62 pages • 2 hours read
Jesmyn WardA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
The story opens with our narrator, Esch Batiste, attending to China, her brother’s pit bull, who is preparing to birth puppies. She is a “crazy” dog, according to the narrator, because she will only let Skeetah touch her. The narrator reminisces about her mother giving birth to all of her siblings in the house; she recalls the last birth her Mama had in “her bed, under her own bare burning bulb” (2). Junior had come out blue and Mama refused to go to the hospital. Their father had dragged her out of the room, “trailing her blood, and [they] never saw her again” (2). China, the pit bull, is fighting while giving birth, like she was born to do.
While the family starts making preparations for a possible hurricane, there is a description of the family’s poverty: how “scraps” were used for their entertainment, like an old cow tub for a swimming pool, and a homemade basketball hoop screwed to a tree. While Randall didn’t really believe a hurricane was coming because “ain’t nothing hit [them] in years” (5), Manny, Randall’s friend, believes something serious is happening, as does the children’s father. Claude’s nervousness and blunt belief in the storm made him seem, “for a moment…not-drunk” (6).
China’s first puppy is “almost orange” like his father; the narrator describes him as “Mississippi red” (8). The second puppy is born dead. The third puppy slides out slowly and headfirst, and Skeetah is the only person who can get close to China. He is helping her with the birth, despite the fact that she is growling at him. He cleans the puppies.
Esch is ordered to wash jugs while her brothers and some other kids are playing basketball. She ends up cutting her hand. Randall notices and comes forward. He gives her the advice his mother always gave them for a cut, “to push on it until it stops bleeding”, and all the while she is watching Manny who is “excited, not concerned” (12).
China’s next puppy is black and white and Esch wants to keep it. Because China is used to breed fighting dogs, Skeetah won’t let her keep the pup because he would be worth too much money. Another puppy, a pure white one, is born and looks dead. Skeetah coaxes her though, and she breathes.
After washing all of the bottles, Esch walks toward the back of the property and wants “to search for Manny so badly the want felt like an itch on [her] temple” (14). Manny finds her out back and she asks him why he isn’t out front with the others. Manny then proceeds to take her clothes off and they have sex.
When Esch returns to the house she marvels at how gentle China is with her puppies, “…she stands over them, her on one side and Skeetah on the other like a pair of proud parents, and she licks” (17). When China passes what they think is the after birth, Esch notices something moving and it is a runt, “half the size of his brothers and sisters” (18). China looks “rigid” at the rest of them and they understand they need to leave her with her puppies.
The description of the setting and the conditions of the family are the focus of this opening chapter. We learn that the family is quite poor and that they are still grieving the loss of their mother, as Esch’s frequent reflections on her attest. The vivid images of birth, both with the narrator’s mother and of China, the pit bull, are mirrored by repeated descriptions of the red-dirt. That the Pit is overrun with plant life further suggests that this area is life giving. However, life here is not without struggle. Clearly the Batiste family is merely surviving and there are repeated images of fighting to survive, especially with relation to China. When the narrator describes China’s mating with another dog she tells us that “there was blood on their jaws, on her coat, and instead of loving, it looked like they were fighting” (8). Any sort of reproduction in the novel isn’t of a romantic nature, but is messy and animalistic. This becomes disturbing when we learn that Esch “allows” herself to be treated poorly by young men. Although she loves Manny and she believes he loves her, he is not tender or intimate, but only takes from her. This is one of the first parallels that the author draws between China and Esch.
This chapter is makes the first reference to the mythological figure of Medea, allusions to whom run throughout the novel. Esch is reading a book of Greek mythology assigned by her English teacher and she consistently makes connections between her own emotional state and how Medea must have felt at certain parts of her story.
By Jesmyn Ward
African American Literature
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Birth & Rebirth
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Black History Month Reads
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Climate Change Reads
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Historical Fiction
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Mothers
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National Book Awards Winners & Finalists
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Summer Reading
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