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Shen Fever, the disease which dooms its victims to repeat routines until they die, is the central symbol of the novel. Shen Fever is used as a metaphor for the anesthetic routines of life under capitalism.
In a capitalist society, almost everyone enacts a common ritual, the workday. No matter the varying details of the job, most of the day is spent giving labor in exchange for money that buys stability, safety, and comfort. Most workers cannot just choose to stop working and accept that work will take up most of adult life. Weekends and holidays become end goals, as workers often put off enjoyment until anticipated breaks in routine. Just “getting through the work day” on autopilot is a common approach. But as Ruifang says to Candace, “what you do every day matters,” (63) and the repetition of unfulfilling days eventually adds up to a lifetime of unfulfillment.
Shen Fever exposes the absurdity of modern work culture. Its victims are stuck in micro-loops, repeating small parts of their daily routines ad infinitum until they literally rot. It’s a dramatized mockery of the workday phenomenon, an inescapable dance of repetition that numbs the mind and eventually drains away life.
The line between a Shen Fever victim and a “workaholic” like Candace is so blurred that at one point, she wonders herself if she might be fevered. After their deaths, some of the fevered repeat the tasks they remember from their jobs, serving nonexistent customers or endlessly folding T-shirts. Candace acts exactly like this, going in to work in an empty office long after everybody else has left. The ultimate pointlessness of the working day routine is highlighted by these images of characters repeating rote tasks, helping no one and accomplishing nothing of value.
Through the motif of Shen Fever’s zombified rituals, the narrative questions how much of time is given up to work. While the system cannot be changed overnight, a more active role in daily life can be taken.
The Bible is a prominent symbol in the narrative. Candace’s job at Spectra involves overseeing the production of countless versions of the Bible aimed at different target markets. According to her, the Bible “embodies the purest form of product packaging, the same content repackaged a million times over” (23). The commodification of the Bible is used to symbolize the way that consumerist culture turns everything into a buyable product.
Religion is a fundamental part of human history. For those who practice, it can help them navigate life’s challenges and find community in shared beliefs. Ruifang uses a ritual of prayer to ground herself in her new life in America, and the CCC is an essential social gathering point for her and many other first-generation Chinese immigrants. This is religion in its elemental form, free and accessible to whoever chooses to practice it, an endless source of strength and comfort.
The commodification of religion in Severance is humorously dark. The Bibles peddled by Spectra are produced under horrifying conditions in foreign countries, produced in trendy new iterations for image-conscious customers who ignore the dubious origins of their purchases. The entire practice is far from holy, disregarding morality and turning something once sacred into one more mode of collecting profit. These souped-up Bibles serve as a searing commentary on how rampant consumerism spares nothing in its path.
Shark fin soup appears twice in significant moments during Severance. A traditional Chinese dish, it represents Candace’s relationship to her heritage and her yearning for the lost part of her identity.
After Ruifang’s death, the hospice facility where she passed mistakenly sends Candace a package of her personal effects which includes dried shark fins. Candace is nonplussed by the fins. She feels guilty that sharks were killed for them and is unsure how to use them until Jane suggests they host a “vaguely Orientalist” dinner party. The shark fin soup Candace makes turns out viscous and unappetizing, and the party puts her uneasy relationship to her racial and cultural identity on display as she plays on her Chinese heritage like a joke for her friends. Her metaphorical hunger for connection to family, culture, and love remains unsated by the soup.
Shark fin soup appears for a second time in a recurring dream Candace experiences while living with Jonathan. In this dream, she wanders through a Bible expo until she finds her mother, who recognizes her hunger and sits her down at a table with a bowl of shark fin soup. This version of the soup is “so delicious, unbelievably rich that [Candace understands] why sharks had to die for it” (140).
Although Ruifang’s parenting alienated Candace from her identity, she is also one of the only people who can understand her daughter’s yearning, having undergone the same trauma of separation. The soup represents Candace’s missing piece, lost in her move to America: her connection to her parents, her culture, and community. But she wakes up before she can taste it, and fulfillment remains elusive.
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