe from sharks. The officer warns people that if the mother seal sees people too close to the pup, she could abandon the pup; however, the mother seal always returns to her pup at some point. This saddens Delsie.
The mother seal returns, and the pup joins its mother in the water. Delsie starts to cry and reflects, “[W]hen people say you can’t miss something you’ve never known…Well, that simply isn’t true” (13).
Delsie returns home and asks Grammy about her mother. Grammy is shocked by Delsie’s sudden questions. Delsie also asks who her father was, including his name. Grammy says that Delsie’s mother, Mellie, never told her Delsie’s father’s name. Delsie demands to know why her mother left, but Grammy does not want to talk about her, saying that talking about the subject makes her feel “terrible inside.”
Grammy tries to change the subject, so Delsie goes to her bedroom alone and looks at a picture of her mother, which she says good night to every night. Thinking about the seal, Delsie throws the picture frame, shattering the glass. Delsie feels as broken as the fragments.
Olive Tinselly, Delsie’s grumpy neighbor, comes to the door of Delsie’s and Grammy’s house. Olive says that it is time to do something about Henry, another neighbor, who is struggling. His wife, Esme, is away caring for an ailing parent, and he has to take care of their daughter, Ruby, by himself while working. Olive is specifically upset about Henry having made a makeshift wind chime out of silver spoons and hanging it in a tree.
Henry comes out of his house with Ruby and greets Olive happily. Delsie reflects that it would be nice to have a father like Henry. He explains that he made the wind chime because Ruby misses her mother and says that the spoons chiming in the wind sound like her mother’s laughter. The conversation turns to Henry’s fishing, and Henry praises Delsie’s deceased grandfather, Papa Joseph, who left Henry his boat. Grammy ignores Olive’s concerns about the spoons and tries to convince Olive to bake something for Henry and Ruby with her. Delsie reflects that Grammy is a “bridge builder” and helps unite people.
The next day, Delsie meets Brandy at Seaside. When Delsie sees Brandy and her mother’s matching manicures and pedicures, she feels jealous. Brandy surprises Delsie with a pair of sunglasses, of which she has a matching pair. Delsie asks Brandy if she wants to build a sandcastle or go clamming, but Brandy declines, saying that she cannot mess up her manicure. Delsie is disturbed by this, as this has never bothered Brandy before. When Delsie suggests building a new fairy house, Brandy dismisses the idea as childish. Delsie then proposes running, revealing that she is training for a 5K in the fall that is fundraising for heart disease; she’s doing so in memory of Papa Joseph, who had a heart attack. Delsie remembers how Brandy comforted her at the funeral. Brandy suggests going swimming, but Delsie says that the clouds and the smell indicate an approaching storm. She is right, as it begins to rain shortly afterward. Delsie watches the lightning come in. Delsie sees a boy wearing all black standing at the water’s edge and yells to him that it’s dangerous to stand with his feet in the water during a lightning storm. The boy steps back but does not look at Delsie.
Grammy requests Delsie’s help cleaning one of the guesthouses, as the guests requested that the undersides of the furniture get cleaned. Because the furniture is too heavy for Grammy and Delsie, they call the maintenance man, Gusty Gale. His son accompanies him and turns out to be the boy in black that Delsie saw at the beach; his name is Ronan. Ronan is quiet and seems wary of Delsie’s outspokenness.
Delsie later finds Brandy at the beach playing cards with a girl named Tressa, whom Delsie does not know. When Delsie asks to play, Tressa argues against her joining, but Brandy lets her in. Brandy then invites Delsie to come on a whale-watching trip for her birthday that week. Tressa is unimpressed by the idea of whale watching and gets up to leave; Brandy follows as Delsie is about to say something. Delsie hears a “little voice” of warning.
The next day, Brandy and Tressa invite Delsie to come with them to a fancy ice cream parlor. Tressa judges Delsie for not wearing shoes, comparing Delsie to Tarzan. Delsie reminds Brandy of when she convinced her to not wear shoes and how she couldn’t walk on the hot pavement, and Brandy replies that she didn’t like it because she’s “normal.”
Delsie is not allowed into the parlor because she doesn’t have shoes. She watches Brandy and Tressa laughing through the window and then notices Ronan’s reflection. He’s still in his black jeans and long-sleeved black shirt and is drinking a milkshake. Delsie greets him, and Ronan asks why everybody on Cape Cod starts conversations with strangers. Delsie correctly guesses that he is not from the cape. Ronan tells Delsie that she and her friends remind him of hammerhead sharks, which “only swim in shallow waters” (38), and then walks away.
As soon as he leaves, Aimee and Michael arrive and greet Delsie. Brandy and Tressa return, and the group watches as the manager and Ronan argue after Ronan climbs onto the running board of the shop’s ice cream truck. Ronan announces that he’s leaving. Tressa judges Ronan for wearing long black clothing in the summer. Brandy reveals that she feels sorry for Ronan, but Tressa asserts that he isn’t “nice” and that he is always in trouble, saying he stole from a room that his father was working in. Delsie doubts Tressa’s claims. Delsie sees Ronan lingering in the parking lot with an angry body posture but a “sad” expression. Tressa tells Brandy that she should complain about him living at Seaside, and Delsie notices that Brandy is unusually quiet. Michael and Aimee leave, and as Delsie accompanies Brandy and Tressa to the beach, she keeps her eye on Ronan.
