48 pages • 1 hour read
Russell HobanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
On the night after his father was cremated, Riddley takes part in a ceremony to announce him as the new connexion man. Goodparley and Orfing arrive in the village with a large retinue of bodyguards. Riddley accompanies them into his father’s workshop to officially welcome the men to the village. They exchange formal greetings, just as Riddley watched his father do before him. Riddley hands the important men a wad of cigarette rolling papers and they smoke marijuana together. After offering their condolences, the officials turn to business. They inform Riddley that the people of his village may have their foraging area restricted. Feeling the effects of the marijuana, Riddley takes a firm stance against this.
Goodparley quizzes Riddley on the story of Eusa, making him quote verses from his memory and asking for interpretations of certain parts of the story. The official then reveals that he believes that the story of Eusa is more than just a story: Goodparley says that he has been searching for the Littl Shynin Man, though Orfing seems doubtful about the plan to rediscover the secrets of nuclear bombs. Riddley watches the two men argue back and forth about the merits of the plan before the conversation turns back to him. Goodparley asks Riddley whether he is certain that he wants to follow in his father’s footsteps. When Riddley says yes, they perform a ceremony dedicated to Eusa and Lorna cuts three horizontal lines into Riddley’s belly.
Goodparley and Orfing prepare their Eusa show, a piece of theatre which uses puppets resembling the traditional British characters Punch and Judy. The people of Riddley’s village watch his initiation ceremony and then gather around for the Eusa show. As the connexion man, Riddley will be required to interpret the story for them. The show begins with a customary call and response between the connexion man and the audience. Riddley and the audience know the words by heart. Goodparley disappears into a small booth and controls the hand puppet characters including Eusa. Orfing stands beside the booth and acts as the narrator, occasionally interacting with the characters.
The puppet Eusa reenacts the story of how he and Mr. Clevver destroyed the world. In this version of the story, the puppet Eusa invents a mechanical head to help him think. When Mr. Clevver asks about this new invention, Eusa explains that the rudimentary computer will help him on a project named Good Time. Mr. Clevver cranks the machine beyond its limits and transports all of Eusa’s knowledge into the machine. Mr. Clevver departs with the machine, leaving Eusa alone and confused. The Littl Shynin Man appears to Eusa. When Eusa does not recognize him, the Littl Shynin Man reveals that Eusa is the person who tore him in two and tells Eusa to retrieve his machine from Mr. Clevver to ensure that project Good Time is a success.
The play seems to end but Eusa reappears and seems to argue with Orfing. They disagree over why the puppet Eusa has changed the traditional story to blame Mr. Clevver for all of the mistakes previously assigned to Eusa. Orfing asks why anyone would believe this new interpretation. He accepts that the show evolves and changes all the time, but this new version deviates radically from the traditional account which blames Eusa for the nuclear war. The puppet Eusa proclaims its innocence, claims that nuclear war was inevitable, and insists that this version of events is true.
The puppet show finishes, and the people socialize amongst themselves, drinking alcohol and discussing what they have just seen. Riddley is now one of the senior members of the community but neither Goodparley nor Orfing seem to pay him any attention. He goes out alone into the rain and walks along the perimeter of the village. Goodparley and Orfing’s party departs and Riddley watches them leave.
The next day, Riddley does not have to work. He prepares his interpretations of the Eusa show for the rest of the village. Riddley has always believed that he could provide better interpretations than his father, whose connexions were never particularly exciting. He remembers one Eusa show which seems entirely different from the previous day’s performance. In this show, a more foolish version of Eusa becomes embroiled in a dispute over land ownership. The simple story seems to preach the importance of community as a form of defense. His father made a simple pun about the message of the play and, a few days later, the village elders began to form alliances with nearby villages to increase their protection. They became farmers instead of foragers, though many do not appreciate this new lifestyle and wish to return to the old ways.
Riddley thinks about his first connexion. He wants to distinguish himself from his father but does not want to seem arrogant or self-important. His father advised him not to overthink the connexions; Brooder’s interpretations were always improvised in the moment. Riddley begins his interpretation slowly, building up to a grand finale by slowly leading his audience through his reasoning. He disappears into his own thoughts for a while and, after a moment of silence, proclaims that Eusa’s head “is dreaming us” (50). The others are confused until Lorna points out that the idea came to him in a trance and, perhaps, he broke from the trance too soon. Riddley and the others have no choice but to wait until the intricacies of his interpretation become more apparent.
The society of Inland is in the midst of an upheaval. Broadly, the communities which live in the area are divided into social groups based on whether they are foragers or farmers. Foragers are nomadic people who wander from place to place, subsiding on what they can find. Farmers are settled in one location and build walls around themselves for protection. The Ram prefers the farmers and, through the Eusa stories, encourages more people to settle down in one place and farm, rather than roaming the countryside. However, the switch to a farming lifestyle is not universally appreciated. Riddley begins to notice that an increasing number of people resent being made to live in a fixed location. This kind of social unrest is introduced in Chapters 7-9, providing an insight into the lack of cohesion in the society. The desires of the people and the desires of the government are not always aligned. Those who would prefer to return to the foraging lifestyle have legitimate grievances with the Ram, but they lack any means to change the government policy. Social unease and general frustration become increasingly apparent in the community and Riddley begins to realize that the world is not as simple as it appears to be.
The puppets in the Eusa show represent the society’s general approach to the ruins of the past which surround them. After 2,000 years, the relics of the past have lost all of their original meaning. The people of Inland do not understand how the technology of the 20th century functioned, so they project their own interpretations onto the abandoned buildings, machines, and structures which surround them. These interpretations are often wrong, typically with disastrous results. Likewise, the puppets represent a low form of 20th-century culture and are invested with a greater importance in the post-apocalyptic society. The Punch and Judy show is traditionally a kitsch, outdated form of entertainment which—by the time the nuclear war broke out—had lost all forms of cultural relevancy. For the people of Inland, however, the puppet shows are the dominant form of cultural expression. The puppets may have been irrelevant in the culture of the past, but they are given a renewed and misinterpreted relevance in Inland. Just like Riddley cannot truly comprehend the cathedral crypt or the idea of space travel is incomprehensible to the people of Inland, the plots and characters of the Punch and Judy plays become the foundation for everything people hold to be true.
The idea of misinterpretation recurs when Riddley makes his first connexion. The moment is significant, as it represents Riddley’s first real contribution to the community. He has trained his whole life to help the people interpret the Eusa plays, and he has spent many years dreaming about how he will distinguish himself from his father. Riddley meticulously plans the details of his connexion, hoping to gradually lead his audience toward a dramatic conclusion. However, this does not happen. Riddley freezes and delivers an unsatisfying, confusing message which his audience barely understands. Riddley’s ambitions are shown to be hollow, and his desire to prove himself as an intellectual leads to social embarrassment. In Inland, ambition and intellectualism are often punished. For all of his intellect and desire to help people, Riddley falls foul of the same issues which punish many other characters.
Action & Adventure
View Collection
American Literature
View Collection
Disability
View Collection
Earth Day
View Collection
Fantasy
View Collection
Memory
View Collection
Required Reading Lists
View Collection
School Book List Titles
View Collection
Science Fiction & Dystopian Fiction
View Collection
Science & Nature
View Collection
Sexual Harassment & Violence
View Collection