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37 pages 1 hour read

Blake Snyder

Save the Cat: The Last Book on Screenwriting You'll Ever Need

Nonfiction | Reference/Text Book | Adult | Published in 2005

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Index of Terms

Primal

Snyder uses this term to describe a script that has at its heart a basic drive or motivation for a character. Hunger, sex, survival, and protection of one’s home or loved ones are primal urges. The author repeatedly exhorts the reader to anchor their story’s premise in something primal.

Logline

The logline is a movie’s one- or two-sentence description of what it’s about. According to the author, a potent logline reveals some irony and conflict, as well as providing a brief description of the hero. It should also hint at the target audience and potential cost.

Beats

Beats are individual scenes in a movie or story. Each beat should feature a conflict and a change in the emotional tone. In the BS2, Snyder allows for 40 beats spread over three acts.

Thesis / Antithesis / Synthesis

Snyder uses these terms to label the three acts of a screenplay and their function. Act 1, the thesis, should introduce the hero and the other important characters, as well as set up the premise. Act 2, the antithesis, plunges the hero into a new world or turns the hero’s world or expectations on end. Act 3, the synthesis, shows the results of the hero’s actions and growth, metaphorically creating a new world.

High Concept

Popularized by Jeffrey Katzenberg and Michael Eisner, the essence of “high concept” (14) is making a movie easier to understand and “see” through just the logline, title, or poster. According to Snyder, the term has fallen out of favor in Hollywood, but he believes it is “just good manners, common courtesy if you will” (15), to present something that allows the average moviegoer to answer the question “What is it?” without lengthy explanation.

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