Delsie, Brandy, and Tressa go on the whale watch for Brandy’s birthday. Delsie is excited to give Brandy her gift but disappointed that Tressa is on the boat with them. The three girls witness the fluke of a whale as the whale dives beneath the waves. The scientist on board explains that every fluke is unique, like a human fingerprint, but Brandy and Tressa are not paying attention, instead watching videos on Tressa’s phone. The boat is surrounded by whales, and as Delsie runs around the deck looking at them, she realizes that Brandy and Tressa are laughing at Delsie and recording a video of her.
Delsie wishes that she could have watched the whales with the “old Brandy.” She reveals that she bought Brandy a clown figurine, as Brandy collects them. Brandy loves the gift, but Tressa immediately criticizes Delsie for buying Brandy a used present from an estate sale. Tressa bought Brandy a pair of new sunglasses, which Brandy says are “just what [she] need[s]” (45).
Delsie pretends to enjoy lying on the beach with Brandy and Tressa; she wishes that they were collecting rocks, running, or swimming. She falls asleep on her stomach but wakes to Ronan kicking her leg. Ronan informs her that Brandy and Tressa used sunblock to write “boring” on Delsie’s back in large letters. She leaves Brandy and Tressa and goes to the playhouse to see Aimee and Michael.
When she arrives at the playhouse, the cast is practicing the song “It’s a Hard-Knock Life.” Delsie reflects on the irony of the children singing this orphan’s song when they all have mothers.
Madam Schofield criticizes Michael for his “shallow” performance, telling him that she does not believe in his portrayal. Michael argues that he cannot relate to his character, who is cruel. Madam Schofield points out that everybody has the capacity for cruelty and that he needs to access the darker parts of himself to relate to the character.
These first 10 chapters introduce all the novel’s major characters—not just Delsie and Granny but also Delsie’s neighbors, Ronan and Gusty, Brandy and Tressa, and Aimee and Michael. With these characters come the novel’s central conflicts: Delsie’s internal conflict as she struggles to understand her abandonment by her mother, her interpersonal conflict with Brandy as Brandy increasingly distances herself from Delsie and becomes closer to Tressa, and the conflict between Delsie and Grammy, who refuses to talk to Delsie about her mother.
The novel opens with Delsie assessing her life from a new angle: By calling her an orphan, Aimee has changed the way Delsie thinks about her mother’s absence. The implied permanence of the term sparks a crisis that develops over the coming chapters. Delsie increasingly feels marked for the worse by her mother’s abandonment. Delsie’s internal conflict builds after seeing what she calls Madre Seal after hearing a boy refer to the seal as such in Spanish (madre meaning “mother”). The seal represents maternal love, and seeing the mother seal return to her pup fills Delsie with longing for own mother. The episode sets the scene for her conflict with Grammy, as she reaches out to her grandmother for information about her mother only to discover that Grammy’s emotional response to the loss differs sharply from her own. The combination of events prompts Delsie to throw the picture of her mother as though in rejection of her. Doing so does not resolve Delsie’s grief, however. Instead, she feels like the broken pieces of glass, introducing a central theme of wholeness versus brokenness. Delsie’s experience watching Aimee and Michael accentuates her internal conflict as she hears the children sing “It’s a Hard-Knock Life,” a song about living in an orphanage.
The parallel between Delsie and Ruby, whose mother is temporarily away, is among the ways the novel explores The Importance of Friendship and Family. Where friendship is concerned, the opening chapters establish the shakiness of Brandy and Delsie’s relationship. Brandy’s dismissal of Delsie’s interests as “babyish” and her implication that Delsie’s tendency not to wear shoes is not “normal” indicate her gradual drifting away from Delsie. The whale watch best represents the change in Brandy, as she and Tressa sit on their phones rather than share Delsie’s joy in nature. Tressa’s gift of sunglasses for Brandy, after Brandy already purchased a matching pair of sunglasses for herself and Delsie, symbolizes Brandy’s shift toward Tressa. Her claim that these sunglasses are “just what [she] need[s]” implies that she does not need Delsie (45). From this point on, Tressa and Brandy’s bullying worsens.
The beginning of the novel also establishes the setting, including the feel of Delsie’s community. Although Cape Cod is a tourist destination, the people Delsie regularly interacts with are mostly working-class: fishermen, maintenance workers, and housekeepers like her grandmother. This environment informs Delsie’s understanding of the world, but she isn’t entirely at ease with it, particularly as the class difference separating her from Brandy grows more pronounced. Brandy’s family has enough money to regularly vacation on Cape Cod, and her new interests—e.g., getting manicures—are markers of social status as much as age and gender. Tressa’s disparagement of Delsie’s secondhand gift indicates that she is not welcome in their more elite group.
If Delsie occasionally feels embarrassed by her class status, her feelings about her natural environment are less complicated. She loves the coast and the ocean and knows both well, as her intuitive prediction of the storm demonstrates. She also speaks in metaphors that relate to the sea—a habit Ronan shares despite not being from Cape Cod, as when he says that Brandy and Tressa remind him of hammerhead sharks. The similarity hints at the friendship that will develop between the two, though his character is ambiguous at this point. Standing in the water during a lightning storm, for example, indicates a self-destructive tendency. His rude dismissal of Delsie and Tressa’s condemnation of him also works against him. Already, however, Delsie suspects that this is a front; he looks “ready for a fight,” but his facial expression is “sad” (40).
Ronan is therefore among the characters through whom Hunt explores The Complexity of Human Emotions and Character. The scene at the playhouse further illustrates this idea via Madam Schofield’s critique of Michael’s performance as “shallow” and her remark that everybody can be cruel, kind, etc.
By Lynda Mullaly Hunt